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Brave on the Page
This homegrown anthology features meditations on the act of writing by forty-two Oregon authors, including journalists, poets, fiction writers, essayists, memoirists, and travel writers. In interviews and original flash essays, contributors share their thoughts on avoiding distractions, weathering rejection, using real-life dialogue in fiction, and what it takes to have a successful writing career. "What emerges is a tapestry of writers who happen to hail from the same geographic region, sharing wisdom, encouragement, and counsel beyond the boundaries of regional writing." - The Los Angeles Review
Singing Lessons for the Stylish Canary
As a firstborn son of a master craftsman, Henri Blanchard is expected to inherit the family barrel organ workshop, but he would prefer to make bobbin lace like his best friend Aimée. In an effort to put his misgivings aside and prove himself a worthy heir, he attempts dramatic feats that draw derision from the townsfolk and finally land him in jail, accused of murder. Threatened with the hangman's noose, he is forced to flee the cozy village of Mireville--and discover a world beyond that may be big enough for even the rarest bird to find a nest. Suspenseful and heartwarming by turns, Laura Stanfill's debut is a whimsical journey full of friendship, adventure, and self-discovery.
Sad House: Parenting, Grief, and Creativity in the Coronavirus Crisis
There's no guidebook for parenting during a pandemic. Sheltering at home means being yourself in front of your kids--all day, every day--without much reprieve. When Laura Stanfill's best friend was killed by the virus in April 2020, her daughters experienced her grief at close range. Over the next several months, with storytelling and art, gardening and games, Laura found her imperfect way through deep grief--just in time to weather a second major loss. SAD HOUSE offers a guide for family resilience, growth, and how small, shared joys can sustain a household in difficult times.
City of Weird
City of Weird conjures what we fear: death, darkness, ghosts. Hungry sea monsters and alien slime molds. Blood drinkers and game show hosts. Set in Portland, Oregon, these thirty stories blend imagination, literary writing, and pop culture into a cohesive weirdness that honors the city’s personality, its bookstores and bridges and solo volcano, as well as the tradition of sci-fi pulp magazines. Including such authors as Rene Denfeld, Justin Hocking, Leni Zumas, and Kevin Sampsell, editor Gigi Little has curated a collection that is quirky, chilling, often profound—and always perfectly weird.
The Hour of Daydreams
Manolo Lualhati, a respected doctor in the Philippine countryside, believes his wife hides a secret. Prior to their marriage, he spied her wearing wings and flying to the stars with her sisters each evening. As Tala tries to keep her dangerous past from her new husband, Manolo begins questioning the gaps in her stories--and his suspicions push him even further from the truth. The Hour of Daydreams, a contemporary reimagining of a Filipino folktale, weaves in the perspectives of Tala's siblings, her new in-laws, and the all-seeing housekeeper while exploring trust, identity, and how myths can take root from the seeds of our most difficult truths.
About the Carleton Sisters
A Las Vegas showgirl, a diner waitress, and a heartbroken alcoholic—three sisters—are called into an obligatory reunion in California’s Central Valley in the late 1990s as a prelude to their mother’s impending death. Inside Diego’s Diner on Highway 99, Lorraine, the eldest of the sisters, attempts to convert the truckers and regional farmers to her religious beliefs while managing the counters and booths. Becky, the youngest, lurches into this scene after a night’s drunken romp. Meanwhile, middle sister Julie is en route on a bus from Las Vegas, where she’s just ended a long career as a Riviera showgirl. Overshadowing the longstanding tensions between the three women is the unexplained disappearance of the sisters’ long-absent father from their lives. Julie is reluctant to return to River’s End, but she makes a valiant attempt to jump-start her life again once she gets there, even as she confronts the loss of the beauty she’s long used to mask her insecurities and failed relationships. Meanwhile, Becky struggles to stay sober and out of jail—and Lorraine throws herself into cheating her sisters out of their inheritance.
A Small Crowd of Strangers
Marrying the wrong man is easier than leaving him. How does a librarian from New Jersey end up in a convenience store on Vancouver Island in the middle of the night, playing Bible Scrabble with a Korean physicist and a drunk priest? She gets married to the wrong man for starters—she didn't know he was 'that kind of Catholic'—and ends up in St. Cloud, Minnesota. She gets a job in a New Age bookstore, wanders toward Buddhism without realizing it, and acquires a dog. Things get complicated after that. Pattianne Anthony is less a thinker than a dreamer, and she finds out the hard way that she doesn't want a husband, much less a baby, and that getting out of a marriage is a lot harder than getting into it, especially when the landscape of the west becomes the voice of reason. A Small Crowd of Strangers, Joanna Rose’s second novel, is part love story, part slightly sideways spiritual journey.
Willow Weep for Me: A Black Woman's Journey Through Depression
The first book to focus on Black women and depression, through the author’s “absorbing and inspirational” (Washington Post) personal journey. When Nana-Ama Danquah, a twenty-two-year-old single mother, began to suffer from a variety of depressive symptoms after giving birth to her daughter, she thought she was going crazy. Determined to portray strength in a world that often undervalues Black women’s lives, she shrouded her debilitating despair in silence and denial. But when she befriends other Black women who suffer with depression, she finds the support she needs to confront the traumatic childhood events that lie beneath her grief. Twenty-five years after its initial publication, as best-selling author Andrew Solomon writes in an illuminating foreword, Willow Weep for Me “remains a brave book . . . but at the time of its writing it was humblingly audacious.” Also including an afterword from the author, this groundbreaking classic is a powerful meditation on courage and a litany for survival. “An important and moving memoir. [Danquah] describes beautifully her experiences with depression.” —Kay Redfield Jamison, author of An Unquiet Mind
Imagine a Door
Foreword by Beth Kephart, author of Handling the Truth Imagine a Door intersperses craft insights, case studies, and checklists with personal stories about publishing and the emotional complexities of sending your work into the world. Is a writing routine worthwhile? How do you pinpoint the why behind your storytelling and use it to improve your manuscript? What makes a query letter stand out? What exactly is distribution? Does success mean selling a certain number of books or can we reframe our expectations in a less capitalistic way? While prioritizing genuine community over platform building, Laura Stanfill, publisher of Forest Avenue Press and author of Singing Lessons for the Stylish Canary, explores these questions from both sides of the desk. She peppers her material with original interviews with authors Omar El Akkad, Fonda Lee, Amy Stewart, Wendy Chin-Tanner, Keith Rosson, Rosiee Thor, Kesha Ajose-Fisher, Emme Lund, and agents, editors, and publishers.
