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Sequential Art: Interdisciplinary Approaches to the Graphic Novel
This volume was first published by Inter-Disciplinary Press in 2016. No matter whether you call it picture book, manga, strip, graphic novel, or simply comic, it is undeniable that over the past thirty years, the image of sequential art in all its varieties has changed from a cheap form of entertainment for youngsters to a medium as cherished as novels and films. This timely publication aims to engage critically with issues in and around the production and perception of all types of graphic narratives. Mirroring the hybridity and complexity of graphic novels themselves, this essay collection brings together the works of scholars from various fields ranging from literature and culture to history, from social science to art. From manifold perspectives, it elaborates on topics like the perception and production of comics in and by different cultures, intertextuality and narrative techniques, the construction of identities within and by graphic narratives as well as the interpretation and depiction of historical landmarks by comic book artists.
Writing in Red
The republic of Turkey and the Soviet Union both emerged from the wreckage of empires surrounding World War I, and pathways of literary exchange soon opened between the two revolutionary states. Even as the Turkish government pursued a friendly relationship with the USSR, it began to persecute communist writers. Whether going through official channels or fleeing repression, many Turkish writers traveled to the Soviet Union during the 1920s and 1930s, publishing original work, editing prominent literary journals, and translating both Russian classics and Soviet literature into Turkish. Writing in Red traces the literary and exilic itineraries of Turkish communist and former communist writers,...
How Happy to Call Oneself a Turk
The modern nation-state of Turkey was established in 1923, but when and how did its citizens begin to identify themselves as Turks? Mustafa Kemal Atatürk, Turkey's founding president, is almost universally credited with creating a Turkish national identity through his revolutionary program to "secularize" the former heartland of the Ottoman Empire. Yet, despite Turkey's status as the lone secular state in the Muslim Middle East, religion remains a powerful force in Turkish society, and the country today is governed by a democratically elected political party with a distinctly religious (Islamist) orientation. In this history, Gavin D. Brockett takes a fresh look at the formation of Turkish ...
Turkey between Nationalism and Globalization
Turkish society has been going through institutional and ideological change that has affected its social, cultural and political practices. This book examines these contemporary tensions, which have led to a re-appraisal of Turkey as a nation and Turkish nationalism as it tries to situate itself as a regional and global power. Analysing the internal and external dynamics of Turkey and the role played by nationalism, this book considers how the understanding of the nation and nationalism has changed since the creation of the Republic of Turkey, and how it has now become central to its desire to become a global power. Despite on-going negotiations about entry into the EU, an ambition for Turke...
Cinema and Politics
This volume presents varied approaches concerning the relation between cinema and politics which focus on policies, eras, countries, mainstream and art cinema productions, transnational examples, changing narratives and identities. Both cinema and politics have actors and directors for their scenes, and in this sense their discourses intermingle. The performances of the “actors/actresses” in both arenas attract particular attention. The actors, directors, and producers with ‘hyphenated/creolised/hybrid identities’ such as German-Turks, directors of Balkan cinema, or Italian filmmakers of Turkish origin give a wide and refreshing perspective to the discussion of Europe in the media. What these ‘mediated identities’ represent goes beyond the limits of the old Europe, towards the different sensitivity of the New Europe. Scholars and advanced students of Film Studies, European Studies, Identity Politics, Migration / Emigration and Gender Studies will find this volume of integral importance to their work.
Everyday Occupations
Everyday Occupations engages visual culture and the ethnography of space, satire and parody, poetry and political critique to examine militarization as it is wielded as a cultural and political tool, and as it is experienced as a material form of violence and symbolic domination.
Working Class Formation in Turkey, 1946-1962
The political identities of the Turkish working class began a transformative journey that started during a period of industrialization following World War II and continued until the military interventions of 1960. Working Class Formation in Turkey addresses common, structural generalizations to recover the complex history of developing political, recreational, familial, residential, and work-related lives of Turkish workers. Drawing on a wide range of historical sources, this volume brings the concept of “everydayness” to the fore and uncovers the local contexts that fostered class solidarity, examines labor practices that fueled radicalism, and analyzes the shifting dynamics of industrial discipline that impacted working class identity and culture.
American Turkish Encounters
Turkey and the United States have been critically important to each other since the beginning of the Cold War. The history of Turkish-American relations includes not only strategic, but also political, social, cultural and intellectual dimensions. While critical to understanding Turkish-American relations, these dimensions rarely surface in today’s discourse, which reduces bilateral relations to issues currently being contested. In reality, the encounter between East and West embodied in Turkish-American interactions ranges from the official and diplomatic, to unofficial and informal exchanges at the social and individual level; while often compatible and friendly, such interactions occasi...
The Comics of Hergé
Contributions by Jônathas Miranda de Araújo, Guillaume de Syon, Hugo Frey, Kenan Koçak, Andrei Molotiu, Annick Pellegrin, Benjamin Picado, Vanessa Meikle Schulman, Matthew Screech, and Gwen Athene Tarbox As the creator of Tintin, Hergé (1907–1983) remains one of the most important and influential figures in the history of comics. When Hergé, born Georges Prosper Remi in Belgium, emerged from the controversy surrounding his actions after World War II, his most famous work leapt to international fame and set the standard for European comics. While his style popularized what became known as the “clear line” in cartooning, this edited volume shows how his life and art turned out much ...
Anti-Veiling Campaigns in the Muslim World
In recent years bitter controversies have erupted across Europe and the Middle East about women’s veiling, and especially their wearing of the face-veil or niqab. Yet the deeper issues contained within these controversies – secularism versus religious belief, individual freedom versus social or family coercion, identity versus integration – are not new but are strikingly prefigured by earlier conflicts. This book examines the state-sponsored anti-veiling campaigns which swept across wide swathes of the Muslim world in the interwar period, especially in Turkey and the Balkans, Iran, Afghanistan and the Soviet republics of the Caucasus and Central Asia. It shows how veiling was officially discouraged and ridiculed as backward and, although it was rarely banned, veiling was politicized and turned into a rallying-point for a wider opposition. Asking a number of questions about this earlier anti-veiling discourse and the policies flowing from it, and the reactions which it provoked, the book illuminates and contextualizes contemporary debates about gender, Islam and modernism.
