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Explores the life of Lily Tomlin and how she, a young girl from Detroit became one of America's most brilliant comedians
153 Pages Lily Tomlin Supreme Journal Diary Notebook
Lily Tomlin and Jane Wagner have been partners in life and work for more than 40 years. Over those years they have been comedic pioneers in television, sound recording, film, theater, and animation. This book explores the ways they have used and expanded notions of queer to make their unique impact on American culture.
This work examines the dramatic changes in America women's comedy performance in the years 1955-1995.The study focuses on the standup of Phyllis Diller and Roseanne andon the character comedy of Lily Tomlin. As the historical arc of women's comedy unfolds, it outlines a change from the traditional vaudevillian style of standup, as represented by Diller (50s-70s), to a more satiric comedy represented by Tomlin (60s-80s) and Roseanne (80s-90s).
This side-splitting yet dramatic tour-de-force features a dazzling parade of characters immediately familiar to the coast-to-coast Wagner/Tomlin fans. Enhanced with remarkable onstage photographs of Tomlin. 78 halftones. (Poetry/Plays)
This enhanced eBook features read-along narration. Winner: CLC Seal of Approval 2017 Literary Classics Book Awards, Silver, Preschool/Early Reader Fantasy Finalist: 2017 Literary Classics Book Awards 2017 PNBA Long-List When Ethan looks under the bed for his monster, he finds this note instead: "So long, kid. Gotta go. Someone needs me more than you do. –Gabe" How will Ethan ever get to sleep without his monster's familiar, comforting snorts? And who could need Gabe more than Ethan does? Gabe must have gone to Ethan's little sister's room! She has been climbing out of bed every night to play, and obviously needs a monster to help her get to sleep – but not HIS monster! Ethan tries to help his sister find her own monster, but none are the perfect blend of cute and creepy. Just when it seems that Ethan will lose his monster forever, an uninvited, tutu-toting little monster full of frightening fun appears. Following in the spooky-silly tradition of I Need My Monster, here's another irresistible monster-under-the-bed story with the perfect balance of giggles and shivers.
From the much-loved Laugh-In to her upcoming series of animated television specials, Lily Tomlin's six-something alter ego, Edith Ann, has been dishing up enough provocative sandbox philosophy to fill several books. This volume collects the very best of it in a wise, witty, and clever counterpart to bestsellers such as All I Need to Know I Learned in Kindergarten. 15 halftones; 25 line drawings.
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Amy Schumer, Samantha Bee, Mindy Kaling, Melissa McCarthy, Tig Notaro, Leslie Jones, and a host of hilarious peers are killing it nightly on American stages and screens large and small, smashing the tired stereotype that women aren't funny. But today's funny women aren't a new phenomenon—they have generations of hysterically funny foremothers. Fay Tincher's daredevil stunts, Mae West's linebacker walk, Lucille Ball's manic slapstick, Carol Burnett's athletic pratfalls, Ellen DeGeneres's tomboy pranks, Whoopi Goldberg's sly twinkle, and Tina Fey's acerbic wit all paved the way for contemporary unruly women, whose comedy upends the norms and ideals of women's bodies and behaviors. Hysterical...