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The Ṭämpiṭavihāras of Sri Lanka focuses on one distinctive Buddhist architectural practice from pre-modern Sri Lanka – the construction of Buddha image-houses on elevated wooden platforms supported by stone pillars. As a centre of Buddhism, Sri Lanka has a rich tradition of erecting Buddha image-houses, the origin of which dates to the fifth century. Yet, the ṭämpiṭavihāra tradition only existed from the thirteenth to the nineteenth centuries. The ṭämpiṭavihāra is an exceptional type of image-house, not only for its specific timeframe and unique construction technology, but also for its complex architectural conception of the Buddhist worldview and soteriology. Except for...
The Work of Kings is a stunning new look at the turbulent modern history and sociology of the Sri Lankan Buddhist Monkhood and its effects upon contemporary society. Using never-before translated Sinhalese documents and extensive interviews with monks, Sri Lankan anthropologist H.L. Seneviratne unravels the inner workings of this New Buddhism and the ideology on which it is based. Beginning with Anagarika Dharmapala's "rationalization" of Buddhism in the early twentieth century, which called for monks to take on a more activist role in the community, Seneviratne shows how the monks have gradually revised their role to include involvement in political and economic spheres. The altruistic, morally pure monks of Dharamapala's dreams have become, Seneviratne trenchantly argues, self-centered and arrogant, concealing self-aggrandizement behind a façade of "social service." A compelling call for reform and a forceful analysis, The Work of Kings is essential to anthropologists, historians of religion, and those interested in colonialism, nationalism, and postcolonial politics.
The Study of the State.
By providing an annotated translation of, and applying the methods of literary criticism to, a first-century account of the life of the saint Purna, this study introduces the reader to the richness and complexity of an essential Buddhist genre.
Argues that landscapes are not only culturally produced, but they also influence governing ideas of political and religious life.
A collection of original essays that address the ways in which violence manifests itself on societal and interpersonal levels, analyzing how different kinds of violence are, and are not, interpreted on the world stage. By looking at hotspots of conflict, the contributors discuss the nature of violence in an age of worldwide "crisis management."
Ravana, the demon-king antagonist from the Ramayana, the ancient Hindu epic poem, has become an unlikely cultural hero among Sinhala Buddhists over the past decade. In Ravana's Kingdom, Justin W. Henry delves into the historical literary reception of the epic in Sri Lanka, charting the adaptions of its themes and characters from the 14th century onwards, as many Sri Lankan Hindus and Buddhists developed a sympathetic impression of Ravana's character, and through the contemporary Ravana revival, which has resulted in the development of an alternative mythological history, depicting Ravana as king of the Sri Lanka's indigenous inhabitants, a formative figure of civilizational antiquity, and th...
Volume Three contains 1643 records on South Asia selected from the ABIA South and Southeast Asian Art and Archaeology Index database at www.abia.net. Volume Three has been compiled by specialists of the ABIA Project stationed at Leiden, Colombo, New Delhi, Dhaka, Kathmandu and Peshawar. It features a selection of publications in print published between 2002 and 2007 on prehistory and protohistory, historical archaeology, art history (from ancient to contemporary), material culture, epigraphy and palaeography, numismatics and sigillography. Covered are South Asia and culturally related regions of Afghanistan, South Uzbekistan, South Tajikistan and Tibet. The bibliographic descriptions (with the original diacritics), controlled keywords and elucidating annotations make this reference work into a reliable guide to recent scholarly work in the fields of the ABIA Index.