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In November 1910, Count Lev Tolstoy died at a remote Russian railway station attended by the world's media. He was eighty-two years old and had lived a remarkable and long life during one of the most turbulent periods of Russian history. Born into a privileged aristocratic family, he seemed set to join the ranks of degenerate Russian noblemen, but fighting in the Crimean war alongside rank and file soldiers opened his eyes to Russia's social problems and he threw himself into teaching the peasantry to read and write. After his marriage he wrote War and Peace and Anna Karenina, both regarded as two of the greatest novels in world literature. Rosamund Bartlett's exceptional biography of this brilliant, maddening and contrary man draws on key Russian sources, including the many fascinating new materials which have been published about Tolstoy and his legacy since the collapse of the Soviet Union.
A. N. Wilson's Tolstoy is a highly intelligent and accessible biography of the most famous writer in the Russian canon. In this biography of Count Lev Nikolaevich Tolstoy, A.N. Wilson narrates the complex drama of the writer's life: his childhood of aristocratic privilege but emotional deprivation, his discovery of his literary genius after aimless years of gambling and womanizing, and his increasingly disastrous marriage. Wilson sweeps away the long-held belief that Tolstoy's works were the exact mirror of his life, and instead traces the roots of Tolstoy's art to his relationship with God, with women, and with Russia. He also recreates the world that shaped the great novelist's life and art - the turmoil of ideas and politics in 19th-century Russia and the literary renaissance that made Tolstoy's work possible. Magisterial... Wilson has an advantage over a mere biographer, looking not to judge his subject but to fully understand the inspirations behind his great works - Daily Express
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Presents materials that reveal the essence of Tolstoy's beliefs on immortality, death, God, and the meaning of life. Contains two booklets ("About Immortality" No. 751 and "About Death" No. 752) compiled by Tolstoy comprising quotations from various philosophers explaining the meaning that death gives to life; essays explaining the actions that Tolstoy thought must be taken to grow spiritually; and finally, diary entries (translated here for the first time in English) pertaining to spiritual themes made during the last year of Tolstoy's life.
Resurrection by Leo Tolstoy follows Prince Dmitri Ivanovich, a nobleman who seeks redemption after discovering that Katerina Maslova, a woman he seduced and abandoned years earlier, is now a prisoner wrongfully accused of murder. Overwhelmed with guilt, Dmitri dedicates himself to helping her, following her through the injustices of the Russian legal and penal systems. Maslova, initially resentful, gradually experiences her own spiritual awakening. While she ultimately rejects Dmitri’s marriage proposal, Dmitri finds purpose in his commitment to justice and moral transformation. The novel critiques societal hypocrisy and emphasizes themes of redemption and spiritual renewal.
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Unprecedented in world literature, this extraordinary compilation contains a new translation of Lev Tolstoy’s controversial novella The Kreutzer Sonata, and for the first time makes available to English readers three dissenting “counterstories” written by Tolstoy’s wife and son in opposition to the original work.
WE were in mourning for our mother, who had died the preceding autumn, and we had spent all the winter alone in the country-Macha, Sonia and I. Macha was an old family friend, who had been our governess and had brought us all up, and my memories of her, like my love for her, went as far back as my memories of myself. Sonia was my younger sister. The winter had dragged by, sad and sombre, in our old country-house of Pokrovski. The weather had been cold, and so windy that the snow was often piled high above our windows; the panes were almost always cloudy with a coating of ice; and throughout the whole season we were shut in, rarely finding it possible to go out of the house. It was very seldom that any one came to see us, and our few visitors brought neither joy nor cheerfulness to our house. They all had mournful faces, spoke low, as if they were afraid of waking some one, were careful not to laugh, sighed and often shed tears when they looked at me, and above all at the sight of my poor Sonia in her little black frock.