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The convents, asylums, and laundries that once comprised the Magdalene institutions are the subject of this work. Though originally half-way homes for prostitutes in the Middle Ages, these homes often became forced-labor institutions, particularly in Ireland. Examining the laundries within the context of a growing world capitalist economy, the work argues that the process of colonization, and of defining a national image, determined the nature and longevity of the Magdalene Laundries. This process developed differently in Ireland, where the last laundry closed in 1996. The book focuses on the devolution of the significance of Mary Magdalene as a metaphor for the organization: from an affluent, strong supporter of Jesus to a simple, fallen woman.
The Magdalen laundries were workhouses in which many Irish women and girls were effectively imprisoned because they were perceived to be a threat to the moral fiber of society. Mandated by the Irish state beginning in the eighteenth century, they were operated by various orders of the Catholic Church until the last laundry closed in 1996. A few years earlier, in 1993, an order of nuns in Dublin sold part of their Magdalen convent to a real estate developer. The remains of 155 inmates, buried in unmarked graves on the property, were exhumed, cremated, and buried elsewhere in a mass grave. This triggered a public scandal in Ireland and since then the Magdalen laundries have become an important...
** A Book of the Year in The Times - The New Statesman - Observer - Financial Times - Irish Times - Irish Independent - Times Literary Supplement ** WINNER OF THE ORWELL PRIZE AND THE KERRY GROUP IRISH NOVEL OF THE YEAR AWARD SHORTLISTED FOR THE RATHBONES FOLIO PRIZE AND THE IRISH NOVEL OF THE YEAR AT THE DALKEY LITERARY AWARDS 'Exquisite.' Damon Galgut 'Masterly.' The Times 'Miraculous.' Herald 'Astonishing.' Colm Tóibín 'Stunning.' Sunday Independent 'Absolutely beautiful.' Douglas Stuart It is 1985, in an Irish town. During the weeks leading up to Christmas, Bill Furlong, a coal and timber merchant, faces into his busiest season. As he does the rounds, he feels the past rising up to meet him - and encounters the complicit silences of a people controlled by the Church.
This collection raises incisive questions about the links between the postcolonial carceral system, which thrived in Ireland after 1922, and larger questions of gender, sexuality, identity, class, race and religion. This kind of intersectional history is vital not only in looking back but, in looking forward, to identify the ways in which structural callousness still marks Irish society. Essays include historical analysis of the ways in which women and children were incarcerated in residential institutions, Ireland’s Direct Provision system, the policing of female bodily autonomy though legislation on prostitution and abortion, in addition to the legacies of the Magdalen laundries. This collection also considers how artistic practice and commemoration have acted as vital interventions in social attitudes and public knowledge, helping to create knowledge and re-shape social attitudes towards this history.
Maren Bradigan is just sixteen years old when she is taken under false pretenses from her comfortable life on her family farm. Concerned at the level of intimacy developing between Maren and the boy who helps her father with his farm work, the village priest takes it upon himself to remove her from school and bring her to one of the convent laundries, where he delivers her into the care of the nuns. Now, alongside many other "Magdalens" - named for Mary Magdalen - Maren must spend her days washing dirty linens, symbolically cleansing herself of her sins while repeating endless penance to a God that she soon comes to feel is no longer listening to her. Only the presence of Ceara, a young pregnant girl who befriends her inside the institution, gives Maren strength to continue through abuse, humiliation, beatings and near-starvation. Set in Ireland in 1961, The Magdalen Laundries is based on the true stories from one of the most shameful chapters in Ireland's history, and tells of the redemptive power of faith, friendship and forgiveness.
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