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Richard Strauss is an outlier in the context of twentieth century music. Some consider him a composer of the late romantic period, while others declare him a traitor of modernity for his role in National Socialism. Despite the controversy surrounding him, Strauss's works--even beyond his most well-known operas Elektra and Rosenkavalier--are present in the repertories of concert halls worldwide and continue to enjoy large audiences. The details of the composer's life, however, remain shrouded in mystery and gossip. Laurenz Lütteken's Strauss presents a fresh approach to understanding this elusive composer's life and works. Dispensing with stereotypes and sensationalism, it reveals Strauss to be a sensitive intellectual and representative of modernity, with all light and shade of the turn of the twentieth century.
First to ninth reports, 1870-1883/84, with appendices giving reports on unpublished manuscripts in private collections; Appendices after v. [15a] pt. 10 issued without general title.
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The first Pretzer family to immigrate to America was that of Karl Pretzer of Löcknitz (1810-1899) and his wife Esther (d. 1899). They left Hamburg on the ship "Auguste and Anges" on April 1, 1854 for New York. They first lived on farms in Macomb Co., Michigan until ca. 1880, when most of the family left Clinton Twp. and moved to Richland Twp., Saginaw Co., Michigan. The earliest known ancestor, Johann Heinrich Pretzer (ca. 1695-1776), died in Blumenthal, Pommern. His first wife was Anna Catherina Lofer (or Leter) (1705-1755). He married (2) 1756 Maria Barbara Junge (widow Hennen) (1705-1761). Family members live in Michigan, Ohio, Nebraska, Kansas, Texas, Minnesota, Dakotas and elsewhere.
Contains Annual report of the Society.
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