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The world of aesthetics is, itself, inextricable from the world as a whole. Indeed, as this book argues, it is among its essential features, and an invaluable key to its appreciation. Thus, to venture into the uncharted world of aesthetics is also to venture into this larger world, a world that might be called the “cosmos” or the “universe”. At the same time, to venture into this uncharted realm is to also blaze a trail to the self. This trail would, itself, be paradoxical, as it would end where it begins and begin where it ends. In this light, it may also be said that the uncharted world of aesthetics is the uncharted world of the self. This book provides insights into how works about aesthetics are also works reflective of the self, as well as works with endless possibilities of being.
In the early 1960s, pianist Horace Tapscott gave up a successful career in Lionel Hampton’s band and returned to his home in Los Angeles to found the Pan Afrikan Peoples Arkestra, a community arts group that focused on providing community-oriented jazz and jazz training. Over the course of almost forty years, the Arkestra, together with the related Union of God’s Musicians and Artists Ascension collective, was at the forefront of the vital community-based arts movement in Black Los Angeles. Some three hundred artists—musicians, vocalists, poets, playwrights, painters, sculptors, and graphic artists—passed through these organizations, many ultimately remaining within the community and others moving on to achieve international fame. In The Dark Tree, Steven L. Isoardi draws on one hundred in-depth interviews with the Arkestra’s participants to tell the history of the important and largely overlooked community arts movement of Black Los Angeles. This revised and updated edition brings the story of the Arkestra up to date, as its ethos and aesthetic remain vital forces in jazz and popular music to this day.
The volume provides a multidisciplinary approach of the discursive dimension of power. It challenges the usual conception of discourse and power that underlies most of the current theories in contemporary discourse analysis, and shows that it is unsatisfying in so far as it reduces power to domination and discourse to power technology. In opposition to such a conception, an alternative model of power-in-discourse is constructed. It is called "Dialogical Model" in accordance with its being grounded in a dialogical conception of discourse that naturally leads to a participative conception of power (as empowerment). Part One provides the DM with theoretical and philosophical foundations, while Part Two affords empirical evidence by applying the DM to such typical situations as journalistic discourse under censorship, classroom sessions, and children interaction in a problem-solving situation.
Epistemology had to come to terms with “the social” on two different occasions. The first was represented by the dispute about the epistemological status of the “social” sciences, and in this case the already well established epistemology of the natural sciences seemed to have the right to dictate the conditions for a discipline to be a science. But the social sciences could successfully vindicate the legitimacy of their specific criteria for scientificity. More recently, the impact of social factors on the construction of our knowledge (including scientific knowledge) has reversed, in a certain sense, the old position and promoted social inquiry to the role of a criterion for evalua...
Aspects of Lincoln, is the first in the widely acclaimed Aspects series to feature the City of Lincoln. However the Aspects series now extends from the east and west Midlands, up to Lancaster in the north-west and the north Yorkshire coast in the east.Aspects of Lincoln, is a multi author book containing 12 pinpoint historical essays covering such diverse subjects as: Cinemas and Cinema Going in 20th Century Lincoln, Getting Drunk in 17th Century Lincoln, the story of Emily Gilbert, motoring pioneer and first woman sheriff of Lincoln. No story of Lincoln would be complete without Royal Air Force Bomber Command during World War 2, and here, we examine the social impact of the airfields and th...
This century has witnessed an ever-growing interest in psychiatric art and, in recent decades, in art brut. Outsider Art explores why these two art styles have become popular.
Sir William Garrow: His Life, Times and Fight for Justice Paperback - 17 January 2011 by John Hostettler and Richard Braby. With a Foreword by Geoffrey Robertson QC. In stock. Usually despatched within 24 hours Price: £22.95FREE Delivery in the UK Ebook versions also available - How will I read it? Buy: Kindle | Apple Books | Google Play (external links) Plus other sellers - search the web by format: EPUB | PDF (Click for a free online preview of this book) Paperback | ISBN 9781904380696 | Published 17 January 2011 | 352 pages | Edition New Format | Publisher Waterside Press Book description A comprehensive account of lawyer William Garrow’s life, career, family and connections. Sir Willi...
This volume intends to give an insight into progress in the field of studies on modern science and technology. Researchers from Sweden, Japan and Germany began a "three country comparative study" in 1984. One of the primary aims of this study group was to better take account of the increasing importance of Japan in both analytical work and technology policy. To this end, researchers from the Research Policy Institute (RPI) at the University of Lund, the Graduate School of Policy Science at Saitama University in Urawa, and the Fraunhofer Institute for Systems and Innovation Research in Karlsruhe met almost every year with policy makers from the three countries, in order to see how well the sc...
This writing intends to rouse would-be believers to faith—or enhance the faith of others—through the adventure of modern fiction. While taking note of the secularity of our era, the author insists the Spirit of God has not departed the scene. The opening poem by Emily Dickinson, “Tell all the truth but tell it slant,” proposes the author’s contention that the “indirect discourse” of fictional writers may welcome readers to faith’s door in ways sermonic speech never did. The modern authors chosen for this purpose are Izak Dinesen, Annie Dillard, Kent Haruf, Loren Eiseley, Gary Trudeau, Garrison Keillor, William Golding, Walker Percy, Frederick Buechner, and Gabriel Marcel. Having explained one work each by these noted authors, the book closes by pointing to ways in which embedded faith may rise out of these pages to meet the reader where he or she lives.
This volume is a collection of papers presented during methodological workshops organized by CODESRIA. Its objective is to revitalize theory and methodology in field work in Africa while contributing to the creation of a critical space hinged upon the mastery of epistemological bases which are indispensable to any scientific imagination.