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Laurel Editions
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Laurel Edition
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The Laurel
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The Laurel: A Gift for All Seasons: Being a Collection of Poems
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Panorama
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The Laurel Tome
Poetry that ponders the essence of beauty in every color and shadow of the soul.
The Book of the Laurel
This is the first edition of Skelton's elaborate dream-allegory to be based on a thorough examination of extant texts. It represents a major revision of our knowledge of Skelton's career and of the form and meaning of the poem. Extensive introduction, notes, and glossary.
Laurel Mountain Laurel
Laruel Mountain Laruel: the title is a sort of rough palindrome, appropriate for Jake Reinhart's vision, in which time is reflected upon itself and the end is also the beginning (and is also the end). The transient and the enduring are revealed to be one and the same. These photographs - somehow both tender and unsparing - were made in Southwest Pennsylvania, in the Youghiogheny region. One surviving translation has it that "Yough" means four, and "henné" means stream. "I've been along those four streams, and I've seen how they come together," Reinhart says, "losing their specificity yet retaining what is inherent to each - creating something larger and joining places and people that would otherwise appear disjointed and separate." As for the streams, so for the images in Laruel Mountain Laurel: individual pictures exist essentially, while together they bind both space and time - the eternal and the geological brought into a semblance of coherence with the fragile and the human. We see that, despite our best efforts to erase and exploit, the land will ultimately have its own way, and on its own schedule. --
Dell
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Contemporary Authors
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