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The Autobiography of a Seventeenth-century Venetian Rabbi
Leon (Judah Aryeh) Modena was a major intellectual figure of the early modern Italian Jewish community--a complex and intriguing personality who was famous among contemporary European Christians as well as Jews. Modena (1571-1648) produced an autobiography that documents in poignant detail the turbulent life of his family in the Jewish ghetto of Venice. The text of this work is well known to Jewish scholars but has never before been translated from the original Hebrew, except in brief excerpts. This complete translation, based on Modena's autograph manuscript, makes available in English a wealth of historical material about Jewish family life of the period, religion in daily life, the plague...
The Scandal of Kabbalah
The Scandal of Kabbalah is the first book about the origins of a culture war that began in early modern Europe and continues to this day: the debate between kabbalists and their critics on the nature of Judaism and the meaning of religious tradition. From its medieval beginnings as an esoteric form of Jewish mysticism, Kabbalah spread throughout the early modern world and became a central feature of Jewish life. Scholars have long studied the revolutionary impact of Kabbalah, but, as Yaacob Dweck argues, they have misunderstood the character and timing of opposition to it. Drawing on a rang.
A Translation of the Magen Wa-hereb by Leon Modena, 1571-1648
The focus of this work is Leon Modena's polemic masterpiece, the Magen Wa-Hereb, "Shield and Sword". It makes this important document in Jewish polemical thought accessible to students of comparative religion and persons interested in inter-religious relations. Modena's work is a delicately nuanced text, written in a sparkling style with wit and charm. This translation avoids a wooden rendering, being honest to the original, trying to bring the reader as close as possible to the honest feeling of the original as well as to its sense.
The Cultures of Maimonideanism
In the history of Jewish thought, no individual scholar has exercised more influence than Maimonides (1138-1204) philosopher and physician, legal scholar and communal leader. This collection of papers, originating at the 2007 EAJS colloquium, places primary emphasis on this influence not on Maimonides himself but the many movements he inspired. Using Maimonideanism as an interpretive lens, the authors of this volume representing a variety of fields and disciplines develop new approaches to and fresh perspectives on the peculiar dynamic of Judaism and philosophy. Focusing on social and cultural processes as well as philosophical ideas and arguments, they point toward an original reconceptualization of Jewish thought.
Jews in the Early Modern World
Jews in the Early Modern World presents a comparative and global history of the Jews for the early modern period, 1400-1700. It traces the remarkable demographic changes experienced by Jews around the globe and assesses the impact of those changes on Jewish communal and social structures, religious and cultural practices, and relations with non-Jews.
Salamone Rossi
Salamone Rossi occupies a unique place in Renaissance music culture: he was the earliest outstanding Jewish composer to work in the European music tradition. Working for the Gonzaga dukes in Mantua, yet remaining faithful to his own religious community, Rossi's life provides unique insights on life during the Renaissance and on such contemporary questions as how individuals respond to competing cultural influences.
The Rabbi and the Painter
Based on stories handed down from the past, The Rabbi and the Painter tells of the unique relationship between the 15th Century Rabbi Judah Areyeh di Modena and the Venetian painter Tintoretto. Modena's interests extended far beyond the typical confines of the ghetto's synagogue life to the secular world around him, while Tintoretto breaks all the artistic rules of the Renaissance with his mannerist painting style. In The Rabbi and the Painter we are transported to a place where cultures mixed to create a breathtaking masterpiece.
Leon Modena’s Kinah Shemor
In 1584, shortly after his bar-mitzvah, the young Italian Jew Leon Modena (1571-1648) composed an eight-line poem so remarkable that it has never been rivalled in its own genre. Known as Kinah Shemor in Hebrew, Chi nasce muor in Italian, this elegy makes sense simultaneously in both languages. It stands at the head of a little-known tradition of short poems, fragments, and fragments of memories of short poems, often composed by Jews and operating at the borders between Hebrew and romance vernaculars, Jewish and Christian communities. More than merely bilingual or macaronic, for Modena the form seems to have existed somewhere between language and music. Yet for want of a formal name, this tra...
