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This is the first book to bring together many aspects of the interplay between religion, media and culture from around the world in a single comprehensive study. Leading international scholars provide the most up-to-date findings in their fields, and in a readable and accessible way.Some of the topics covered include religion in the media age, popular broadcasting, communication theology, popular piety, film and religion, myth and ritual in cyberspace, music and religion, communication ethics, and the nature of truth in media saturated cultures.The result is not only a wide-ranging resource for scholars and students, but also a unique introduction to this increasingly important phenomenon of modern life.
Demons, devils, spirits and vampires are present throughout popular Western culture in film, music and literature. Their religious significance has only recently begun to be explored. 'The Lure of the Darkside' brings together the work of some of the most important and creative scholars in the field of Biblical and Religious Studies. The essays explore demonology in popular culture from a range of perspectives: Satanism within contemporary music; the relationship between hymn and horror film; the career of Hannibal Lecter; the portrayal of Satan in films about Christ; and spiritual perversion in the Harry Potter Stories. This fresh and ground-breaking volume will be of interest to students of religious studies and theology, as well as literary and popular culture.
This book aims to contextualize early Christian rhetoric about foul language by asking such questions as: Where was foul language encountered? What were the conventional arguments for avoiding (or for using) obscene words? How would the avoidance of such speech have been interpreted by others? A careful examination of the ancient uses of and discourse about foul language illuminates the moral logic implicit in various Jewish and Christian texts (e.g. Sirach, Colossians, Ephesians, the Didache, and the writings of Clement of Alexandria). Although the Christians of the first two centuries were consistently opposed to foul language, they had a variety of reasons for their moral stance, and they held different views about what role speech should play in forming their identity as a "holy people."
Drawing on a number of methodologies and disciplinary perspectives, this book boldly goes where none has gone before by focusing on the interplay between Star Trek, religion, and American culture as revealed in the four different Trek television series, and the major motion pictures as well. Explored from a Trek perspective are the portrayal and treatment of religion; the religious and mythic elements; the ritual aspects of the fan following; and the relationship between religion and other issues of contemporary concern. Divided into three sections, this detailed study of religion, myth, and ritual in the Star Trek context extends the boundaries of the traditional categories of religious stu...
In a culture increasingly focused on visual media, students have learned not only to embrace multimedia presentations in the classroom, but to expect them. Such expectations are perhaps more prevalent in a field as dynamic and cross-disciplinary as religious studies, but the practice nevertheless poses some difficult educational issues -- the use of movies in academic coursework has far outpaced the scholarship on teaching religion and film. What does it mean to utilize film in religious studies, and what are the best ways to do it?In Teaching Religion and Film, an interdisciplinary team of scholars thinks about the theoretical and pedagogical concerns involved with the intersection of film ...
The Routledge Companion to Religion and Film brings together a lively and experienced team of contributors to investigate the ways in which this exciting discipline is developing.
The subject of baptism continues to be of considerable interest--though it frequently appears within broader studies of sacraments, liturgy, worship, and ecumenical studies, and within confessional bounds: credobaptist or paedobaptist--yet it is rarely discussed by Evangelicals. This book, however, is neither an apologetic for credobaptism nor paedobaptism; rather Cross believes that, as practiced today, both forms are a departure from New Testament baptism, which, he maintains, was an integral part of becoming a Christian and part of the proclaimed gospel. He argues that the "one baptism" of Ephesians 4:5 is conversion-baptism and that the baptism referred to in the various New Testament strata refers to this "one baptism" (of Spirit and water). The study sets out the case for this interpretation and contends that in key passages "baptism" is an example of synecdoche. The case is then made for a sacramental interpretation of baptism from a thoroughgoing Evangelical perspective. Cross concludes with reflections on the necessity of baptismal reform and the relevance of a return to conversion-baptism for the contemporary church in a post-Christian, post-Christendom, mission setting.
Tracing the subject from the Middle Ages to the present, David Nash outlines the history of blasphemy as a concept - from a species of heresy to modern understandings of it as a crime against the sacred and individual religious identity. Investigating its appearance in speech, literature, popular publishing and the cinema, he disinters the likely motives and agendas of blasphemers themselves, as well as offering a glimpse of blasphemy's victims. In particular, he seeks to understand why this seemingly medieval offence has reappeared to become a distinctly modern presence in the West.
"A wise old adage of faith states, 'Read the newspaper in one hand and the Bible in the other.' The slogan is an invitation to notice the complex engagement of faith and culture. In Useless Beauty, Johnston takes up the interface of faith and culture with specificity and immediacy. His discussion permits an instructive dialogue, whereby we read Ecclesiastes differently, and we read contemporary film with fresh eyes of faith. Neither the text nor the films can be easily dismissed as 'absurd.' Both are thickened, and we are driven deeper in our self-discernment by the process. Johnston's alertness and urbaneness constitute a model for faith that is not simplistic and a model for culture that i...
A study of the fragmented nature of post-Reformation English Protestentism and the Dissenters who offered theological alternatives to Anglican traditions through Presbyterianism, Baptism, and Quakerism. This book explains the spread of these Dissenting traditions and the adoption of religious pluralism as a result of Protestant nonconformity.