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Behind the Burly Q
By the director of the hit documentary Behind the Burly Q comes the first ever oral history of American Burlesque--as told by the performers who lived it, often speaking out here for the first time. By telling the intimate and surprising stories from its golden age through the women (and men!) who lived it, Behind the Burly Q reveals the true story of burlesque, even as it experiences a new renaissance. Burlesque was one of America's most popular forms of live entertainment in the first half of the 20th century. Gaudy, bawdy, and spectacular, the shows entertained thousands of paying customers every night of the week. And yet the legacy of burlesque is often vilified and misunderstood, left ...
Goddess of Love Incarnate
Lili St. Cyr was, in the words of legendary reporter Mike Wallace, the "highest paid stripteaser in America." Wallace was so fascinated by Lili that out of all the presidents and celebrities he interviewed over a long career, towards the end of his life, she was the one he remained fixated on. Her beauty had that kind of effect. Lili St. Cyr, the one time queen of burlesque, led an incredible life –six marriages, romances with Orson Wells, Yul Brenner, Vic Damone, a number of suicide attempts, all alongside great fame and money. Yet despite her fierce will she lost it all; becoming a recluse in her final decades, she eked out a living selling old photos of herself living with magazines tap...
Feuding Fan Dancers
Discover two forgotten icons from the golden age of entertainment: the lost stories of Sally Rand and Faith Bacon—women who each claimed to be the inventor of the notorious fan dance in this "detailed, deeply researched, and compelling" feminist history (Chicago Tribune). Some women capture our attention like no others. Faith Bacon and Sally Rand were beautiful blondes from humble backgrounds who shot to fame behind a pair of oversize ostrich fans, but with very different outcomes. Sally Rand would go on to perform for the millions who attended the 1933 World’s Fair in Chicago, becoming America’s sweetheart. Faith Bacon—the Marilyn Monroe of her time who was once anointed the “worl...
Cyborgs, Santa Claus and Satan
In the three decades since the first SF film produced for television--1968's Shadow on the Land--nearly 600 films initially released to television have had science fiction, fantasy, or horror themes. Featuring superheroes, monsters, time travel, and magic, these films range from the phenomenal to the forgettable, from low-budget to blockbuster. Information on all such American releases from 1968 through 1998 is collected here. Each entry includes cast and credits, a plot synopsis, qualitative commentary, and notes of interest on aspects of the film. Appendices provide a list of other films that include some science fiction, horror, or fantasy elements; a film chronology; and a guide to alternate titles.
The Musical Leader
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Ray Winstone
There's so much more to Ray's on-screen tough-guy image, and his path to the top has been anything but plain sailing. He was every inch the rebel in his youth and was even a London schoolboy boxing champion; but he always had an affinity for acting. Deciding to pursue his dream through drama school, he soon found himself an outsider and was expelled. But he managed to blag his way into an audition for what would prove to be his big break -- his cocky, aggressive boxer's gait making him perfect for the lead in Alan Clarke's Scum. Going on to both small -- and big-screen success, as well as in the theatre, Ray really cemented his place in the pantheon of British acting greats with his breathta...
Screen Enemies of the American Way
American films, like America itself, have long been fascinated by the threat of outsiders posing as citizens to destroy the American way of life. This book tracks real-world fears appearing in the movies--Nazi agents, Japanese-American spies, Communist Party subversives, Islamic sleeper cells--as well as the science-fiction threats that play to the same fears, such as alien body-snatchers and android doppelgangers. The work also examines fears inspired by World War I German spies, the Japanese-American internment and the McCarthyite witch-hunts and shows how these issues, and others, played out on screen.
