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Domina
In this riveting sequel to the instant New York Times bestseller, Maestra, femme fatale Judith Rashleigh once again leads readers into the mesmerizing and dangerous underworld of Europe’s glamorous elite. Since opening her own art gallery in Venice, Judith Rashleigh—now Elisabeth Teerlinc—can finally stop running. She’s got the paycheck, lifestyle, and wardrobe she always dreamed of, not to mention the interest of a Russian billionaire. But when a chance encounter in Ibiza leads to a corpse that is, for once, not her own doing, she finds her life is back on the line—and she’s more alone than ever. It seems Judith’s become involved with more than just one stolen painting, and th...
Maestra
A shockingly original thriller
Ultima
The shockingly audacious conclusion to the international bestselling phenomenon that began with Maestra. If you can't beat them - kill them First there was Maestra. Then there was Domina. Now - there is Ultima. Glamorous international art-dealer Elizabeth Teerlinc knows a thing or two about fakes. After all, she is one herself. Her real identity, Judith Rashleigh, is buried under a layer of lies. Not to mention the corpses of the men foolish enough to get in her way. But now, caught in the murderous crossfire between a Russian Mafia boss and a corrupt Italian police detective, Judith is forced to create an even more daring work of art - a fake masterpiece she must take to the world-famous au...
Maestra
THE INSTANT NEW YORK TIMES BESTSELLER AND THE PERFECT READ FOR FANS OF KILLING EVE THE BEST OF SKIMM READS 2016 “One of this year’s most talked about novels.” —The Washington Post “A twenty-first-century femme fatale as lethal as Tom Ripley and as seductive as Bacall.” —Vogue A put-upon assistant at a prestigious London art house, Judith Rashleigh is well-educated, well-groomed, and impeccably behaved—keeping the darker desires she indulges on nights off as her own little secret. But when Judith uncovers a dangerous heist, her life is shattered and she’s forced to run. Armed with just her wits and a talent for self-invention, she makes her way from the French Riviera to Geneva, Rome, and the nightclubs of Paris, determined to take back what is rightfully hers. The beginning of a darkly irresistible trilogy, Maestra follows the rise of Judith, a woman whose vulnerability and ruthlessness have left readers worldwide begging to know: where do you go when you've gone too far?
The Digested Read
Literary ombudsman John Crace never met an important book he didn't like to deconstruct. From Salman Rushdie to John Grisham, Crace retells the big books in just 500 bitingly satirical words, pointing his pen at the clunky plots, stylistic tics and pretensions of Big Ideas, as he turns publishers' golden dream books into dross.
Dead Wind
Senior Investigator Shana Merchant must dredge up dark secrets and old grudges if she's to solve the murder of a prominent local citizen in the Thousand Islands community she now calls home. "Wegert nicely balances plot and characterization. Fans of Denise Mina’s Alex Morrow will be pleased" - Publishers Weekly Starred Review The body is discovered on Wolfe Island, under the shadow of an enormous wind turbine. Senior Investigator Shana Merchant, arriving on the scene with fellow investigator Tim Wellington, can't shake the feeling that she knows the victim - and the subsequent identification sends shockwaves through their community in the Thousand Islands of Upstate New York. Politics, pow...
Opening The Nursery Door
Opening the Nursery Door is a fascinating collection of essays inspired by the discovery of a tiny archive: the nursery library of Jane Johnson 1707-1759, wife of a Lincolnshire vicar. It has captured the scholarly interest of social anthropologists, historians, literary scholars, educationalists and archivists as it has opened up a range of questions about the nature of childhood within English cultural life over three centuries: the texts written and read to children, the multifarious ways childhood has been considered, shaped and schooled through literacy practices, and the hitherto ignored role of women educators in early childhood across all classes.
Can Financial Markets be Controlled?
The Global Financial Crisis overturned decades of received wisdomon how financial markets work, and how best to keep them in check.Since then a wave of reform and re-regulation has crashed overbanks and markets. Financial firms are regulated as neverbefore. But have these measures been successful, and do they go farenough? In this smart new polemic, former central banker andfinancial regulator, Howard Davies, responds with a resounding‘no’. The problems at the heart of the financial crisisremain. There is still no effective co-ordination of internationalmonetary policy. The financial sector is still too big and,far from protecting the economy and the tax payer, recentgovernment legislation is exposing both to even greater risk. To address these key challenges, Davies offers a radicalalternative manifesto of reforms to restore market discipline andcreate a safer economic future for us all.
Mary Anne
She set men's hearts on fire and scandalized a country. An ambitious, stunning, and seductive young woman, Mary Anne finds the single most rewarding way to rise above her station: she will become the mistress to a royal duke. In doing so, she provokes a scandal that rocks Regency England. A vivd portrait of sex, ambition, and corruption, Mary Anne is set during the Napoleonic Wars and based on Daphne du Maurier's own great-great-grandmother. "This novel catches fire."-New York Times
Last Words
Whether Goethe actually cried "More light!" on his deathbed, or whether Conrad Hilton checked out of this world after uttering "Leave the shower curtain on the inside of the tub," last words, regardless of authenticity, have long captured the imagination of Western society. In this playfully serious investigation based on factual accounts, anecdotes, literary works, and films, Karl Guthke explores the cultural importance of those words spoken at the border between this world and the next. The exit lines of both famous and ordinary people embody for us a sense of drama and truthfulness and reveal much about our thoughts on living and dying. Why this interest in last words? Presenting statemen...
