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The Design Manual by David Whitbread is an indispensable and comprehensive reference for traditional and digital publishing. From beginners to professional graphic designers, desktop publishers and graphic design students, The Design Manual provides essential information on conceptual approaches, planning and project development techniques for print, web and multimedia production. Design tasks are divided into sections on publication, corporate identity, on-screen and advertising design. There is discussion of specific skills such as branding and logo design; stationery, catalogue, annual report and newsletter production; websites; storyboarding and animation techniques; and more. The production section discusses layout and typography for print and screen, colour and colour systems, printing and finishing processes. With numerous checklists and practical tips throughout the text, The Design Manual has become a standard reference for anyone involved in or interested in design.
A heightened perception of urban violence increasingly dominates public discourse, but, as current events seem to demonstrate, these crises continue without immanent resolution. The very definitions of the city and of violence are constantly being reevaluated: the site of the city is shifting across real and imagined space; violence has been exposed outside the traditional areas of social conflict. Mortal City, published With StoreFront for Art and Architecture, is comprised of a series of essays investigating direct and indirect forms of violence and the city. Mortal City presents several different approaches to the subject. Articles by Donald Albrecht, Diane Ghirardo, Herbert Muschamp, Richard Plunz, and Lebbeus Woods, among others, are accompanied by photo essays by Warchitecture and Camilo Vergara and an interview with Mark Wigley. "We have gone from fearing the death of the city to fearing the city of death, and this traumatic change is reflected passionately in this book". -- A.D.
It is summertime in the late 1950's and you can practically feel the hot sand on your feet, hear the screen door slamming and taste the penny candy at the local ice cream parlor. But beyond this idyllic facade, life is changing for Sherry Waxman. Her friends' parents are divorcing right and left, her mother criticizes everything she does, and her grandfather is having a romantic liaison with a woman thirty years his junior. Sherry falls in and out of love as she struggles to understand everything from the meaning of life to her own awakening sexuality. With her parents preoccupied with their professions and their tennis tournaments, Sherry and her friends must fend for themselves. When Sherry's Aunt Geraldine arrives, the glamorous yet down-to-earth woman presents Sherry with a unique and special gift, showing her how to draw strength from the unseen world. Geraldine teaches Sherry and her friends how to empower themselves by connecting with their spirituality. As Sherry matures, she learns of her own intuitive gifts and how to use them to overcome obstacles and gain self-confidence.
'Welcome to a journey of remarkable buildings and remarkable thoughts about these buildings, shaped as they are by deep time, modern ideas and Scottish culture. Readers are sure to see new vistas in the land of stone open before them' From the Foreword by PROFESSOR ANDREW PATRIZIO What makes Scottish architecture Scottish? What ideas drive Scottish architecture? What has modern architecture in Scotland meant to the Scots? Ever since the 'granny-tops', rattling and clanking in the wind to draw smoke up the tenemental flues from open coal fires, caught my attention as a three-year-old, architecture and its many parts, purposes, processes and procedures has fascinated me. For me, architecture has always had profound significance. 'Land of Stone' seeks to disengage widely-held conceptions of what a Scottish architecture superficially looks like and to focus on the ideas and events – philosophical, political, practical and personal – that inspired architects and their clients to create the cities, towns, villages and buildings we cherish today.
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Explores new and innovative materials designed to change the way consumers experience product packaging The third in a series of ten volumes exploring the constantly evolving frontiers of design, Material Innovation: Packaging Design presents products whose packaging reaches new heights of innovation. The range is diverse and international, from “plantable” packaging that can be buried in dirt after consumer use, later to emerge as a plant to alcohol bottles with labels that react to music, and bespoke, collectible jars of Marmite XO. Material Innovation: Packaging Design explores not only the latest advances in consumer product packaging but also how such advances could fail or flourish within the increasingly digital landscape of the twenty-first century. Case studies featured throughout the book profile the innovative use of materials by a particular practitioner, practice, or company, offering specific and elegant solutions. Clearly structured and illustrated throughout, this book will connect reader (whether student or professional) to material.
A first title in the ambitious new series that identifies and examines the innovative materials that are transforming art, design, and technology practice Materials technology is the single most important agent of change in our entire designed landscape, from the buildings in which we live and work to the clothes we wear. This volume on architecture features carefully selected buildings that showcase the innovative use of a particular material. The book focuses on specific categories of materials and features an extensive range of projects, from the Netherlands Institute for Sound and Vision to the Ordos Art and City Museum in Mongolia. The materials employed in each project are cross referenced to an extensive illustrated directory featured in the book, and the texts are authoritative yet accessible. Clearly structured and illustrated with carefully selected images throughout, this book will connect material to reader and will inspire both students and professionals to pursue the optimal material for each specific application.
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Ken Smith is unquestionably one of the most interesting voices in landscape architecture; his works reflect the intensity and energy of their surroundings and challenge the distinction between landscape and art form. Ken Smith Landscape Architects/Urban Projects focuses on three prominent works in New York City: his East River Project; his work for P.S. 19; and his MoMA rooftop garden. Through Smith's colorful, playful drawings and photographs, the book reveals how each project explores new expressions of landscape design in the city. Ken Smith Landscape Architects/Urban Projects is part of the Source Books in Landscape Architecture series sponsored by Ohio State University. These books present sketches, drawings, models, renderings, working drawings, and photographs. Each book focuses on a recent, important work or works at a level of detail that allows thorough study of the project from its conception to the completion of design and construction.
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