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Sometimes compact, sometimes expansive, the poems in Ghost Hour emanate from adolescence and other liminal spaces, considering girlhood and contemporary womanhood—the ways both are fraught with the pleasures and limits of embodiment. As in her previous poetry, Laura Cronk writes personally, intimately, yet never without profound consideration of onslaught of contemporary violence, which we must love in spite of and rage against.
Winner of the 2011 Lexi Rudnitsky First Book Prize in Poetry In this arresting debut, love poems and interior monologues are reinvented in a time of war. Within them, Laura Cronk writes, “I want to blow up the Law with Language, having run my tongue around my mouth ten thousand times. Instead of not speaking, I want to speak.”
Poetry. Like a secret date with Lizzie Borden, these moody lyrics thrill as they incriminate. SKIN HORSE shows that history is a crime scene, and that crime is theatrical, rife with costumes, masks, hats, props, weapons, scripts, dialogue, wooden scenery and dreamlike reenactments. These poems are anachronistic yet uncannily alive, furtive yet frank like an incriminating note forgotten in an apron pocket. Cronk locks words together like a lace collar which flutters attractively even as it tightens at the reader's throat. She writes, "with velvet trim / in the whistle of seeing." She writes, "Is it too untoward to say Please Go Back to Normal Life?" She writes, "Gotta nest of woe a nest of wa...
Postpartum depression has become a more recognized mental illness over the past decade as a result of education and increased awareness. Traumatic childbirth, however, is still often overlooked, resulting in a scarcity of information for health professionals. This is in spite of up to 34% of new mothers reporting experiencing a traumatic childbirth and prevalence rates rising for high risk mothers, such as those who experience stillbirth or who had very low birth weight infants. This ground-breaking book brings together an academic, a clinician and a birth trauma activist. Each chapter discusses current research, women’s stories, the common themes in the stories and the implications of the...
Taking the form of two long poems, "Interro-Porn" and "Chenille," _Womonster_ explores the often monstrous and buffoonish impossibility of a coherent self, even as its speakers take great pleasure in the performance of selves. Everywhere absorbing and leaking other media, _Womonster_ is a "sloppy" text, at once nauseating and thrilling, psychedelic and domestic. "Olivia Cronk's Womonster is a performative feat, a book that makes being out of pretending.... I was thrilled and moved by this wild book, which moves from an explosive rejection of narrative to the creation of a theater of home, that shabby, beautiful structure built with girly hope, our fortification against loss." (Suzanne Scanlo...
Presents the story of a Holocaust rescuer to reveal the formidable risks she took to her own safety to save some 2,500 children from death and deportation in Nazi-occupied Poland during World War II.
“Farrell chronicles the harrowing story of U.S. Army and Navy nurses based in the Philippines during WWII . . . a memorable portrayal.” —Booklist (starred review) In the early 1940s, young women enlisted for peacetime duty as U.S. Army nurses. But when the Japanese attack on Pearl Harbor in 1941 blasted the United States into World War II, 101 American Army and Navy nurses serving in the Philippines were suddenly treating wounded and dying soldiers while bombs exploded all around them. The women served in jerry-rigged jungle hospitals on the Bataan Peninsula and in underground tunnels on Corregidor Island. Later, when most of them were captured by the Japanese as prisoners of war, they...
More than 800 years after its invention in medieval France, the sestina survives and thrives in English. A fixed 39-line poetic form with of six stanzas of six lines each, followed by a three- line stanza known as an envoi, tornada, or tercet, the sestina is the one form of poetry that poets from all camps agree can exist in a free verse world. Formalists and avant-gardes love sestinas for their ornate, maddeningly complicated rules of word repetition. For The Incredible Sestinas Anthology, editor Daniel Nester has gathered more than 100 writers—from John Ashbery to David Lehman to Matt Madden and Patricia Smith—to show the sestina in its many incarnations: prose and comic sestinas, collaborative and double sestinas, from masters of the form to brilliant one-off attempts, all to show its evolution and the possibilities of this dynamic form.
Representations of forensic procedures saturate popular culture in both fiction and true crime. One of the most striking forensic tools used in these narratives is the chemical luminol, so named because it glows an eerie greenish-blue when it comes into contact with the tiniest drops of human blood.Luminol is a deeply ambivalent object: it is both a tool of the police, historically abused and misappropriated, and yet it offers hope to families of victims by allowing hidden crimes to surface. Forensic enquiry can exonerate those falsely accused of crimes, and yet the rise of forensic science is synonymous with the development of the deeply racist 'science' of eugenics.Luminol Theory investiga...
"Honorable mention 2008 Blue Ridge Mountains Christian Writers Conference"--P. [4] of cover.