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This bibliography, listed alphabetically by authors of books and articles on Mercè Rodoreda, offers a detailed description of the content of more than two hundred studies on her work. In addition to Rodoreda’s narrative, the last decade has seen many more studies of her theater, poetry, painting, and early journalism. Also included is a comprehensive listing of editions and translations, as well as an index. The intention is to analyze and diffuse the great body of academic production on this worldwide representative of Catalan culture, with the hope that future studies can profit by a reading of pertinent existing scholarship on the subject. There are various kinds of publications, from ...
The private and performance lives of five female dancers in Western dance history
One of the most innovative composers of his generation, Mikel Rouse is known for a trilogy of operas that includes Dennis Cleveland and a gift for superimposing pop vernaculars onto avant-garde music. This memoir channels Rouse’s high energy personality into an exuberant account of the precarity and pleasures of artistic creation. Raconteur and starving artist, witty observer and acclaimed musician, Rouse emerged from the legendary art world of 1980s New York to build a forty-year career defined by stage and musical successes, inexhaustible creativity, and a support network of famous faces, loyal allies, and high art hustlers. Rouse guides readers through a working artists’ hardscrabble life while illuminating the unromantic truth that a project’s reception may depend on a talented cast and crew but can depend on reliable air conditioning. Candid and hilarious, The World Got Away is a one-of-a-kind account of a creative life fueled by talent, work, and luck.
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First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.
Two traditionally divided strains of American dance, Modern Dance and Negro Dance, are linked through photographs, reviews, film, and oral history, resulting in a unique view of the history of American dance.
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Cap al 2005, en un article publicat en la revista L’Avenç i titulat «Mercè Rodoreda, escriptora», Marina Gustà feia patent la necessitat d’un estudi que analitzara la recepció de l’obra de Mercè Rodoreda per tal de fixar, «lluny de generalitzacions […] amb tots els recursos documentals necessaris, i sense partits presos», «les línies de tensió no sempre visibles» i de fer desaparèixer «els automatismes interpretatius». És com a resposta a aquesta necessitat que naix el present estudi, l’objectiu principal del qual és resseguir la manera com s’ha construït, al llarg del temps, la lectura de l’obra literària de l’autora, des de Soc una dona honrada? fins a M...
Aquesta bibliografia, ordenada de manera alfabètica a partir dels noms dels autors de llibres i articles sobre Mercè Rodoreda, presenta una descripció detallada del contingut de més de dos-cents estudis sobre l’obra de l’escriptora. A més de la narrativa, durant la primera dècada del segle XXI s’han publicat molts més estudis sobre les obres de teatre, la poesia, la pintura i l’obra periodística dels primers anys de l’escriptora. També s’hi inclou una llista àmplia d’edicions i traduccions, així com un índex d’obres. L’objectiu d’aquesta obra és analitzar i difondre l’important corpus de producció acadèmica que hi ha disponible sobre una autora que repres...