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First published on the occasion of Paul Sandby (1731-1809): picturing Britain, a bicentenary exhibition, first shown at Nottingham Castle Museum and Art Gallery, 25 July-18 October, 2009.
Publication coincided with an exhibition presented by the Australian Gallery Directors' Council, 1981-1982.
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Long considered the father of English watercolor painting, Paul Sandby (1731-1809) painted views throughout Britain, finding new scenes in a country undergoing rapid social and commercial development, and portraying familiar ones with a fresh eye. Encompassing rural, urban, modern, and historical themes, his art is unrivalled among that of his contemporaries for its remarkable range.Today, Sandby's paintings appear in collections around the globe, including the Metropolitan Museum of Art, the National Gallery of Art, Washington, and the Philadelphia Museum of Art. In this comprehensive survey of Sandby's life and work, published to celebrate the artist's bicentenary, leading authorities draw on new research to offer fresh perspectives on the development of eighteenth-century British art and the Sandby's role in popularizing and professionalizing the medium of watercolor. The authors also explore the artist's influence as a teacher and his innovations in printmaking, as well as the cultural and geographical scope of his work.
Chapter 1. The 1740s: Scotland -- Chapter 2. The 1750s and 1760s: London and Windsor -- Chapter 3. The 1770s and 1780s: Wales, Warwick and Windsor and the Development of Aquatint -- Chapter 4. Place in the Print World: Collaboration and Copying
With considerable learning and insight, Broglio reveals how artists are both complicit with such objectification of nature, and at other moments work toward a more vivid connection to the environment."--BOOK JACKET.
At the Royal Academy exhibition of 1794, Paul Sandby (1725-1809) exhibited his newly paintedA View of Vinters at Boxley, Kent, with Mr. Whatman's Turkey Paper Mills.Sandby, one of the founding members of the Royal Academy and one of the preeminent British landscape painters of the day, included the celebrated Whatman papermaking mill at the center of this landscape composition. James Whatman I and his son James Whatman II were the most famous English papermakers of the eighteenth century, and by 1760 Turkey Mill was the largest paper mill in the country. This handsome and engaging book looks at how theView of Vinters and Turkey Millis both a superb example of Sandby's art and an important document of the rise of industry in the British countryside and of the intertwined developments of papermaking and the art of painting in watercolor. It also features other watercolors by Sandby and materials relating to the processes of papermaking and to the Whatman family and its mill.
Leven en werk van de Britse kunstenaar Paul Sandby (1730-1809) en de Britse kunstenaar en architect Thomas Sandby (1723-1798).