Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Anglo-Jewish Women Writing the Holocaust
In its rigorously researched analysis of Anglo-Jewish women writing the Holocaust, this book highlights the necessity of their inclusion in the evolving canon of modern British literature. Addressing the question of why the Holocaust is still being written, this study brings together Kindertransport writers, those of the Second Generation and those writers who have no personal or communal connection to the Holocaust but who have felt compelled to testify to the painful adaptations or betrayals of refugees by the nation which rescued so many. In her significant critical interpretations of memoirs, plays, poetry and novels, Lassner shows how these writers complicate theories of trauma and memory by using fantasy and the Gothic as a response to silence as well as to the historical and narrative relationship between endangered European Jews and Britain's cultural and political responses to them.
Colonial Strangers
This title aims to revolutionize modern British literary studies by showing how our interpretations of the postcolonial must confront World War II and the Holocaust. Lassner's analysis reveals how writers such as Muriel Spark, Olivia Manning, Rumer Godden, Phyllis Bottome, Elspeth Huxley and Zadie Smith insist that World War II is critical to understanding how and why the British Empire had to end. to the end of fascism. Drawing on memoirs, fiction, reportage and film adaptations, the book explores the critical perspectives of women who are passionately engaged with Britian's struggle to yield the last vestiges of imperial power. British women as agents of imperialism by questioning their own participation in British claims of moral righteousness and British politics of cultural exploitation. The authors discussed take centre stage in debates about connections between the racist ideologies of the Third Reich and the British Empire.
British Women Writers of World War II
In British Women Writers of World War II , Phyllis Lassner offers a challenging analysis of politicized literature in which such British women writers as Virginia Woolf, Elizabeth Bowen, Stevie Smith and Storm Jameson debated the `justness' of World War II. Lassner questions prevailing approaches to women's war writing by exploring the complex range of pacifist and activist literary forms of women who redefined such pieties as patriotism and duty and heroism and victimization.
The Palgrave Handbook of Holocaust Literature and Culture
The Palgrave Handbook of Holocaust Literature and Culture reflects current approaches to Holocaust literature that open up future thinking on Holocaust representation. The chapters consider diverse generational perspectives—survivor writing, second and third generation—and genres—memoirs, poetry, novels, graphic narratives, films, video-testimonies, and other forms of literary and cultural expression. In turn, these perspectives create interactions among generations, genres, temporalities, and cultural contexts. The volume also participates in the ongoing project of responding to and talking through moments of rupture and incompletion that represent an opportunity to contribute to the making of meaning through the continuation of narratives of the past. As such, the chapters in this volume pose options for reading Holocaust texts, offering openings for further discussion and exploration. The inquiring body of interpretive scholarship responding to the Shoah becomes itself a story, a narrative that materially extends our inquiry into that history.
Espionage and Exile
Analyses mid-twentieth century British spy thrillers as resistance to political oppressionEspionage and Exile demonstrates that from the 1930s through the Cold War British writers Eric Ambler, Helen MacInnes, John le Carr Pamela Frankau and filmmaker Leslie Howard combine propaganda and popular entertainment to call for resistance to political oppression. Their spy fictions deploy themes of deception and betrayal to warn audiences of the consequences of Nazi Germany's conquests and later, the fusion of Fascist and Communist oppression. With politically charged suspense and compelling plots and characters, these writers challenge distinctions between villain and victim and exile and belonging...
Soundless Roar
Soundless Roar introduces a distinctive new voice to Holocaust literature. Ava Kadishson Schieber, author, poet, and artist, spent her teenage years hiding from the Nazis on a Serbian farm. Her cultured speech and city-bred body language could have betrayed her, so she was forced into near isolation. Schieber began drawing while in hiding, and she continues to express herself today with the same urgency. The drawings and writings in Soundless Roar are the culmination of many years of artistry. In her work, she shares her memories of loved ones killed in the Holocaust: they are "friendly ghosts" that will always be a part of her. Schieber's drawings, paintings, poetry, and prose are all intimate reflections of one another. Her experience forged the unusual sense of time that shapes Schieber's stories. In her preface, Phyllis Lassner writes: "The timetable of Ava's stories often consists of circles within circles, of patterns of an intertwined past, the past present of hiding, and the present looking back at those distinctly separate but inseparable pasts."
Anglo-Jewish Women Writing the Holocaust
In its analysis of Anglo-Jewish women writing the Holocaust, this book highlights the necessity of their inclusion in the evolving canon of modern British literature, by showing how these writers complicate theories of trauma and memory by using fantasy and the Gothic as a response to silence.
Out of Chaos
The stories in Out of Chaos forms a profound testament to lost and found lives that are translated into compelling reading. The collection illuminates brief or elongated moments, fragments of memory and experience, what the great Holocaust writer Ida Fink called “a scrap of time.” In all, the anthology expresses survivors’ memories and reactions to a wide range of experiences as they survived in so many European settings, from Holland, Belgium, Italy, Germany, Greece, Yugoslavia, Poland, and France. The writers recall being on the run between different countries, escaping over mountains, hiding and even sometimes forgetting their Jewish identities in convents and rescuers’ homes and hovels, basements and attics. Some were left on their own; others found themselves embroiled in rescuer family conflicts. Some writers chose to write story clusters, each one capturing a moment or incident and often disconnected by memory or temporal and spatial divides.
Holocaust Graphic Narratives
In Holocaust Graphic Narratives, Victoria Aarons demonstrates the range and fluidity of this richly figured genre. Employing memory as her controlling trope, Aarons analyzes the work of the graphic novelists and illustrators, making clear how they extend the traumatic narrative of the Holocaust into the present and, in doing so, give voice to survival in the wake of unrecoverable loss. In recreating moments of traumatic rupture, dislocation, and disequilibrium, these graphic narratives contribute to the evolving field of Holocaust representation and establish a new canon of visual memory. The intergenerational dialogue established by Aarons’ reading of these narratives speaks to the on-going obligation to bear witness to the Holocaust. Examined together, these intergenerational works bridge the erosions created by time and distance. As a genre of witnessing, these graphic stories, in retracing the traumatic tracks of memory, inscribe the weight of history on generations that follow.
The Mortal Storm
An anti-fascist novel acclaimed on both sides of the Atlantic, The Mortal Storm was Phyllis Bottome's dramatic warning against the warmongering, antisemitic and misogyny of the Nazis. Highlighting Bottome's prolific writing career and lifelong humanitarian activism, The Mortal Storm pits the developing political and feminist consciousness of Freya Roth against the Nazi machine that will destroy the fabric of her family and nation.
