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O livro é o resultado do Projeto "Formação de Professores e Professoras em Escolas do Campo", coordenado pela Associação de Estudos, Orientação e Assistência Rural (Assesoar), entre março de 2019 e dezembro de 2022, com apoio financeiro da Brot für die Welt (Pão para o Mundo — PPM) da Alemanha. O projeto teve como público-alvo estudantes do Curso Interdisciplinar em Educação do Campo: Ciências Sociais e Humanas (Iedoc: CSH), em regime de alternância da Universidade Federal da Fronteira Sul (UFFS) campus Laranjeiras do Sul/PR. A obra apresenta diferentes realidades da Educação do Campo a partir de pesquisas realizadas durante a elaboração dos Trabalhos de Conclusão de Curso (TCCs), problematizando a realidade de suas respectivas comunidades e contextos. Entre os temas abordados, estão a educação do campo, as cirandas infantis, a luta pela terra e seus territórios, a agroecologia, questões de gênero, a educação em espaços de luta, o saber popular, as temáticas indígenas, quilombolas, o currículo e a democracia.
O livro Religiosidade e mística no Movimento de Mulheres Agricultoras: um processo de constituição de identidades por meio da Educação Popular analisa os efeitos da religiosidade e da mística na constituição de identidades femininas e as possibilidades de emancipação das mulheres a partir da sua participação no Movimento de Mulheres Agricultoras. A autora reflete sobre uma experiência de Educação Popular que apresenta em sua constituição identitária aspectos sociais e culturais submetidos aos impactos e aos efeitos da religiosidade em seu modo de vida e no cotidiano de suas ações. A obra evidencia a religião como estrutura e a religiosidade como vivência da fé e da mí...
Helen Levitt's earliest pictures are a unique and irreplaceable look at street life in New York City from the mid-1930s to the end of the 1940s. There are children at play, lovers flirting, husbands and wives, young mothers with their babies, women gossiping, and lonely old men. A majority of these photographs have never been published. Other pictures included in this book are now world-famous, now part of the standard history of photography. Together they provide a record of New York not seen since Levitt's pioneering solo show at The Museum of Modern Art in 1943. Levitt's photographs are in some of the best photography collections in America, including: The Met, MoMA, The Smithsonian, Museum of Fine Arts Houston, and the Art Institute of Chicago.
This title offers an interdisciplinary look at the rise of the slaughterhouse in 19th-century Europe and the Americas. Over the course of this period, the factory slaughterhouse replaced the hand slaughter of animals by individual butchers. A wholly modern invention, the municipal slaughterhouse was a political response to public concerns.
Finally, an authentic collection of Salsa/Latin favorites. Complete with syncopations, voicings, and bass figures guaranteed to make you play in whole new ways and expand your musical awareness. There is no drumset on this recording. The percussion is purely Latin/American and the rhythm section is tight. This is like no other play-along in the series. Rhythm Section: Mark Levine (p); David Belove (b); John Santos, Timbales & Miscellaneous Percussion; Harold Muniz (Congas & Miscellaneous Percussion). Titles: Sabor * Linda Chicana * Mambo Inn * ii/V7/I Cha Cha * ii/V7/I Bolero * Afro Blue * Come Candela * Delirio * Manteca * Curacao * Philly Mambo * Mindanao * Picadillo.
From Komisarjevsky in the 1920s, to Cheek by Jowl’s Russian ‘sister company’ almost a century later, Russian actor training has had a unique influence on modern British theatre. Russians in Britain, edited by Jonathan Pitches, is the first work of its type to identify a relationship between both countries’ theatrical traditions as continuous as it is complex. Unravelling new strands of transmission and translation linking the great Russian émigré practitioners to the second and third generation artists who responded to their ideas, Russians in Britain takes in: Komisarjevsky and the British theatre establishment. Stanislavsky in the British conservatoire. Meyerhold in the academy. Michael Chekhov in the private studio. Littlewood’s Theatre Workshop and the Northern Stage Ensemble. Katie Mitchell, Declan Donnellan and Michael Boyd. Charting a hitherto untold story with historical and contemporary implications, these nine essays present a compelling alternative history of theatrical practice in the UK.
国外著名高等院校信息科学与技术优秀教材
The rise of fundamentalist movements in major religions has forced decision-makers, development organizations and academics to turn their attention to its meaning for development. Global scholars and practitioners examine these issues and fundamentally question the secular-religious dichotomy in development discourse and practice.