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Laneha House #1
A 32 page joint collection of comics from Lawrence Lindell and Breena Nuñez. The collection features 4 comics from Lawrence and Breena. -Werk -Dear Sentida -SF Comics and Coffee -Conversations with Ancestors
Laneha House #3
A 32 page joint collection of comics from Lawrence Lindell and Breena Nuñez. The collection features many sketchbook comics, single page comics and mark making from Lawrence and Breena.
Laneha House #2
A 32 page joint collection of comics from Lawrence Lindell and Breena Nuñez. The collection features 4 comics from Lawrence and Breena. -Smack Avenger -You Make Them Better -Tacos -Crocodile Girl
A House That Once Was
Illustrated by the winner of the CILIP Kate Greenaway Medal 2017, Lane Smith, and chosen as one the New York Times Best Illustrated Books 2018. Two children come across an abandoned house deep in the woods and imagine who could have lived there. Deep in the woods is a house just a house that once was but now isn't a home. A House That Once Was is a beautifully illustrated exploration of time, imagination and the nature of home that is sure to provoke discussion. Lane's artwork is a riot of colour and rich texture that perfectly matches the poetic text written by the New York Times-bestselling author, Julie Fogliano. This evocative, rhyming story is perfect for reading out loud.
Spitalfields Life
I am going to write every single day and tell you about my life here in Spitalfields at the heart of London... Drawing comparisons with Pepys, Mayhew and Dickens, the gentle author of Spitalfields Life has gained an extraordinary following in recent years, by writing hundreds of lively pen portraits of the infinite variety of people who live and work in the East End of London.
Laneha House #9
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Laneha House #8
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The House on March Lane
HORROR & GHOST STORIES, CHILLERS (CHILDREN'S / TEENAGE). The House on March Lane by Michelle Briscombe. Ages 9+
William Morris and his Palace of Art
William Morris and his Palace of Art is a comprehensive new study of Red House, Bexleyheath; the only house commissioned by William Morris and the first independent architectural work of his close friend, Philip Webb. Morris moved in to Red House as an ebullient young man of 26, with an independent income and a head brimming with ideas and the persistent question of ‘how best to live? Red House, together with its Pre-Raphaelite garden, stands as the physical embodiment of his exuberant spirit, youthful ambition, passionate medievalism, creativity and great sense of possibility. For five intense years from 1860–5, it was a place of halcyon days – happy family life, loyal friendship, goo...
