You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Explore the landscape wonders of Britain in this new collection of fifty photographs by Joe Cornish, widely acknowledged as Britain’s finest landscape photographer. Taking its cue from these Isles' extraordinarily diverse geology, This Land ranges from the ancient quartzite rocks of the Scottish Highlands to the gritstones and limestones of the English Pennines and the rolling chalk downs of Southern England. There are sections on Mountains, Islands, Forests and Coasts, as well as a fascinating look at the ways in which British people have shaped the landscape over thousands of years. Accompanying text by leading outdoors writer and campaigner Roly Smith explains how each type of rock creates its own distinctive landforms and vegetation, and how these have often been made the subject of local folklore and legend.
When Turner died in 1851, the general view of an artist's late work was one of decline. Indeed, Turner's own painting from 1845 onwards was described as indulgent, eccentric and 'repulsive', and even his devoted champion John Ruskin commented on its 'wholly inferior value'. However, from the early 1900s there was a major reassessment of Turner's later paintings and sketches. Commentators hailed his study of light as a visionary precursor to the ideas of the Impressionists. This continued into the twentieth century, with curatorial choices in some museums presenting Turner's late and unfinished work as distinctly modern. Through a number of key themes and studies into his subject matter, ...
None
An unconventional and illuminating new history of British landscape art in the post-war period In this trailblazing study, Margaret Garlake complicates traditional histories of British landscape art in the post-war period. Drawing together work from painters and photographers--many of them women--Garlake expands the conventional view of the genre to include both rural and urban subjects. In doing so, she brilliantly places the work within the context of physical changes wrought by postwar society, as the British countryside reverted to civilian use, cities were built, and artists adjusted to the landscape as a site of both tradition and modernity. Carefully researched and subtly argued, this book will deepen our understanding of a fascinating period in British art history. Distributed for Modern Art Press
Discusses the beginnings of landscape painting in Britain to the rise of the classical tradition under the Italian influence; the topographical tradition; landscape artists who drew inspiration from visits to Italy; the tradition of the Netherlands and the rise of the Picturesque.
First published on the occasion of Paul Sandby (1731-1809): picturing Britain, a bicentenary exhibition, first shown at Nottingham Castle Museum and Art Gallery, 25 July-18 October, 2009.
Rivers and streams occupy a central and fundamental place within the British landscape. They are important features of the natural landscape, helping to shape the landforms, as well as providing a range of habitats for flora and fauna and affecting the lives of the people who live on or near them.