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International Relations of the Middle East
Leading scholars of Middle East politics and international relations present comprehensive coverage of the international politics of the Middle East, a region at the forefront of international attention.
Musical ImagiNation
Long associated with the pejorative clichés of the drug-trafficking trade and political violence, contemporary Colombia has been unfairly stigmatized. In this pioneering study of the Miami music industry and Miami’s growing Colombian community, María Elena Cepeda boldly asserts that popular music provides an alternative common space for imagining and enacting Colombian identity. Using an interdisciplinary analysis of popular media, music, and music video, Cepeda teases out issues of gender, sexuality, race, ethnicity, and transnational identity in the Latino/a music industry and among its most renowned rock en español, pop, and vallenato stars. Musical ImagiNation provides an overview o...
Origins of the Cold War
This second edition brings the collection up to date, including the newest research from the Communist side of the Cold War and the most recent debates on culture, race and intelligence.
History of British Film (Volume 4)
This set is one of the cornerstones of film scholarship, and one of the most important works on twentieth century British culture. Published between 1948 and 1985, the volumes document all aspects of film making in Britain from its origins in 1896 to 1939. Rachael Low pioneered the interpretation of films in their context, arguing that to understand films it was necessary to establish their context. Her seven volumes are an object lesson in meticulous research, lucid analysis and accessible style, and have become the benchmark in film history.
Iran and the Cold War
The Azerbaijan crisis of 1946 represented a landmark in the early stages of the Cold War and played a major role in shaping the future course of Iran's political development. In this book, originally published in 1992, Louise Fawcett presents a comprehensive study of the five-year struggle for control of Iran which culminated in the crisis of 1946. Dr Fawcett examines both the Iranian domestic scene and the role played by the three great powers. She explores the causes, course and consequences of the Azerbaijan crisis from an Iranian perspective. Dr Fawcett then argues that the Iranian crisis was a far more complex affair than was once realised. It brought into play the competitive and often conflicting relationship between not only the United States and the former Soviet Union, but also between Britain and these two superpowers. This study is firmly located within the extensive international relations literature of the Cold War. Iran and the Cold War is an ideal text for students and specialists of both international relations and Middle East studies.
Down from the Attic
Much has been written (and rewritten) about classic horror and science fiction films like Nosferatu and Metropolis, as well as not-so-classic pictures like Bride of the Monster and The Hideous Sun Demon. Yet some genre films have fallen through the cracks. The 24 films--some elusive, some easily found on YouTube--examined in this book all suffered critical neglect and were prematurely stacked in the attic. The authors bring them back into the light, beginning with Der Tunnel (1915), about the building of a transatlantic tunnel, and ending with The Emperor's Baker--The Baker's Emperor (1951), a bizarre Marxist take on the Golem legend. A variety of thrillers are covered--Fog (1933), Return of the Terror (1934), Forgotten Faces (1928)--along with such sci-fi leaps into the future as The Sky Ranger (1921), High Treason (1929) and Just Imagine (1930). Early adaptations include The Man Who Laughs (1921), The Monkey's Paw (1923), Hound of the Baskervilles (1937) and Sweeney Todd (1928). Rare stills and background material are included in a discussion of Hispanic vintage horror. The career of exploitation auteur, Bud Pollard (The Horror, 1933) is examined.
The First True Hitchcock
"Alfred Hitchcock called The Lodger "the first true Hitchcock movie",the one that anticipated all the others. And yet the story of how The Lodger came to be made is shrouded in myth, often repeated and much embellished, including by Hitchcock himself. The First True Hitchcock follows the twelve-month period encompassing The Lodger's production in 1926 and release in 1927, presenting a new picture of this pivotal year in Hitchcock's life and in the wider film word. Using fresh archival discoveries, Henry K. Miller situates Hitchcock's formation as a director against the backdrop of a continent shattered by war and confronted with the looming presence of a new superpower, the United States, and its most visible export-film. This previously untold story of The Lodger's making in the London fog, and attempted remaking in the Los Angeles sun, is the story of how Hitchcock became Hitchcock."
Victoria Protestantism and Bloody Mary
This is an important and interesting book on aspects of our religious heritage which until now have escaped the investigation of scholars. History is all too often employed as a weapon for smiting the "infidel." So it was among religiously-minded people in 19th century England. By the beginning of the Victorian era, after the somnolence of the 18th century, religious enthusiasm among both clergy and laity in the established Church revived. This brought about such acrimonious differences it was a wonder they could be accommodated in the same Church. Provoked by a group of Oxford scholars who sought to show that the Church of England was neither Roman Catholic nor Protestant but a middle way b...
