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Conrad Veidt on Screen
Conrad Veidt, a native of Berlin, began acting in small parts as an extra until called into service during World War I. After his discharge he began a theater career that subsequently led to films and more than one turn as a director. This work thoroughly details Veidt's film career. It lists all movies that he was involved in and provides a synopsis, cast and crew, and reviews of each film. There are many photographs, a list of films that he is thought possibly to have been involved in, and an extensive bibliography.
American Silent Horror, Science Fiction and Fantasy Feature Films, 1913-1929
During the Silent Era, when most films dealt with dramatic or comedic takes on the "boy meets girl, boy loses girl" theme, other motion pictures dared to tackle such topics as rejuvenation, revivication, mesmerism, the supernatural and the grotesque. A Daughter of the Gods (1916), The Phantom of the Opera (1925), The Magician (1926) and Seven Footprints to Satan (1929) were among the unusual and startling films containing story elements that went far beyond the realm of "highly unlikely." Using surviving documentation and their combined expertise, the authors catalog and discuss these departures from the norm in this encyclopedic guide to American horror, science fiction and fantasy in the years from 1913 through 1929.
Claude Rains
The career of Claude Rains is often, and unfairly, overshadowed by the careers of the ever-popular Karloff, Lugosi, Chaney and Rathbone, but few can dispute that he was truly one of the world's foremost character actors. The Invisible Man, ironically, made him quite the visible star. In his own inimitable way, Rains later became John Jasper (in Mystery of Edwin Drood), Louis Renault (Casablanca), Julius Caesar (Caesar and Cleopatra), and Mr. Dryden (Lawrence of Arabia). While concentrating on Rains' more than fifty films, this book also comprehensively examines his work in other media: the stage, radio, television and recordings. His only child, Jessica, in the foreword, provides a brief biography of her father. There are many rare photographs.
John Hodiak
He became a star overnight as surly, sexy, usually shirtless Kovac in Hitchcock's Lifeboat (1944). Handsome and personable, John Hodiak (1914-1955) embraced his heritage as the son of Polish-Ukrainian immigrants, making him a rare Golden Age actor whose true ethnicity (and birth name) were widely known by moviegoers. Starting in radio, Hodiak was brought to Hollywood by MGM, starring in films like A Bell for Adano (1945) and The Harvey Girls (1946). In making Sunday Dinner for a Soldier (1944), he and co-star Anne Baxter fell in love despite divergent backgrounds and wed after a tumultuous courtship. The 1950s saw the breakdown of his marriage but also new professional opportunities, notably...
Down from the Attic
Much has been written (and rewritten) about classic horror and science fiction films like Nosferatu and Metropolis, as well as not-so-classic pictures like Bride of the Monster and The Hideous Sun Demon. Yet some genre films have fallen through the cracks. The 24 films--some elusive, some easily found on YouTube--examined in this book all suffered critical neglect and were prematurely stacked in the attic. The authors bring them back into the light, beginning with Der Tunnel (1915), about the building of a transatlantic tunnel, and ending with The Emperor's Baker--The Baker's Emperor (1951), a bizarre Marxist take on the Golem legend. A variety of thrillers are covered--Fog (1933), Return of the Terror (1934), Forgotten Faces (1928)--along with such sci-fi leaps into the future as The Sky Ranger (1921), High Treason (1929) and Just Imagine (1930). Early adaptations include The Man Who Laughs (1921), The Monkey's Paw (1923), Hound of the Baskervilles (1937) and Sweeney Todd (1928). Rare stills and background material are included in a discussion of Hispanic vintage horror. The career of exploitation auteur, Bud Pollard (The Horror, 1933) is examined.
Conrad Veidt, Demon of the Silver Screen
This book depicts the life of Conrad Veidt (1893-1943), the defining German actor of Expressionist cinema in the 1920s. His legendary performance in Das Cabinet des Dr. Caligari (1919/20) earned him the epithet "Demon of the Screen" and made Veidt an international star. To this day, Veidt is considered an icon of early horror film. He showed his acting range in more than a hundred films, among them masterpieces such as The Indian Tomb (1921), Orlac's Hands (1924), The Man Who Laughs (1928), The Thief of Bagdad (1940), and Casablanca (1942). Conrad Veidt used his acting career to become socially and politically involved, starting with the film Anders als die Anderen, the first film to advocate homosexual rights, in 1919. After the Nazis came to power, he left Germany to protest anti-Semitism and Nazi rule. Along with his biography, this book provides insights into the development of filmmaking from its beginnings through the 1940s, an epoch of cinematic art marked by technical innovations like sound and color film and by world-shaking events, including two world wars.
Up from the Vault
A number of thrillers made in the 1920s and 1930s have become available again thanks to new technology. There are a few, however, that remain elusive to most, if not all, movie buffs. This book covers 21 thrillers from those decades that are well-regarded and eagerly sought, but difficult to find--The Mystery of Dr. Fu Manchu (1923), The Unknown Purple (1923), The Sorrows of Satan (1926), While London Sleeps (1926), The Monkey Talks (1927), The Chinese Parrot (1927), Stark Mad (1929), The Unholy Night (1929), High Treason (1929), The Spider (1931), Eran Trece (1931), The Monkey's Paw (1933), Trick for Trick (1933), Deluge (1933), The Vanishing Shadow (1934), The Witching Hour (1934), Double Door (1934), Black Moon (1934), Le Golem (1936), The Scarab Murder Case (1937), and Sh! The Octopus (1937). For each film, the author provides such details as the production company, running time, release date(s), cast and production credits, a synopsis, and commentary.
Nietzsche in Hollywood
Nietzsche in Hollywood offers a compelling and startling history of Hollywood film in which the German philosopher Friedrich Nietzsche and his idea of the Übermensch looms large. Though Nietzsche's philosophy was attacked as egoistic and a sociopathic version of Darwinism in films from the 1910s, it undergoes a series of cinematic and philosophical transformations in the 1920s and 1930s under the eye and pen of some of the most significant names in early Hollywood, including Erich von Stroheim, Josef von Sternberg, Ben Hecht, Howard Hawks, and Ernst Lubitsch. In addition to establishing historical connections between Nietzsche's philosophy and these filmmakers, the book provides philosophical readings of many Hollywood films through the lens of the Nietzschean ideas of "perspectivism" and the critique of morality. Offering a new history of classic Hollywood films as well as a new approach to film philosophy, Nietzsche in Hollywood reveals a reading of the philosopher in American culture that has largely been ignored.
Invasion USA
With the queasy U.S.-Soviet wartime alliance long dissolved into mutual suspicion, the House Un-American Activities Committee launched aggressive investigations of alleged communist activity in the Hollywood film industry in 1947--and again in 1951. Studio chiefs, terrified of scandal, scrambled to display their patriotism by producing anti-communist films, from melodramas to thrillers to animated cartoons. Twenty-one lively new essays by film historians examine the aesthetics and politics of more than 40 remarkable films of the McCarthy era and the chauvinism that spawned them.
Jamaica, the Land of Film
If Jamaica were an actor she would have appeared in more than one hundred and forty-one films. The list of movies where the name Jamaica plays a prominent part is probably closer to two hundred. This book chronicles over one hundred years of international film making in Jamaica from 1910, and provides many previously unpublished details of locations, actors and directors. As such, Jamaica, the Land of Film provides a comprehensive history which will be of great interest to all cinema aficionados and fans of Caribbean history.
