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Cecily Brown is a British-born, New York-based artist who rose to prominence in the late 1990s. Originally influenced by Cubism and Abstract Expressionism, Brown has over the years developed her unique voice, which investigates the sensual qualities of oil paint and portraiture through a satirizing and celebratory process inspired both by abstraction and realism. Gentle and yet forceful, Brown's exuberant brushwork, rich palette, intense energy, and black humor have redefined some of painting's historical canons.
Cecily Brown (b. 1969) transfixes viewers with sumptuous color, bravura brushwork, and complex narratives that relate to some of European painting’s grandest and most time-honored themes, including still life motifs and meditations on mortality through vanitas This intimate survey of the acclaimed British painter reexamines the work of an artist whose influential output references both modern heavyweights, such as Willem de Kooning, Philip Guston, and Joan Mitchell, and Old Masters like Goya, Hogarth, Manet, and Rubens. The book features 21 paintings and 26 works on paper—drawings, watercolors, sketchbooks, and monotypes—that span the three decades of Brown’s career to date, including recently completed and never-before-published works. A conversation with the artist provides insight into her process and sources, while an insightful essay situates Brown in the lineage of the great artists of the last five hundred years.
New York-based British painter Cecily Brown (born 1969) makes sumptuous oil paintings combining abstract and figurative elements, art-historical references and erotic, fragmented bodies in compositions so densely layered that one of Brown's paintings can look "like an enormous colored anthill, with thousands of insects following each other, climbing over each other, hiding and reappearing, leaving colorful traces of their movements," as Danilo Eccher writes in his catalogue essay. This substantial monograph is published to accompany Brown's survey exhibition at the Galleria Civica d'Arte Moderna e Contemporanea in Turin, and features nearly 50 works, including paintings, works on paper, gouache and watercolors as well as seven monotypes, representing the range of Brown's work as well as its unifying concerns. Also included are newly commissioned essays by Danilo Eccher, Alessandro Rabottini and Anna Musini.
Cecily Browns paintings are often described as works which move between figuration and abstraction – a distinction and categorisation, which interestingly does not arise for the artist herself, who instead wants “the best of both worlds and “not to describe, but rather invent”. The brushstrokes on the linen are so fluidly and virtuosically placed, the viewer gets the feeling that something organic and alive has taken possession of the painting’s surface. The works initially appear as a whole – it is at first almost impossible to decipher an anchor or point of repose - and thus demands extended viewing. Cecily Brown is inspired by the study of old and new masters. Hogarth and de Kooning play particularly significant roles in this preoccupation, as well as Bosch, Breughel, Degas and Goya, to name just a few. Compositionally however icons of pop-culture, such as record covers can equally play a god fatherly role for the beginnings of a painting, whose finial result the artist never imagines in advance. This catalogue is published on the occassion of the exhibition with a text from Terry Myers.00Exhibition: CFA Contemporary Fine Arts Berlin, Germany (28.08. – 26.09.2015).
An exhibition catalogue of Cecily Brown's retrospective at Louisiana Museum of Modern Art, Denmark The British painter Cecily Brown (born 1969), based in New York since the 1990s, is one of the central figures in the international resurgence of painting since the turn of the century. Combining abstraction and figuration, she creates vivid, atmospheric depictions of fragmented bodies, often in erotic positions in the midst of swells of colour and movement. Brown pays tribute to the potential of painting for seduction, and draws on references ranging from classic pornography to elements from the visual worlds of Bosch, Goya and Hogarth, and most recently motifs from the human disasters of our own time. Having also been compared to painters like Bacon and de Kooning, Brown's work offers a female artist's gaze at a world dominated by male artists. This catalogue is published to accompany an exhibition at the Louisiana Museum of Modern Art in Denmark, comprising her latest paintings as well as drawings and monotypes.
Alain Elkann has mastered the art of the interview. With a background in novels and journalism, and having published over twenty books translated across ten languages, he infuses his interviews with innovation, allowing them to flow freely and organically. Alain Elkann Interviews will provide an unprecedented window into the minds of some of the most well-known and -respected figures of the last twenty-five years.
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For the past ten years, British painter Cecily Brown (born 1969) has been turning heads with her voluptuous, quasi-abstract canvases. All the while, she has been making drawings, study upon study of motifs taken from a wide range of sources, including drawings by the 18th-century master William Hogarth, pages of animals from 19th-century encyclopedias and the cover of Jimi Hendrix's 1968 album Electric Ladyland. Cecily Brown: Rehearsal is the first book devoted to the artist's drawings. The volume features approximately 75 drawings, many of which are being published for the first time. Arranged thematically, the book leads readers through Brown's repeated motifs.
Surveying three decades of the British painter Cecily Brown's career, with its vibrant mixture of gestural expression, canonical and pop references, and subversive themes This stunning volume surveys the pioneering career of Cecily Brown (b. 1969), one of the most celebrated artists working in painting today. In particular, it explores her process through paintings and drawings that demonstrate both her radical contemporaneity and her keen reassessment of historical precedents such as old master paintings and abstract expressionism, which have been consistent hallmarks of her art. The book's probing essays look at her practice, investigate the main themes that recur in Brown's work, and cons...