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American Silent Horror, Science Fiction and Fantasy Feature Films, 1913-1929
During the Silent Era, when most films dealt with dramatic or comedic takes on the "boy meets girl, boy loses girl" theme, other motion pictures dared to tackle such topics as rejuvenation, revivication, mesmerism, the supernatural and the grotesque. A Daughter of the Gods (1916), The Phantom of the Opera (1925), The Magician (1926) and Seven Footprints to Satan (1929) were among the unusual and startling films containing story elements that went far beyond the realm of "highly unlikely." Using surviving documentation and their combined expertise, the authors catalog and discuss these departures from the norm in this encyclopedic guide to American horror, science fiction and fantasy in the years from 1913 through 1929.
Up from the Vault
A number of thrillers made in the 1920s and 1930s have become available again thanks to new technology. There are a few, however, that remain elusive to most, if not all, movie buffs. This book covers 21 thrillers from those decades that are well-regarded and eagerly sought, but difficult to find--The Mystery of Dr. Fu Manchu (1923), The Unknown Purple (1923), The Sorrows of Satan (1926), While London Sleeps (1926), The Monkey Talks (1927), The Chinese Parrot (1927), Stark Mad (1929), The Unholy Night (1929), High Treason (1929), The Spider (1931), Eran Trece (1931), The Monkey's Paw (1933), Trick for Trick (1933), Deluge (1933), The Vanishing Shadow (1934), The Witching Hour (1934), Double Door (1934), Black Moon (1934), Le Golem (1936), The Scarab Murder Case (1937), and Sh! The Octopus (1937). For each film, the author provides such details as the production company, running time, release date(s), cast and production credits, a synopsis, and commentary.
Girls Will Be Boys
2016 Choice Outstanding Academic Title Finalist for 2016 Richard Wall Memorial Award by the Theatre Library Long listed for the 2017 Kraszna-Krausz Best Photography Book Award from the Kraszna-Krausz Foundation Marlene Dietrich, Greta Garbo, and Katharine Hepburn all made lasting impressions with the cinematic cross-dressing they performed onscreen. What few modern viewers realize, however, is that these seemingly daring performances of the 1930s actually came at the tail end of a long wave of gender-bending films that included more than 400 movies featuring women dressed as men. Laura Horak spent a decade scouring film archives worldwide, looking at American films made between 1908 and 1934...
Toward a Socially Responsible Psychology for a Global Era
This book explores the concept of “socially-responsible psychology in a global age” and how it might be used to organize, integrate and bring enhanced focus a field that has the potential to contribute to solutions to the world’s most pressing problems. In this volume, the editors explore the central and defining features of socially-responsible psychology, challenges that this work would face, and the mechanisms and processes by which psychological work could be synergistically integrated with the work of other disciplines. For this purpose, the volume also examines a variety of factors currently that limit psychology in carrying out this goal.
Fractured Fifties
The 1950s as a cultural concept has surged with astonishing force over the last half century. Cultural and political investment in the postwar era has been heavily determined by the desires, anxieties, ideologies, and technologies of the contexts in which they surface. In this book author Christine Sprengler explores how contextualizing factors shaped the 1950s in different ways, and how cinematic representations spearheaded, challenged, or intervened in our cultural memories of the era.Fractured Fifties: The Cinematic Periodization and Evolution of a Decade presents a two-pronged argument-- that cinema helped define the 1950s by contributing in considerable and meaningful ways to the proces...
What Ought to Scare You
Using the Hollywood studio system (1931-1960) as a historical center, this book performs close readings of classic horror films (such as Frankenstein and Cat People) while asking the following three questions: What about this movie is weird? What does this movie think ought to scare you? If there weren't monsters in this movie, what would be wrong with these people's lives? These questions guide readers toward the uniqueness of horror films in relation to the way they are classified and the feeling of "horror" that they offer. The horror genre is a collection of culturally-shared elements--words, images, or themes used to signify or evoke horror, because they have been used that way before. ...
Down from the Attic
Much has been written (and rewritten) about classic horror and science fiction films like Nosferatu and Metropolis, as well as not-so-classic pictures like Bride of the Monster and The Hideous Sun Demon. Yet some genre films have fallen through the cracks. The 24 films--some elusive, some easily found on YouTube--examined in this book all suffered critical neglect and were prematurely stacked in the attic. The authors bring them back into the light, beginning with Der Tunnel (1915), about the building of a transatlantic tunnel, and ending with The Emperor's Baker--The Baker's Emperor (1951), a bizarre Marxist take on the Golem legend. A variety of thrillers are covered--Fog (1933), Return of the Terror (1934), Forgotten Faces (1928)--along with such sci-fi leaps into the future as The Sky Ranger (1921), High Treason (1929) and Just Imagine (1930). Early adaptations include The Man Who Laughs (1921), The Monkey's Paw (1923), Hound of the Baskervilles (1937) and Sweeney Todd (1928). Rare stills and background material are included in a discussion of Hispanic vintage horror. The career of exploitation auteur, Bud Pollard (The Horror, 1933) is examined.
The Perils of Moviegoing in America
Recaptures the lost history of the physical and moral perils that faced audiences at American movie theatres during the first fifty years of the cinema.
Theorizing Sex and Disability: An Interdisciplinary Approach
This volume was first published by Inter-Disciplinary Press in 2016. This volume aims to unpack the points of intersection not only between disability and sex, but the related facets of gender, sexuality, desire, and romance that constitute the broader theoretical and discursive constellation of sex and sexuality. Utilizing an interdisciplinary model that culls upon the related fields of sociology, anthropology, feminist theory, gender theory, queer studies, art history, and film studies (to name but a few), this volume seek to not only dismantle the dominant narratives of the disabled body as asexual and undesirable – a figure to be pitied, fear, or repulsed by the able-bodied – but also illustrates the myriad ways in which the disabled subject is indeed a sexually autonomous figure that is at once both desired and desiring. Finally, in seeking to challenge hegemonic constructions of a supposed ‘normal’ sexual and romantic desire vis-à-vis disability theory and subjectivity, this eBook also speaks to broader questions around the role of intersectionality within contemporary models of disability discourse and theory.
Masks in Horror Cinema
First critical exploration of the history and endurance of masks in horror cinema Written by an established , award-winning author with a strong reputation for research in both academia and horror fans Interdisciplinary study that incorporates not only horror studies and cinema studies, but also utilises performance studies, anthropology, Gothic studies, literary studies and folklore studies.
