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This is a yearbook sponsored by the British Comparative Literature Association which promotes comparative literary studies.
Robert Phillips's conversational yet penetrating approach yields self-assessments that read like new essays by the writers themselves. Conducted over the course of twenty years, many of these pieces were first published in the Paris Review. Taken from a passage Henry James, the title speaks to the" madness" that drives our greatest works of creativity. Phillips's interviews bring out this "madness" in its most important sense: the writers are seers and visionaries, whose works inspire us beyond the limits of reason. The conversations recorded in The Madness of Art attain that same level of inspiration and power. Phillips questions his interviewees about their work methods, daily lives, influences, sources of inspiration, relationship to other literary figures, response to critics, choice of genre, audience, and reasons for writing.
The second of two volumes of the eagerly anticipated first complete edition of Auden’s poems—including some that have never been published before W. H. Auden (1907–1973) is one of the greatest poets of the twentieth century, and his reputation has only grown since his death. Published on the hundredth anniversary of the year in which he began to write poetry, this is the second volume of the first complete edition of Auden’s poems. Edited, introduced, and annotated by renowned Auden scholar Edward Mendelson, this definitive edition includes all the poems Auden wrote for publication, in their original texts, and all his later revised versions, as well as poems and songs he never publi...
Drawing from little explored archives and personal correspondence, chronicles the life of the second secretary general of the United Nations who was killed in 1961 while en route to ceasefire negotiations in the Congo.
Provides a comprehensive introduction to 20th- and 21st-century world poets and their most famous, most distinctive, and most influential poems.
This first extended study of Derek Walcott’s Tiepolo’s Hound (2000) defines the book as the culmination of the poetry and poetic of the Caribbean writer and Nobel Prize winner. In this long poem, Walcott achieves three goals pursued throughout his career: to develop an original Caribbean aesthetic; to meld the modes of poetry and prose; and to formulate the Bildung of the island-artist in terms of an ‘autobiographical’ narrative. The analysis provides an aesthetic and cultural evaluation of the poem, in terms both of the Western poetic tradition to which it refers through its rich intertextuality and of its significance as a postcolonial milestone. The commentary locates Walcott in a...