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This art book provides a guide to 386 of the world''s best known artists from medieval times to the present day. Arranged alphabetically by artist, each page contains an illustration of one of each artist''s best-known or most interesting works.'
Endri Kosturi was born in Tirana, Albania, in 1980. When he was only 7 years old, one of his first large-scale painting, Spring, was shown at the National Art Gallery in Tirana. In 1990 his family moved to Italy where he later studied fine arts. Kosturi is earlier influenced by the masters of figurative painting, but ultimately developed his own evocative and conceptual abstract style. Endri is moved by the universal idea of Love manifesting an extraordinary sensitivity to colour. As the ubiquitous windows motif remains his signature theme in his work. Kosturi lives and works in London. He has exhibited in solo and collective shows in London, Paris, Rome, Milan and Trieste. The book has text both in English and Italian language.
It has recently become apparent that criticism has fallen on hard times. Either commodification is deemed to have killed it off, or it has become institutionally routine. This book explores contemporary approaches which have sought to renew criticism's energies in the wake of a 'theatrical turn' in recent visual arts practice, and the emergence of a 'performative' arts writing over the past decade or so. Issues addressed include the 'performing' of art's histories; the consequences for criticism of embracing boredom, distraction and other 'queer' forms of (in)attention; and the importance of exploring writerly process in responding to aesthetic experience. Bringing together newly commissioned work from the fields of art history, performance studies, and visual culture with the writings of contemporary artists, After Criticism provides a set of experimental essays which demonstrate how 'the critical' might live on as a vital and efficacious force within contemporary culture.
This textbook examines key debates in photographic theory and place them in their social and political context. This second edition includes key concepts, biographies of major thinkers and seminal references, and provides a coherent introduction to the nature of photographic viewing.
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First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
Photography: A Critical Introduction was the first introductory textbook to examine key debates in photographic theory and place them in their social and political contexts, and is now established as one of the leading textbooks in its field. Written especially for students in higher education and for introductory college courses, this fully revised edition provides a coherent introduction to the nature of photographic seeing. Individual chapters cover: Key debates in photographic theory and history Documentary photography and photojournalism Personal and popular photography Photography and the human body Photography and commodity culture Photography as art This revised and updated fifth edi...
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