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Ce livre a reçu :_x000D_ Le prix des dévoreurs de livres 2008 remis par un jury de collégiens de l'Eure,_x000D_ Le prix du Livre Historique 2008 de la ville de Poitiers,_x000D_ Le prix littéraire départemental des collégiens de l'Hérault 2008,_x000D_ Le prix NRP (Nouvelle Revue Pédagogique) 2007,_x000D_ Le prix Frissons Vercors 2007,_x000D_ Le prix Sésame 2008 du salon du livre de Saint-Paul-Trois-Châteaux,_x000D_ Le prix Sorcières 2009, le prix littéraire des collégiens de Haute-Savoie_x000D_ Le prix Le livre élu en Livradois-Forez (ABLF),_x000D_ Le Scelte di classe 2012 attribué par un jury d'enfants au festival du livre pour enfants à Rome La tribu dei lettori.
Francisco
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Space and Place in Children’s Literature, 1789 to the Present
Focusing on questions of space and locale in children’s literature, this collection explores how metaphorical and physical space can create landscapes of power, knowledge, and identity in texts from the early nineteenth century to the present. The collection is comprised of four sections that take up the space between children and adults, the representation of 'real world' places, fantasy travel and locales, and the physical space of the children’s book-as-object. In their essays, the contributors analyze works from a range of sources and traditions by authors such as Sylvia Plath, Maria Edgeworth, Gloria Anzaldúa, Jenny Robson, C.S. Lewis, Elizabeth Knox, and Claude Ponti. While maintaining a focus on how location and spatiality aid in defining the child’s relationship to the world, the essays also address themes of borders, displacement, diaspora, exile, fantasy, gender, history, home-leaving and homecoming, hybridity, mapping, and metatextuality. With an epilogue by Philip Pullman in which he discusses his own relationship to image and locale, this collection is also a valuable resource for understanding the work of this celebrated author of children’s literature.
The Child in French and Francophone Literature
From the contents: Sandra BECKETT: Babes in the woods: today's riding hoods go to granny's. - Lewis SEIFERT: Madame Le Prince de Beaumont and the infantilization of the fairy tale. - Michael O'RILEY: La Bete est morte!': Mending images and narratives of ethnicity and national identity in post-World War II France. - Eileen HOFT-MARCH: Child Survivors and Narratives of Hope: Georges Perec's W ou le souvenir d'enfance'. - Alioune SOW: L'enfance metisse ou l'enfance entre les eaux: Le chercheur d'Afriques' de Henri Lopes. - Cheryl TOMAN: Writing Childhood: Reflection of a nation in a village voice in Marie-Claire Matip's Ngond'. - Julie BAKER: The childhood of the epic hero: representation of the child protagonist in the Old French Enfances' texts. - Mary EKMAN: Destinataire et/ou heritier du texte': figuring the child in early modern French memoirs."
Dumpster Dog
His name is Dumpster Dog. He sleeps outside, walks himself, and eats whatever he wants, whenever he wants. But a life outdoors isn't everything--Dumpster Dog needs a friend.
Flix
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Madeleine
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Crossover Picturebooks
This book situates the picturebook genre within the widespread international phenomenon of crossover literature, examining an international corpus of picturebooks — including artists’ books, wordless picturebooks, and celebrity picturebooks — that appeal to readers of all ages. Focusing on contemporary picturebooks, Sandra Beckett shows that the picturebook has traditionally been seen as a children’s genre, but in the eyes of many authors, illustrators, and publishers, it is a narrative form that can address any and all age groups. Innovative graphics and formats as well as the creative, often complex dialogue between text and image provide multiple levels of meaning and invite reade...
Shhh! This Book is Sleeping
Hold this book gently because it’s very sleepy! A mouse inside the pages invites you to read the book a bedtime story, tuck it in with a cozy blanket, and give it a hug and a kiss. Oh, and don’t forget to ask whether it brushed its teeth and went pee-pee! Then turn off the light. There. Shhh! This book is sleeping! Fans of Press Here and The Monster at the End of This Book will enjoy coaxing the very book they’re holding to go to sleep.
