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L'âge d'homme
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L'Âge d'homme de Michel Leiris
Bienvenue dans la collection Les Fiches de lecture d’Universalis Michel Leiris date avec précision l’écriture de L’Âge d’homme : de décembre 1930 – moment où il remet à son ami Georges Bataille le manuscrit de Lucrèce, Judith et Holopherne – à novembre 1935, où il achève la rédaction du livre et le dépose sur le bureau d’André Malraux, lecteur chez Gallimard. Une fiche de lecture spécialement conçue pour le numérique, pour tout savoir sur L'Âge d'homme de Michel Leiris Chaque fiche de lecture présente une œuvre clé de la littérature ou de la pensée. Cette présentation est couplée avec un article de synthèse sur l’auteur de l’œuvre. A propos de l’Encyclopaedia Universalis : Reconnue mondialement pour la qualité et la fiabilité incomparable de ses publications, Encyclopaedia Universalis met la connaissance à la portée de tous. Écrite par plus de 7 400 auteurs spécialistes et riche de près de 30 000 médias (vidéos, photos, cartes, dessins...), l’Encyclopaedia Universalis est la plus fiable collection de référence disponible en français. Elle aborde tous les domaines du savoir.
The Radical Right in Switzerland
There has been a tendency amongst scholars to view Switzerland as a unique case, and comparative scholarship on the radical right has therefore shown little interest in the country. Yet, as the author convincingly argues, there is little justification for maintaining the notion of Swiss exceptionalism, and excluding the Swiss radical right from cross-national research. His book presents the first comprehensive study of the development of the radical right in Switzerland since the end of the Second World War and therefore fills a significant gap in our knowledge. It examines the role that parties and political entrepreneurs of the populist right, intellectuals and publications of the New Right, as well as propagandists and militant groups of the extreme right assume in Swiss politics and society. The author shows that post-war Switzerland has had an electorally and discursively important radical right since the 1960s that has exhibited continuity and persistence in its organizations and activities. Recently, this has resulted in the consolidation of a diverse Swiss radical right that is now established at various levels within the political and public arena.
Reni Guinon
René Guénon (1886-1951) was the founder of the Traditionalist School. Along with Ananda K. Coomaraswamy and Frithjof Schuon, he reintroduced traditional metaphysics and esoterism into the Western world after a lapse of centuries, and was perhaps the first to present the doctrines of the Vedanta, Taoism, and Sufism not as Eurocentric orientalists or occult fantasts had done, but strictly in their own terms. To the 'mathematical' precision of Guénon's metaphysics, cosmology, and esoteric history, Frithjof Schuon (1907-1998) added a poetic or 'musical' element, inspired by his close relationship to the Divine Feminine. He also presented the spiritual path as a concrete praxis, involving the ...
The Body as Medium and Metaphor
Reconsidering the relationship between autobiography and self-portraiture, The Body as Medium and Metaphor explores the intertextuality of self-representation in twentieth-century French art. Situating the body as the nexus of intersections between the written word and the visual image, this book rethinks the problematic status of the self. Starting at the twentieth-century’s departure from figurative and mimetic representation, this study discusses the work of seminal artists and writers – including Marcel Duchamp, Michel Leiris, Francis Bacon, Bernard Noël, Gisèle Prassinos, Louise Bourgeois and Orlan – to articulate the twentieth century’s radical revisions of subjectivity that originated from and returned to representations of the word, the image, and the body. This volume will be of interest to students of both French Literature and Art History, particularly those who are interested in the interdisciplinary exchanges between visual arts and literature.
The Embattled Lyric
This book has two main subjects which are interwoven: the attitudes of selected poets (including Neruda, Rilke, Breton, Celan, and Artaud) to the "primitive" and the “archaic,” studied from an anthropologist's viewpoint; and a model of the processes whereby poetry is produced and received, built on the author’s successful careers as both poet and anthropologist. The book includes detailed biographical information about how Tarn went from being a French to an English to an American poet. It also reveals the effect of a double career and of these moves on a unique body of poetry and theoretical work. An extremely substantial interview, serving also as an introduction to, and discussion of, the essays, demonstrates that there is nothing like this work to be found elsewhere.
