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These verses capture the spirit and soul of the City of Water - a city so full of poetry itself. Courtney's pen weaves together fine threads of past and present, fact and fiction, into a rich tapestry of images, a Carne Vale of characters: artists, muses and mariners alike.�This�is a book to cherish, and to inflame our love affair with Venice.
The first comprehensive guide to the aquatic plants of the region Beneath the surface of bodies of freshwater—springs, streams, rivers, ponds and lakes—there is a world of plants of great variety and beauty, a realm that is often poorly known and understood. Correctly identified, these plants can tell us much about the character and condition of the habitats in which they live. A collaboration of Danish, German, and British field botanists specializing in freshwater plants, this guide presents all of the known aquatic plants of Northern and Central Europe, including Britain and Ireland, as well as many marginal and wetland species. This is the first comprehensive guide to the identificat...
A richly illustrated identification key that makes an invaluable companion to Aquatic Plants of Northern and Central Europe including Britain and Ireland Featuring more than 400 color illustrations, this succinct, fixed-layout ebook provides a handy identification guide to all of the region’s aquatic plants. The book’s dichotomous keys to botanical features makes it a perfect companion to the larger, comprehensive guide, Aquatic Plants of Northern and Central Europe including Britain and Ireland.
Sahihi's portrait series of young gay men in Berlin is a call for tolerance and mutual respect
The Most Important Philippine Artists Working Today
Breaking down the structure of the photograph as truth and the book as narrative, Joshua Lutz's second monograph, HESITATING BEAUTY, it is an intimate portrait unlike other photographic models. Rethinking how photographs and text can function, Lutz blends family archives, interviews and letters with his own photographic practice seamlessly into a precious, fictitious experience of a life and family consumed by mental illness. Instead of showing us what it looks like, HESITATING BEAUTY is able to play with our own conceptions of reality to show us what it feels like. Joshua Lutz: ""Holding on so tightly to what I believed was sanity and being consumed by fear of depression and schizophrenia p...
Cecily Browns paintings are often described as works which move between figuration and abstraction – a distinction and categorisation, which interestingly does not arise for the artist herself, who instead wants “the best of both worlds and “not to describe, but rather invent”. The brushstrokes on the linen are so fluidly and virtuosically placed, the viewer gets the feeling that something organic and alive has taken possession of the painting’s surface. The works initially appear as a whole – it is at first almost impossible to decipher an anchor or point of repose - and thus demands extended viewing. Cecily Brown is inspired by the study of old and new masters. Hogarth and de Kooning play particularly significant roles in this preoccupation, as well as Bosch, Breughel, Degas and Goya, to name just a few. Compositionally however icons of pop-culture, such as record covers can equally play a god fatherly role for the beginnings of a painting, whose finial result the artist never imagines in advance. This catalogue is published on the occassion of the exhibition with a text from Terry Myers.00Exhibition: CFA Contemporary Fine Arts Berlin, Germany (28.08. – 26.09.2015).
How can art and visual theory contribute to the understanding of our current surveillance society? Watched! presents a selection of European artists who relate to current issues of discipline, control and security in our contemporary surveillance society. Surveillance is an expanding part of daily life. Since the start of the new millennium, we have seen major developments in security policies, data collection, software for private use, biometric science, social media, smartphones and technological innovations in other areas of ?smart surveillance?. Parallel to this change that has taken place in all parts of society, critical responses have increased across a wide range of disciplines, one of them being the arts. This publication offers a selection of artistic works and practices that addresses and reflects on issues of surveillance over the past fifteen years.
In 'Twisted tales—Road to hope', Markus Henttonen (*1976 in Lahti, Finland) takes us with him on a journey. His impressive road movie leads us through a land that is like life itself: in atmospheric photographs he shows us everyday situations that apparently came about by chance, or very personal experiences, tags of memories from the past, and dream-like sequences. And emotions always filter through—joy, boredom, pain, confusion, perhaps hope?0After early, more documentary series, Henttonen has discovered his intriguing narrative style in his recent works. Some of the fantastic images in Twisted Tales have a far-reaching, staged character, like film sets; others pose questions, remain mysterious. This becomes particularly evident in his pictures of a sign on the gate of the estate of the famous comedian Bob Hope: “This road does not lead to Bob Hope’s house. ‘Bob is dead.’”
Dragons had preyed on humans since time immemorial, and no one had ever found a way to kill them. Now, though, Arlian had learned the secrets the dragons had hidden from humanity for centuries. He knew how the dragons could be destroyed forever, and he intended to see it done. The only catch was that several humans, including Manfort's most powerful men and women, had to die to make it happen. Some of them did not intend to cooperate. Indeed, they preferred to cooperate with the dragons instead, to protect themselves, no matter how many innocents might die as a result. And Arlian would have to defeat this unholy alliance if he ever hoped to end the draconic threat.