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The Present Professor
It’s hard to learn when you’re under stress, and a lot harder when your teacher is struggling with stress, too. In a world where stress is unavoidable—where political turmoil, pandemic fallout, and personal challenges touch everyone—this timely book offers much-needed guidance for cutting through the emotional static that can hold teachers back. A specialist in pedagogical strategies with extensive classroom experience, Elizabeth A. Norell explains how an educator’s presence, or authenticity, can be critical to creating transformational spaces for students. And presence, she argues, means uncovering and understanding one’s own internal struggles and buried insecurities—stresses...
Sixties British Cinema Reconsidered
Challenging assumptions around Sixties stardom, the book focuses on creative collaboration and the contribution of production personnel beyond the director, and discusses how cultural change is reflected in both film style and cinematic themes.
Helvena
Magnificent sound explodes from excruciating silence in space. God is created from this sound divine. He then creates his mate, Helvena. Together, they build great kingdoms. The Garden of Eden blossoms into seven continents separated by vast oceans. When satisfied that man is capable of caring for himself, God and Helvena enter other dimensions, creating new worlds. Returning to earth, they find the planet in modern time. God and Helvena appear on the streets of New York City and introduce themselves as deities. They are deemed insane. God and Helvena investigate earth until God resolves that he needs to speak with man. He says that humans are ridiculous and out of control. He warns that if they do not treat where they are as heaven, he will destroy them as he did dinosaurs. Initially, man is terrified. In time, he loses his fear and believes that God's appearance in the sky was a terrible hoax or extraordinary terrorism. When fear subsides, there is rejoicing and laughter until moments before judgment--when man is, indeed, judged.
Harper's Weekly
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Jason's Final Coming
Juvenile delinquent Jason Taylor is murdered by his best friend, Nicholas Page. Jason’s spirit appears in hereafter-- where he learns that his mother is about to die after she was shot while killing his killer. Jason returns to life as a spirit before the time of his death and mother’s crime. His mission is to change her fate and prove them both worthy of Goodness. Jason’s spirit travels through multiple dimensions of afterlife further changing his and his mother’s direction. Catastrophic confrontations with demon spirits and living criminals make Jason’s task incomprehensible. The outcome of this story is a riveting and ghostly glimpse into Jason’s afterworld and beyond.
2001 between Kubrick and Clarke
The story of how “2001: A Space Odyssey” came to be made is in many ways as epic as the events portrayed in the film itself—and until now, just as mysterious. In 1964, with “Dr. Strangelove” ready for release, Stanley Kubrick was uncertain about what his next project would be, and considered making a film dealing with several contemporary themes. It was only when he encountered Arthur C. Clarke that he decided to make a science fiction film. Yet it took more than four years for “2001: A Space Odyssey” to reach the screen—a productive and creative odyssey that involved experimentation, last-minute rethinks, strokes of genius, quarrels, ultimatums, feats of will, and mental bre...
Eating Fire
Eating Fire follows in the steps of Riordon’s popular 1996 book Out Our Way, on gay and lesbian life in the country (BTL, 1996). This new set of tales examines the range in living patterns and relationships among queer families across Canada. Eating Fire illuminates the rich diversity in which people negotiate their personal and public identities. As in all his writing and radio work, Riordon brings to this book a subtle, direct, and vivid style. For Eating Fire he travelled widely, engaging in significant new research and speaking with hundreds of fascinating people. The resulting book is wanted and needed in classrooms, within queer communities, and among everyone hungry for knowledge about the wide range of Canadian families.
Immortal Films
Casablanca is one of the most celebrated Hollywood films of all time, its iconic romance enshrined in collective memory across generations. Drawing from archival materials, industry trade journals, and cultural commentary, Barbara Klinger explores the history of Casablanca's circulation in the United States from the early 1940s to the present by examining its exhibition via radio, repertory houses, television, and video. By resituating the film in the dynamically changing industrial, technological, and cultural circumstances that have defined its journey over eight decades, Klinger challenges our understanding of its meaning and reputation as both a Hollywood classic and a cult film. Through this single-film survey, Immortal Films proposes a new approach to the study of film history and aesthetics and, more broadly, to cinema itself as a medium in constant interface with other media as a necessary condition of its own public existence and endurance.
