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On Second Thought
Every ending marks a potential beginning; every act of reading is, in a very real sense an act of re-writing; and to revise is, literally, to re-see. These bits of conventional wisdom underlie the topic explored in this volume's collection of essays by literary critics who want to know more about the instinct to continue and the impulse to revise an existing text.
Dancing Lives
The private and performance lives of five female dancers in Western dance history
The Most Radical Gesture
This book is the first major study of the Situationist International. Tracing the history, ideas and influences of this radical and inspiring movement from dada to postmodernism, it argues that situationist ideas of art, revolution, everyday life and the spectacle continue to inform a variety of the most urgent poltical events, cultural movements, and theoretical debates of our times.
A Neoist Research Project
"A Neoist Research Project" is the first comprehensive anthology and source book of Neoism, an international collective network of mostly anonymous and pseudonymous subcultural actionists and speculative experimenters. It consists of more than one hundred Neoist texts and two hundred images documenting diverse Neoist interventions, Neoist Apartment Festivals, definitions and pamphlets of Neoism and affiliated currents, language and identity experiments, and Neoist memes such as the shared identity Monty Cantsin. From the contents: "Neoist Chair and Chair Action," "Death Mauses Meat Pieces," "Kline Bottle Pieces," "Street performance actions against false infinity," "APT 4, Low Theatre, Montr...
The autonomous life?
This electronic version has been made available under a Creative Commons (BY-NC-SA) open access license. The Autonomous Life? is an ethnography of the squatters' movement in Amsterdam written by an anthropologist who lived and worked in a squatters' community for over three years. During that time she resided as a squatter in four different houses, worked on two successful anti-gentrification campaigns, was evicted from two houses and jailed once. With this unique perspective, Kadir systematically examines the contradiction between what people say and what they practice in a highly ideological radicalleftcommunity. The squatters' movement defines itself primarily as anti-hierarchical and ant...
A Dictionary of the Avant-Gardes
A Dictionary of the Avant-Gardes recognizes that change is a driving force in all the arts. It covers major trends in music, dance, theater, film, visual art, sculpture, and performance art--as well as architecture, science, and culture.
Neoism, Plagiarism & Praxis
"Home is a novelist, art agitator, and documenter of art terrorism... The art terrorist's art terrorist." "Modern Review." "Neoism, Plagiarism & Praxis" is concerned with what's been happening at the cutting edge of culture since the demise of Fluxus and the Situationists. It provides inside information on the Neoists, Plagiarists, Art Strikers, London Psychogeographical Association, K Foundation, and other groups that are even more obscure. "
The Darkness of the Present
The Darkness of the Present includes essays that collectively investigate the roles of anomaly and anachronism as they work to unsettle commonplace notions of the “contemporary” in the field of poetics. In the eleven essays of The Darkness of the Present, poet and critic Steve McCaffery argues that by approaching the past and the present as unified entities, the contemporary is made historical at the same time as the historical is made contemporary. McCaffery’s writings work against the urge to classify works by placing them in standard literary periods or disciplinary partitions. Instead, McCaffery offers a variety of insights into unusual and ingenious affiliations between poetic wor...
Bastard Culture!
The computer and particularly the Internet have been represented as enabling technologies, turning consumers into users and users into producers. The unfolding online cultural production by users has been framed enthusiastically as participatory culture. But while many studies of user activities and the use of the Internet tend to romanticize emerging media practices, this book steps beyond the usual framework and analyzes user participation in the context of accompanying popular and scholarly discourse, as well as the material aspects of design, and their relation to the practices of design and appropriation.
