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Home is where the (he)art is
Sharon Magnarelli's contribution to the critical dialogue on Spanish-American literature offers fresh, new reading of plays that have already attracted significant critical attention as well as insightful analyses of others that have seldom been studied.
Staging Frontiers
Swashbuckling tales of valiant gauchos roaming Argentina and Uruguay were nineteenth-century Latin American bestsellers. But when the stories jumped from the page to the circus stage and beyond, their cultural, economic, and political influence revolutionized popular culture and daily life. In this expansive and engaging narrative William Acree guides readers through the deep history of popular entertainment before turning to circus culture and rural dramas that celebrated the countryside on stage. More than just riveting social experiences, these dramas were among the region’s most dominant attractions on the eve of the twentieth century. Staging Frontiers further explores the profound impacts this phenomenon had on the ways people interacted and on the broader culture that influenced the region. This new, modern popular culture revolved around entertainment and related products, yet it was also central to making sense of social class, ethnic identity, and race as demographic and economic transformations were reshaping everyday experiences in this rapidly urbanizing region.
Text & Presentation, 2013
Text & Presentation, 2013 gathers some of the best work presented at the 2013 Comparative Drama Conference in Baltimore. Subjects ranging from Ancient Greece to 21st century America are covered with a variety of approaches and formats. Celebrated playwright Edward Albee's presentation is the lead piece, followed by 12 research papers, one review essay, and seven book reviews. This volume represents the latest research in the fields of comparative drama, performance, and dramatic textual analysis.
Antígonas
Antígonas rethinks the paradigms through which we understand the presence of ancient cultural materials in former colonial territories by analysing the reimagination if the Antigone myth in the theatres of Latin America.
Modigliani Unmasked
An illuminating study of Amedeo Modigliani's early drawings and how they reflect the artist's conception of identity One of the great artists of the 20th century, Amedeo Modigliani (1884-1920) is celebrated for revolutionizing modern portraiture, particularly in his later paintings and sculpture. Modigliani Unmasked examines the artist's rarely seen early works on paper, offering revelatory insights into his artistic sensibilities and concerns as he developed his signature style of graceful, elongated figures. An Italian Sephardic Jew working in turn-of-the-century Paris, Modigliani embraced his status as an outsider, and his early drawings show a marked awareness of the role of ethnicity an...
Theatre, Performance, and Memory Politics in Argentina
Since Argentina's transition to democracy, the expression of human fragility on the stage has taken diverse forms. This book examines the intervention of theatre and performance in the memory politics surrounding Argentina's return to democracy and makes a case for performance's transformative power.
Modigliani
Biography and criticism by the artist's daughter.
Staging Buenos Aires
Staging Buenos Aires centers theater as a source of historical inquiry to understand how nonelites experienced and shaped a city undergoing dramatic transformations. Commercial theater constituted the core of the city’s public sphere, one in which middle-class playwrights and audiences assumed the leading role. Audiences and critics often disagreed about what was “acceptable” entertainment. Playwrights used theater to promote their own ideas of sociopolitical change, creating a space for working- and middle-class audiences to identify and push back against imposed regulations and attitudes. Cultural production on the city’s stages revealed fissures and social anxieties about the expa...
Modigliani
A biographer explores the artist’s tragic life, and transcendent work, in early twentieth-century Paris—“a vibrant portrait of a deeply unhappy man” (Publishers Weekly). In 1920, at the age of thirty-five, Amedeo Modigliani died in poverty and neglect in Paris, much like a figure out of La Bohéme. His life had been as dramatic as his death. An Italian Jew from a bourgeois family, “Modi” had a weakness for drink, hashish, and the many women—including the Russian poet Anna Akhmatova—who were drawn to his good looks. His painting thrived on chaos, but his bohemian lifestyle, combined with a youthful case of tuberculosis, eventually took a fatal toll. His friends included Picass...
