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The Distaste of the Earth imaginatively weaves an ancient world of Khasi kings and queens, warriors and plunderers, and chronicles the sorrows of a young man caught up in that world. This layered fictional history of a land where a queen falls in love with a pauper, where animals recount their tales of woe against man, and where retribution—destructive to both good and bad—arrives, sooner or later, begins in a pata, the local bar, whose patrons form a microcosm of the world around them. Kynpham Sing Nongkynrih masterfully equips these endearing characters to explore, through the tragic life of the protagonist, the nature of human existence, raising questions about earthly powers, godly d...
It Is Believed That The Only Way The Khasi People Could Learn Of God S Word Was By Passing On The Stories Of Their Forefathers. The Alphabet Of The Great Khasi Tribe Of North-East India Was Born As Late As In 1842, When Thomas Jones, A Welsh Presbyterian Missionary, Introduced The Roman Script To Form The Essentials Of The Khasi Written Word. But Long Before The White Man Came, The Khasis Knew Agriculture, Trade, Commerce And Industry. And They Were Also Masters Of Storytelling. Theirs Was A Society Of Great Wisdom And Civilized Conduct At A Time When Brute Force Held Sway. For Theirs Was A Culture That Worshipped God Through Respect For Both Man And Nature. Perhaps That Is Why Khasi Stories...
A group of friends journey to aremote part of West Khasi Hills to witness Ka PhorSorat, the Feast of the Dead,an ancient Lyngngam funeral ceremony that lasts six days. Concluding with thecremation of a beloved elder, a woman whose body has been preserved in a treehouse for nine whole months, this may well be the last time Ka PhorSorat isperformed. By mistake, however, the grouparrives early. So they wait, stuck in the jungle, spendingtheir nights around a fire in the middle of a spacious hut built forthem especially, sharing stories in what proves an unexpected journey ofdiscovery. Funeral Nights is avast collection of tales both big and small, less about death than it is aboutlife in all forms. It teems with admirable men and women, raconteurs andpranksters, lovers and fools, politicians and conmen, drunks and taxi drivers;it abounds with culture, history, gods, religions, myths and legends. Inspiredby Boccaccio's Decameron and The Arabian Nights, this isintimate access to a whole world, spectacular in its documentation of a tribe'slife and culture, and lush, warm, and entirely delightful in its telling.
This book provides an in-depth analysis and critical examination of the representation of ethnic, sexual, cultural, and individual identities in selected literary works by contemporary writers from Northeast India. The book explores the complex dynamics of identity construction, sexuality, marginalisation, ethnicity, and belonging in the context of Meghalaya and Northeast India as a whole. The author analyses poetry and prose by Janice Pariat, Anjum Hasan, Kynpham Singh Nongkynrih, and other Khasi writers. These works candidly portray the turmoil afflicting contemporary Meghalaya – from insurgency and ethnic tensions to ecological threats and loss of roots as well as reconciliation, integration, and mutual understanding. Using postmodern and postcolonial literary strategies, the book depicts fluid, heterogeneous, and multifaceted notions of identity in Northeast India. An exploration of ethnicity, belonging, and unbelonging in the Northeastern context, this book presents marginalised voices and liminal spaces. It will be of interest to academics focusing on Indian English literature, postcolonial literature, and South Asian Studies.
Lapalang is a young deer in love with adventure. And one day he sets off, in search of someting different. Not heeding his mother's words, and not listening to the voice inside, telling him 'Beware, beware of the land of the human.'
Skilled in peace gifted with warthe land of the fabled North East holds its secrets but for the fortunate few & Here are some of the stories from the land of storytellers -- Meghalaya, Manipur, Mizoram, Assam and Nagaland
This illuminating study delves into the cultural identity and traditions of the Borok tribe, an indigenous community in Tripura, India, through an in-depth examination of selected Kokborok folktales and contemporary poetry and fiction. The author sheds light on how these writers draw on their cultural myths, folklore, and everyday experiences to challenge mainstream literature’s stereotypes and reclaim their cultural heritage. By analysing these works, the book uncovers the Borok tribe’s historical context, which has been shaped by cultural domination and military struggles for identity preservation. Through a focus on themes of rootedness, cultural loss, and oral tradition, the author offers an insightful analysis of the tribe’s little-known narratives, bringing attention to the continuous suffering of its people amidst socio-economic and political problems. This work offers a significant contribution to understanding the cultural traditions and identity of the Borok tribe in Tripura.
This collection uses a transnational approach to study contemporary English-language poetry composed by poets of South Asian origin. The poetry contains themes, motifs, and critiques of social changes, and the contributors seek to encapsulate the continually changing environments that these contemporary poets write about. The contributors show that English-language poetry in South Asia is hybridized with imagery and figurative language adapted from the vernacular languages of South Asia. The chapters examine women’s issues, concerns of marginalized groups—such as the Dalit community and the people of Northeastern India—, social changes in Sri Lanka, the changing society of Pakistan, and the formation of the identity in the several nation states that resulted from the British colony of India.