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Who Named the Knife
Like Ruskin for a new age, Spalding brilliantly interweaves her own life and her subject’s in this story of a sensational murder case. In 1982, as Linda Spalding was about to leave Hawaii and embark on a new life in Canada, she was called to jury duty, sitting for the trial of a young woman charged with murder. Maryann Acker was Mormon, eighteen years old, and married to a petty crook and hustler who had hauled her into a life that led eventually to murder on a hillside above one of Hawaii’s most beautiful beaches. Twenty years later, Spalding stumbles across the journal she kept through the trial, tracks down Maryann, who is still in jail, and begins a journey into memory, into the twists of fate that spin two lives down such different trajectories. The story is Maryann’s but it is also Spalding’s, as subject and writer overlap. Like the work of John Ruskin, Linda Spalding’s writing brilliantly combines autobiography with the examination of an external subject and, in doing so, offers us profound insights into the vagaries of the human heart.
A Reckoning
As the deeply moving and troubling account of a family's breakdown, A Reckoning is the perfect companion to Linda Spalding's bestselling, award-winning novel, The Purchase. It opens in the spring of 1855, when John Dickinson is involved in a shameful secret that will require a tragic decision. The family's resources have been wasted by a reckless brother who holds all of them hostage and, adding fuel to John's desperation, the enslaved workers have been visited by a Canadian abolitionist who pushes them to escape. Bry does, and his pursuit of freedom will involve a dangerous quest to find his mother and child in Canada. Meanwhile, the Dickinsons become fugitives of another kind, escaping the...
A Dark Place in the Jungle
Follow writer Linda Spalding to Borneo's threatened jungles on the trail of orangutan researcher Birute Galdikas, who together with Dian Fossey and Jane Goodall formed the famed trio of angels Louis Leakey encouraged to study great apes in the wild. She went into the jungle in 1971 and emerged decades later with a run-down empire crumbling around her. Spalding confronts the sad failure of a woman trying desperately to mother a species to survival; the dangers and temptations of eco-tourism; and the arrogance of our inclination to alter the things we set out to save.
The Paper Wife
At the heart of The Paper Wife is the relationship between two young women, Kate and Lily. It's the sixties and they have known each other half their lives. Closer than sisters, they have chosen each other. But at university, their friendship is tested when Lily betrays her friend in the face of passion. Confronted with the pain of disloyalty, and the need to resolve her own desires, she runs away to Mexico only find herself entangled in a series of sinister events she can hardly comprehend. Linda Spalding takes us into a mysterious land of enchantment where intrigue and danger lurk, where Lily must finally choose between love, honour and friendship.
Lost Classics
An Anchor Books Original Seventy-four distinguished writers tell personal tales of books loved and lost–great books overlooked, under-read, out of print, stolen, scorned, extinct, or otherwise out of commission. Compiled by the editors of Brick: A Literary Magazine, Lost Classics is a reader’s delight: an intriguing and entertaining collection of eulogies for lost books. As the editors have written in a joint introduction to the book, “being lovers of books, we’ve pulled a scent of these absences behind us our whole reading lives, telling people about books that exist only on our own shelves, or even just in our own memory.” Anyone who has ever been changed by a book will find kind...
The Follow
"Rousseau's prescription for us, who have drifted so far from our origins, was to make two journeys, one to a place where life is still uncorrupted, and another into the self." In The Follow, novelist Linda Spalding travels to Borneo, first with her two daughters and later alone, in search of the famed orangutan scientist Birute Galdikas. What she finds instead is an unholy mix of foreign scientists, government workers, tourists, loggers, descendants of Dayak headhunters, Javanese gold miners, captive and wild orangutans. Her journey is the equivalent of a "follow," during which a tracker watches, over a course of time, an orangutan's movements and the effect of the animal on the surrounding environment. Spalding's follow takes her from Galdikas's Orangutan Foundation International offices in Los Angeles to her subject's original research station on the crocodile-infested Sekonyer River in Kalimantan. What unravels along the way is a story of relationships among women, people and animals, and natives and eco-tourists. Woven through these reflections is Spalding's own incredible story of her journey up the Sekonyer River and what she learns along the way.
Tin Roof
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Goodbye, Mr. Spalding
Set in Philadelphia during the Great Depression, this middle-grade historical novel tells the story of a twelve-year-old boy and his best friend as they attempt to stop a wall from being built at Shibe Park, home of the Philadelphia Athletics, that would block the view of the baseball field from their rooftops. In 1930s Philadelphia, twelve-year-old Jimmy Frank and his best friend Lola live across the street from Shibe Park, home of the Philadelphia Athletics baseball team. Their families and others on the street make extra money by selling tickets to bleachers on their flat rooftops, which have a perfect view of the field. However, falling ticket sales at the park prompt the manager and park owner to decide to build a wall that will block the view. Jimmy and Lola come up with a variety of ways to prevent the wall from being built, knowing that not only will they miss the view, but their families will be impacted from the loss of income. As Jimmy becomes more and more desperate to save their view, his dubious plans create a rift between him and Lola, and he must work to repair their friendship.
The Land Breakers
Set deep in the Appalachian wilderness between the years of 1779 and 1784, The Land Breakers is a saga like the Norse sagas or the book of Genesis, a story of first and last things, of the violence of birth and death, of inescapable sacrifice and the faltering emergence of community. Mooney and Imy Wright, twenty-one, former indentured servants, long habituated to backbreaking work but not long married, are traveling west. They arrive in a no-account settlement in North Carolina and, on impulse, part with all their savings to acquire a patch of land high in the mountains. With a little livestock and a handful of crude tools, they enter the mountain world—one of transcendent beauty and cruel necessity—and begin to make a world of their own. Mooney and Imy are the first to confront an unsettled country that is sometimes paradise and sometimes hell. They will soon be followed by others. John Ehle is a master of the American language. He has an ear for dialogue and an eye for nature and a grasp of character that have established The Land Breakers as one of the great fictional reckonings with the making of America.
Who Named the Knife
Like Ruskin for a new age, Spalding brilliantly interweaves her own life and her subject’s in this story of a sensational murder case. In 1982, as Linda Spalding was about to leave Hawaii and embark on a new life in Canada, she was called to jury duty, sitting for the trial of a young woman charged with murder. Maryann Acker was Mormon, eighteen years old, and married to a petty crook and hustler who had hauled her into a life that led eventually to murder on a hillside above one of Hawaii’s most beautiful beaches. Twenty years later, Spalding stumbles across the journal she kept through the trial, tracks down Maryann, who is still in jail, and begins a journey into memory, into the twists of fate that spin two lives down such different trajectories. The story is Maryann’s but it is also Spalding’s, as subject and writer overlap. Like the work of John Ruskin, Linda Spalding’s writing brilliantly combines autobiography with the examination of an external subject and, in doing so, offers us profound insights into the vagaries of the human heart.
