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The Film Daily
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Fifty Classic British Films, 1932-1982
200 striking photographs, in-depth commentaries, plot synposes, contemporary reviews, and more — about 50 British classics from yesterday and today. Preface. Text. Alphabetical list of films. Bibliography.
American International Pictures
American International Pictures was in many ways the "missing link" between big-budget Hollywood studios, "poverty-row" B-movie factories and low-rent exploitation movie distributors. AIP first targeted teen audiences with science fiction, horror and fantasy, but soon grew to encompass many genres and demographics--at times, it was indistinguishable from many of the "major" studios. From Abby to Zontar, this filmography lists more than 800 feature films, television series and TV specials by AIP and its partners and subsidiaries. Special attention is given to American International Television (the TV arm of AIP) and an appendix lists the complete AITV catalog. The author also discusses films produced by founders James H. Nicholson and Samuel Z. Arkoff after they left the company.
America's Film Legacy
Collection of the five hundred films that have been selected, to date, for preservation by the National Film Preservation Board, and are thereby listed in the National Film Registry.
Theatrical Realism
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The Foreign Film Renaissance on American Screens, 1946–1973
Largely shut out of American theaters since the 1920s, foreign films such as Open City, Bicycle Thief, Rashomon, The Seventh Seal, Breathless, La Dolce Vita and L’Avventura played after World War II in a growing number of art houses around the country and created a small but influential art film market devoted to the acquisition, distribution, and exhibition of foreign-language and English-language films produced abroad. Nurtured by successive waves of imports from Italy, Great Britain, France, Sweden, Japan, and the Soviet Bloc, the renaissance was kick-started by independent distributors working out of New York; by the 1960s, however, the market had been subsumed by Hollywood. From Rober...
The Actors Studio and Hollywood in the 1950s
Theatrical Realism is an American film movement of the 1950s noted for its high aspirations - to create a significant 'art' cinema. Ironically, the films that comprise this movement are virtually forgotten today. Theatrical Realism is Hollywood's continuation of the Italian Neo-Realist movement. It was a direct result of the confluence of Method Acting as taught by Lee Strasberg at the Actors Studio, the screen adaptations of plays by Tennessee Williams, Arthur Miller and William Inge, and the Golden Age of Television.
Filmfacts
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