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Show Me Where it Hurts
Personal essay meets pop-culture critique in this unflinchingly honest collection about chronic illness and misogyny in medicine, by Adelaide writer Kylie Maslen
Woman of Substances
Journalist Jenny Valentish takes a gendered look at drugs and alcohol, using her own story to light the way. Mining the expertise of 35 leading researchers, clinicians and psychiatrists, she explores the early predictors of addictive behaviour, such as trauma, temperament and impulsivity. Drawing on neuroscience, she explains why other self-destructive behaviours – such as eating disorders, compulsive buying and high-risk sex – are interchangeable with problematic substance use. From her childhood in suburban Slough to her chaotic formative years in the London music scene, we follow her journey to Australia, where she experiences firsthand treatment facilities and AA groups, and reflects...
The Crow Eaters
‘Ben Stubbs uncovers the sheer delight and surprise of discovering what’s in your own backyard.’ — Bob Byrne, author of Adelaide Remember When and Australia Remember When Outsiders think of South Australia as being different, without really knowing much about it. Combining his own travel across the million-square kilometres of the state with an investigation of its history, Ben Stubbs seeks to find out what South Australia is really like. In the spirit of the best travel writing and literary non-fiction, he lingers in places of quiet beauty and meets some memorable people. Along the way he debunks most of the clichés that plague the state. Travelling to Maralinga, Ceduna, Kangaroo I...
The World Was Whole
The follow-up to Fiona Wright’s essay collection Small Acts of Disappearance – winner of the Nita B. Kibble Award and the Queensland Literary Award for Non-fiction, shortlisted for the Stella Prize and the NSW Premier’s Award for Non-fiction. Our bodies and homes are our shelters, each one intimately a part of the other. But what about those who feel anxious, uncomfortable, unsettled within these havens? In The World Was Whole, Fiona Wright examines how we inhabit and remember the familiar spaces of our homes and suburbs, as we move through them and away from them into the wider world, devoting ourselves to the routines and rituals that make up our lives. These affectingly personal ess...
The Rapids
The Rapids is a cultural history of manic depression twinned with a personal narrative told through an innovative approach to writing memoir.
A Constant Hum
A young and exciting new literary voice, emerging from one of Australia’s worst natural disasters
The Shape of Sound
A vivid and essential memoir of deafness, disability and identity by Australian writer Fiona Murphy
The Social Photo
A set of bold theoretical reflections on how the social photo has remade our world. With the rise of the smart phone and social media, cameras have become ubiquitous, infiltrating nearly every aspect of social life. The glowing camera screen is the lens through which many of seek to communicate our experience. But our thinking about photography has been slow to catch-up; this major fixture of everyday life is still often treated in the terms of art or journalism. In The Social Photo, social theorist Nathan Jurgenson develops bold new ways of understanding photography in the age of social media and the new kinds of images that have emerged: the selfie, the faux-vintage photo, the self-destructing image, the food photo. Jurgenson shows how these devices and platforms have remade the world and our understanding of ourselves within it.
Questions Raised by Quolls
Questions Raised By Quolls is an eloquent examination of extinction and conservation set against the backdrop of global climate change. From his own family lineage, Harry reveals how the prosperity of the human race runs parallel with the decline of the natural world. Evocative and challenging, this eulogy to lost species will force you to question your place in the vast interconnected web of life.
Blueberries
‘I mean who cares about opinions, gossip, whatever, when bodies are so vulnerable, in search only of love and breath.’ The body frequently escapes her, but is always very much present in these compellingly vivid, clear-eyed essays on an embodied self in flight through the world, from the brilliant young writer Ellena Savage. In Portuguese police stations and Portland college campuses, in suburban Melbourne libraries and wintry Berlin apartments, Savage shows bodies in pain and in love, bodies at work and at rest. She circles back to scenes of crimes or near-crimes, to lovers or near-lovers, to turn over the stones, re-read the paperwork, check the deeds, approach from another angle altogether. These essays traverse cities and spaces, bodies and histories, moving through forms and modes to find a closer kind of truth. Blueberries is ripe with acid, promise, and sweetness.
