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Based on Robert Silverberg’s bestselling Sci-Fi novels about Humanity’s search for immortality out among the stars.
In a world whose time is running out, four mysterious swords must be reunited to save the planet. A spectacular saga full of wondrous creatures and settings.
In a world whose time is running out, four mysterious swords must be reunited to save the planet. A spectacular saga full of wondrous creatures and settings.
The anthology consists of essays authored by scholars of different nationalities from diverse cultures, nations and primary languages. They cover Conrad’s presence across multiple media (fiction, films, comics, and graphic novels). The collection is unique because the contributors focused on Conrad’s presence in contemporary culture – a constantly changing field – rather than well-trodden paths. The exploration of Polish, French, Italian, Spanish, English and American works of art strengthens its originality. The artists discussed in connection with Conrad include Olga Tokarczuk, Stanisław Lem, Robert Silveberg, Loic Godart, Christian Bobin, Christian Perrissin, Tom Tirabosco, Eduardo Berti, J.M. Coetzee, Michelangelo Antonioni. Last but not least, the volume contains 20 stunning reproductions in full colour from films, graphic novels and comics.
This volume offers a detailed analysis of selected cases in the reception, translation and artistic reinterpretation of Italo Calvino's Invisible Cities (1972) around the world. The book traces the many different ways in which Calvino's modern classic has been read, translated and adapted in Brazil, France, the Netherlands and Flanders, Mexico, Romania, Scandinavia, the USSR, China, Poland, Japan and Australia. It also offers analyses of the relation between Calvino's book and, respectively, the East and Africa, as well as reflections on the book's inspiration for, and resonance in, dance, architecture and art. The volume thus traces the diversity in the reception and circulation of Invisible Cities in different countries and continents, offering a much wider framework for the discussion of Calvino’s masterpiece than before, and a more detailed picture of its cultural and linguistic ramifications. This book will be of interest to scholars in Comparative Literature, World Literature, Translation Studies, Italian Studies, Romance Languages, European Studies, Dance, Architecture and Media Studies, as well as to scholars specialised in paratext and reception.
Based on Robert Silverberg's bestselling Sci-Fi novel about the effects of colonialism and the quest for transcendence.
Who knoweth the spirit of men that goeth upward, and the spirit of the beast that goeth downward to the earth? –Ecclesiastes 3:21 Okay, they did resemble elephants, it can't be denied. That led many people to underestimate the Nildoror and their obviously more fearsome commensals, the Sulidoror. But aliens should never be judged by human standards, as the Company learned to its cost when Holman's World, now once again known as Belzagor, was given back to the natives and the Company sent packing. Now Edmund Gunderson, once head of the Company's operation on this world, has come back across the galaxy to settle old scores with the Nildoror. If he can even get them to acknowledge his existence. Downward to the Earth is a classic from the golden age of Robert Silverberg's career in the 1970s. His homage to Joseph Conrad's Heart of Darkness, it remains as fresh and powerful today as the day it was written. Our Orb edition will have a map of Gunderson's journey across Belzagor and a new introduction by the author. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Une filature menacée par la concurrence étrangère, un fils honni qui ressurgit, des orphelines asservies... un vent de changement souffle sur l’usine-pensionnat Bouscaret.
The first book on the magical creations of postwar Italian glass virtuoso Toni Zuccheri Toni Zuccheri (1936-2008) was an artist, architect, designer and sculptor. He collaborated with some of the biggest names in postwar Italian art (Gio Ponti, Lucio Fontana and Gaetano Pesce, among others) and worked for some of the most prestigious glass brands in Italy (Venini, VeArt and Barovier), developing new materials and forms in a glassmaking career of nearly half a century. A decade after his death, this volume presents an exhaustive overview of Zuccheri's career, looking at his complex and fruitful encounters with designers and brands and his extensive independent production of unique works modeled after animals. Featuring illustrations of Zuccheri's prototypes and one-off pieces plus unpublished sketches, studies and drawings, archival material and letters, Toni Zuccheri reveals the complex sensibility of a designer who took an empirical approach to sculpting "sensitive things."
Retournez explorer Belzagor, planète aux mille mystères.