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This anthology of readings related to Western art history explains specific works of art illustrated in Janson's History of Art and De la Croix and Tansey's Gardner's Art Through the Ages in terms of the ideas, beliefs, and concerns of the people and cultures who created the art. It brings a new understanding of art because it shows the social and cultural basis of major works of art through history. The ten sections are Ancient Near East; Egyptian; Aegean; Greek; Etruscan; Roman; early Christian, Byzantine, and Islamic; early Medieval; Romanesque; and Gothic. The readings have been drawn from many areas of intellectual and social history, including religion, philosophy, literature, science, economics, and law. Each selection is preceded by an introductory note, which discusses the readings in terms of its subject and theme, its source and usage, and its relevance to the study of the work of art.
This anthology of readings related to Western art history explains specific works of art in terms of the people and cultures who created the art. It brings a new understanding of art because it shows the social and cultural basis of major works of art through history. The the readings have been drawn from many areas of intellectual and social history, including religion, philosophy, literature, science, economics and law. Each selection is preceded by an introductory note which discusses the reading in terms of its subject and theme, its source and usage, and its relevance to the study of the work of art. -- From publisher's description.
"An insightful collection, rich in new data and insights; at once the harvest of a generation of fieldwork and the foundation for work to come."--Mary E. Miller, coauthor of The Spectacle of the Late Maya Court: Reflections on the Murals of Bonampak "Reminds us that there are always new things to learn about iconic places like Chichen Itza and that we can fall in love with them all over again."--Jennifer P. Mathews, coeditor of Lifeways in the Northern Maya Lowlands: New Approaches to Archaeology in the Yucatan Peninsula "Long overdue. Brings together new data and interpretations about Chichen Itza through a refreshing mix of art history and archaeology, particularistic interpretation, and c...
It has been fifteen years since a book was devoted to the new theories, paradigms, and investigations of archaeology and art history at Chichen Itza. The volume features five thematic foci: civic space, mythology through art, burials, trade, and landscapes.Due to the widespread awareness of this site, these themes appeal across the regional silos to reach all scholars of ancient America.
This anthology of readings related to Western art history explains specific works of art illustrated in Janson's History of Art and De la Croix and Tansey's Gardner's Art Through the Ages in terms of the ideas, beliefs, and concerns of the people and cultures who created the art. It brings a new understanding of art because it shows the social and cultural basis of major works of art through history. The ten sections are Ancient Near East; Egyptian; Aegean; Greek; Etruscan; Roman; early Christian, Byzantine, and Islamic; early Medieval; Romanesque; and Gothic. The readings have been drawn from many areas of intellectual and social history, including religion, philosophy, literature, science, economics, and law. Each selection is preceded by an introductory note, which discusses the readings in terms of its subject and theme, its source and usage, and its relevance to the study of the work of art.
This anthology of readings related to Western art history explains specific works of art illustrated in Janson's History of Art and De la Croix and Tansey's Gardner's Art Through the Ages in terms of the ideas, beliefs, and concerns of the people and cultures who created the art. It brings a new understanding of art because it shows the social and cultural basis of major works of art through history. The ten sections are Ancient Near East; Egyptian; Aegean; Greek; Etruscan; Roman; early Christian, Byzantine, and Islamic; early Medieval; Romanesque; and Gothic. The readings have been drawn from many areas of intellectual and social history, including religion, philosophy, literature, science, economics, and law. Each selection is preceded by an introductory note, which discusses the readings in terms of its subject and theme, its source and usage, and its relevance to the study of the work of art.