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Polaroids
  • Language: en
  • Pages: 68

Polaroids

Although firmly rooted in the real, Lillian Necakov's evocations of 'movie magic' prove irresistible in these forty poems and five collages. Ranging across dozens of films - from Wim Wender's Wings of Desire and Jim Jarmusch's Down By Law to Hitchcock's Rope and Hawks's To Have and Have Not - Lillian Necakov's language, steeped in the comic of the banal, has absurdity for breakfast.

Hooligans
  • Language: en
  • Pages: 73

Hooligans

Hooligans is the fifth full-length poetry book by Toronto writer Lillian Necakov. It is a collection about genocide, hope, regret, and a man who ate his shoe; about a discarded subway token, curbside anticipation, the power of fire, divided memories; about the symptoms and shenanigans of daily life on one dot of a large globe. In Hooligans, Necakov extends her reach from the surreal and personal into areas of science and mathematics�and even there, she reaches deep into the human psyche and pulls out something startling.

Hat Trick
  • Language: en
  • Pages: 114

Hat Trick

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Anthropocene Poetry
  • Language: en
  • Pages: 397

Anthropocene Poetry

Anthropocene Poetry: Place, Environment and Planet argues that the idea of the Anthropocene is inspiring new possibilities for poetry. It can also change the way we read and interpret poems. If environmental poetry was once viewed as linked to place, this book shows how poets are now grappling with environmental issues from the local to the planetary: climate change and the extinction crisis, nuclear weapons and waste, plastic pollution and the petroleum industry. This book intervenes in debates about culture and science, traditional poetic form and experimental ecopoetics, to show how poets are collaborating with environmental scientists and joining environmental activist movements to respo...

Projecting the Shadow
  • Language: en
  • Pages: 288

Projecting the Shadow

Acknowledgements Introduction 1: The Intellectual Landscape 2: The Transmodern Frontier 3: The Hunter Myth 4: Jaws: Faces of the Shadow 5: The Deer Hunter: The End of Innocence 6: The Manchurian Candidate: The Human as Weapon 7: Blade Runner: On the Edge 8: The Terminator: Future-Perfect Tense 9: Terminator 2: Judgment Day: Effacing the ShadowConclusion Notes Index Copyright © Libri GmbH. All rights reserved.

Open Letter
  • Language: en
  • Pages: 408

Open Letter

  • Type: Book
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  • Published: 2002
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  • Publisher: Unknown

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Coach House Press, 1965-96
  • Language: en
  • Pages: 128

Coach House Press, 1965-96

  • Type: Book
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  • Published: 1997
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  • Publisher: Unknown

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Hey, Crumbling Balcony!
  • Language: en
  • Pages: 312

Hey, Crumbling Balcony!

  • Type: Book
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  • Published: 2003-06-20
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  • Publisher: ECW Press

This book spans nearly 25 years in the career of one of Canada's most original poetic voices. Poems are drawn from Stuart Ross's three ECW books, as well as previously uncollected work from chapbooks, postcards, and leaflets, and a selection of new poems appearing in print for the first time.

Atomic Bomb Cinema
  • Language: en
  • Pages: 412

Atomic Bomb Cinema

  • Type: Book
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  • Published: 2013-05-13
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  • Publisher: Routledge

Unfathomably merciless and powerful, the atomic bomb has left its indelible mark on film. In Atomic Bomb Cinema, Jerome F. Shapiro unearths the unspoken legacy of the bombing of Nagasaki and Hiroshima and its complex aftermath in American and Japanese cinema. According to Shapiro, a "Bomb film" is never simply an exercise in ideology or paranoia. He examines hundreds of films like Godzilla, Dr. Strangelove, and The Terminator as a body of work held together by ancient narrative and symbolic traditions that extol survival under devastating conditions. Drawing extensively on both English-language and Japanese-language sources, Shapiro argues that such films not only grapple with our nuclear anxieties, but also offer signs of hope that humanity is capable of repairing a damaged and divided world. www.atomicbombcinema.com

Avant-Garde Canadian Literature
  • Language: en
  • Pages: 329

Avant-Garde Canadian Literature

In Avant-Garde Canadian Literature, Gregory Betts draws attention to the fact that the avant-garde has had a presence in Canada long before the country's literary histories have recognized, and that the radicalism of avant-garde art has been sabotaged by pedestrian terms of engagement by the Canadian media, the public, and the literary critics. This book presents a rich body of evidence to illustrate the extent to which Canadians have been producing avant-garde art since the start of the twentieth century. Betts explores the radical literary ambitions and achievements of three different nodes of avant-garde literary activity: mystical revolutionaries from the 1910s to the 1930s; Surrealists/Automatists from the 1920s to the 1960s; and Canadian Vorticists from the 1920s to the 1970s. Avant-Garde Canadian Literature offers an entrance into the vocabulary of the ongoing and primarily international debate surrounding the idea of avant-gardism, providing readers with a functional vocabulary for discussing some of the most hermetic and yet energetic literature ever produced in this country.