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1001 Illuminated Initial Letters
The illuminated letters in this volume by the great Victorian designer Owen Jones, many taken from an illustrated edition of "The Psalms of David, " represent popular alphabet motifs that have been copied by artists and designers for more than a century throughout Europe and North America. Each page of this versatile archive contains approximately 40 magnificently embellished individual letters of the alphabet. (There's also an additional page of equally attractive Arabic and Roman numerals.) Foliated and filigreed designs--ranging from small to large, simple to spectacular--display the meticulous craftsmanship and attention to detail that have become synonymous with Victorian design. Commercial artists, graphic designers, and craftspeople will find this elegant and versatile treasury of copyright-free decorative letters an excellent and indispensable sourcebook for graphic projects calling for old-fashioned Victorian charm.Republication of the edition published by Day & Son, London, and Ludwig Denicke, Leipzig, 1864.
Print Letters in Seventeenth‐Century England
Print Letters in Seventeenth-Century England investigates how and why letters were printed in the interrelated spheres of political contestation, religious controversy, and news culture—those published as pamphlets, as broadsides, and in newsbooks in the interests of ideological disputes and as political and religious propaganda. The epistolary texts examined in this book, be they fictional, satirical, collected, or authentic, were written for, or framed to have, a specific persuasive purpose, typically an ideological or propagandistic one. This volume offers a unique exploration into the crucial interface of manuscript culture and print culture where tremendous transformations occur, when, for instance, at its most basic level, a handwritten letter composed by a single individual and meant for another individual alone comes, either intentionally or not, into the purview of hundreds or even thousands of people. This essential context, a solitary exchange transmuted via print into an interaction consumed by many, serves to highlight the manner in which letters were exploited as propaganda and operated as vehicles of cultural narrative.
Alphabets
"A playful take on the alphabets relationship with art, design, typography, children's books, learning aides, commercial signage, contemporary culture and everything and anything in between"--Page 4 of cover.
The Material Letter in Early Modern England
The first major socio-cultural study of manuscript letters and letter-writing practices in early modern England. Daybell examines a crucial period in the development of the English vernacular letter before Charles I's postal reforms in 1635, one that witnessed a significant extension of letter-writing skills throughout society.
Titcomb's Letters to Young People, Single and Married
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Letters to Children from Beatrix Potter
'My dear Noel, I don't know what to write to you so I shall tell you a story about four little rabbits whose names were - Flopsy, Mopsy, Cottontail and Peter.' So begins Beatrix Potter's most celebrated letter, in which she tells for the first time the story that was destined to make her name famous all over the world, The Tale of Peter Rabbit. It was written to cheer up a sick little boy when he was ill, and is one of numerous surviving letters written by Beatrix Potter to entertain individual children. Sometimes her letters take the form of a supposed correspondence between different animal characters from the stories, each written in miniature with its own tiny envelope.
