You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
In essays that examine particular non-canonical works and writers in their wider cultural context, this volume "repopulates" the German Enlightenment.
The way we dress can show or hide who we are; make us fit in, make us stand out, or make our own community. Yet ‘lesbian fashion’ has been strangely overlooked. What secrets can it reveal about the lives and status of queer women through the ages? The lesbian past is slippery: often deliberately hidden, edited or left unrecorded. Unsuitable restores to history the dazzlingly varied clothes worn by women who love women, from top hats to violet tiaras. This story spans centuries and countries, from ‘Gentleman Jack’ in nineteenth-century Yorkshire and Queen Christina of seventeenth-century Sweden, to Paris modernism, genderqueer Berlin, butch/femme bar culture and gay rights activists—via drag kings, Vogue editors and the Harlem Renaissance. This book is a kaleidoscope of the margins and the mainstream, celebrating trans lesbian style, Black lesbian style, and gender nonconformity. You don’t have to be queer or fashionable to be enthralled by this hidden history. Unsuitable lights it up for the world to see, in all its finery.
Racial passing has fascinated thousands of American readers since the end of the nineteenth century. However, the phenomenon of Jews passing as gentiles has been all but overlooked. This book examines forgotten novels depicting Jewish Americans masquerading as gentiles. Exploring two "waves" of publications of this subgenre—in the 1940s-1950s and 1990s-2000s—this book raises questions about the perceptions of Jewish difference during these periods.Looking at issues such as Whiteness, Americanness, gender, and race, it traces the changes in the representation of Jewish identity during the second half of the twentieth century and the beginning of the new millennium. Ohad Reznick’s Imagin...
The chapter Experiencing Male Dominance in Swedish Film Production” is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.
This edited volume offers a global overview of the immediate impacts the COVID pandemic had on local and national film, television, streaming, and social media industries—examining in compelling detail how these industries managed the crisis. With accounts from the frontlines, Media Industries in Crisis provides readers with a stakeholder framework, management lessons, and urgent commentaries to unpack the nature of crisis management and communications. The authors show how these industries have not only survived, but often thrive amidst a backdrop of critical national and regional emergencies, wars, financial meltdowns, and climate disasters. This international collection—featuring case...
Charles Gilchrist was born in about 1775 in Scotland. His parents may have been John Gilchrist and Elizabeth Struthers. He married Catherine Robinson, daughter of Robert Robinson and Catherine, 16 August 1798 in Boston, Lincolnshire, England. They had seven children. Charles died in 1829. Descendants and relatives lived mainly in Lincolnshire, Leicestershire, Hampshire, Hertfordshire, Derbyshire and Dorset.
One man will go to any lengths when a vulnerable woman and her little boy are threatened County prosecutor Dalton Hale is convinced widowed Briar Blackwood has information that can help him take down a local crime organization. Getting it is no easy task, though, considering the distrust in the Bitterwood police officer's beautiful gray eyes. But since he started his investigation, Briar and her tiny son have been attacked twice. The only solution is to move her and Logan into his home, where he can ensure their safety. However, neither Dalton nor Briar is prepared for the deepening feelings between them. Playing house is one thing, but when Briar's son is kidnapped Dalton recognizes he wants the real deal--and will put his own life on the line to get it.
Queer Precarity in Higher Education looks at queer scholars pushing against institutional structures, and the queer knowledge that gets pushed out by universities. It provides insight into the work of, in and beyond academia as it is un-done in the contemporary (post)Covid moment, not least by queer academic-activists. This radical un-doing represents cycles of queer precarity, pragmatism and participation both situating and questioning the 'queer arrival' of institutionalized programmes and presences (e.g. queer and gender studies degrees, prominent and public feminist academics). In this book, the contributors push back against contemporary educational precarity, mobilizing queer insight a...
None