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Early in the twentieth century, the political humorist Will Rogers was arguably the most famous cowboy in America. And though most in his vast audience didn't know it, he was also the most famous Indian of his time. Those who know of Rogers's Cherokee heritage and upbringing tend to minimize its importance, or to imagine that Rogers himself did so—notwithstanding his avowal in interviews: "I'm a Cherokee and they're the finest Indians in the World." The truth is, throughout his adult life and his work the Oklahoma cowboy made much of his American Indian background. And in doing so, as Amy Ware suggests in this book, he made Cherokee artistry a fundamental part of American popular culture. ...
"I never talk to nobody 'bout this" was the response of one aged African American when asked by a Works Project Administration field worker to share memories of his life in slavery and after emancipation. He and other ex-slaves were uncomfortable with the memories of a time when black and white lives were interwoven through human bondage. Yet the WPA field workers overcame the old people's reticence, and American West scholars T. Lindsay Baker and Julie P. Baker have collected all the known WPA Oklahoma "slave narratives" in this volume for the first time - including fourteen never published before. Their careful editorial notes detail what is known about the interviewers and the process of preparing the narratives.
Muscogee (Creek) writer and humorist Alexander Posey (1873 1908) lived most of his short but productive life in the Muscogee Nation, in what is now Oklahoma. He was an influential political spokesperson, an advocate for improving conditions in Indian Territory, and one of the most prominent American Indian literary figures of his era. One of Posey s dearest subjects was the Oktahutche River, which he so loved that he gave it voice in his poem, Song of the Oktahutche. His poetry, drawing from Romantic European and Euro-American influences such as Robert Burns and John Greenleaf Whittier, became a sort of Indian Territory pastoral in which the Greek nymph Echo shares a river with Stechupco, th...
Illuminating the historical development of race relations from African American, Cherokee, and Muskeg (Creek) points of views, this book weaves a rich tapestry from oral history accounts, manuscript census schedules, and ethnohistorical literature. The Cherokee and Creek tribes were two of the largest in the Southeast and their forcible removal to Indian Territory affected tens of thousands of Africans and Native Americans This innovative study describes Creek and Cherokee social organization and culture change in the early 19th century, uses oral accounts to examine the impact of Removal on black-Indian relations, and analyzes Creek-black Indian political alliances during the Green Peach Wa...
Many Anglo-Americans in the nineteenth century regarded Indian tribes as little more than illiterate bands of savages in need of “civilizing.” Few were willing to recognize that one of the major Southeastern tribes targeted for removal west of the Mississippi already had an advanced civilization with its own system of writing and rich literary tradition. In Literacy and Intellectual Life in the Cherokee Nation, 1820–1906, James W. Parins traces the rise of bilingual literacy and intellectual life in the Cherokee Nation during the nineteenth century—a time of intense social and political turmoil for the tribe. By the 1820s, Cherokees had perfected a system for writing their language...
The book examines trends in American literature and sheds new light on the legal history of race relations during the Progressive Era.
A searing portrait “of the ways in which black men and women have struggled to surmount injustice to own homes”—from the heroic lawyer who spoke out against Clarence Thomas (The New York Times Book Review) In this “highly readable and deeply analytical” work, attorney Anita Hill examines the relationship between home ownership and the American Dream through the lens of race and gender (Library Journal). Through the stories of remarkable African American women—including her own great-great-grandmother, playwright Lorraine Hansberry, and Baltimore beauty-shop owner and housing-crisis survivor Anjanette Booker—she demonstrates that the inclusive democracy our Constitution promises must be conceived with home in mind. From slavery to the Great Migration to the subprime mortgage meltdown, Reimagining Equality takes us on a journey that sparks a new conversation about what it means to be at home in America and presents concrete proposals that encourage us to reimagine equality.
Urban Homelands explores writing by Native Oklahomans that connects urban homelands in Oklahoma and beyond and reveals the need for a new methodology of urban Indian studies.
The Handbook of Native American Literature is a unique, comprehensive, and authoritative guide to the oral and written literatures of Native Americans. It lays the perfect foundation for understanding the works of Native American writers. Divided into three major sections, Native American Oral Literatures, The Historical Emergence of Native American Writing, and A Native American Renaissance: 1967 to the Present, it includes 22 lengthy essays, written by scholars of the Association for the Study of American Indian Literatures. The book features reports on the oral traditions of various tribes and topics such as the relation of the Bible, dreams, oratory, humor, autobiography, and federal lan...
Linda Williams Reese tells of political activist Kate Barnard, who became Oklahoma's Commissioner of Charities and Corrections but fell from political grace, of Alice Robertson, who in 1920 abandoned the acceptable female endeavors of teaching and charity work to become a representative to the U.S Congress, and of Isabel Crawford, missionary to the Kiowas, who confided to her journal, "There are different kinds of hardships and those of the heart and spirit are harder to bear.".