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Three Kingdoms
“A material epic with an astonishing fidelity to history."—New York Times Book Review Three Kingdoms tells the story of the fateful last reign of the Han dynasty (206 B.C.–A.D. 220), when the Chinese empire was divided into three warring kingdoms. Writing some twelve hundred years later, the Ming author Luo Guanzhong drew on histories, dramas, and poems portraying the crisis to fashion a sophisticated, compelling narrative that has become the Chinese national epic. This abridged edition captures the novel's intimate and unsparing view of how power is wielded, how diplomacy is conducted, and how wars are planned and fought. As important for Chinese culture as the Homeric epics have been for the West, this Ming dynasty masterpiece continues to be widely influential in China, Korea, Japan, and Vietnam and remains a great work of world literature.
Three Kingdoms, A Historical Novel
"The Three Kingdoms gives us The Iliad of China. First of the five great works of traditional prose fiction, this master narrative transforms history into epic and has thereby educated and entertained readers of five centuries with unforgettable exemplars of martial and civic virtue, of personal fidelity and political treachery. Moss Roberts's translation, the first complete rendering in English, is one of surpassing excellence and impeccable scholarship. It should delight and captivate Western readers for many more years to come."—Anthony C. Yu, University of Chicago
Current Catalog
First multi-year cumulation covers six years: 1965-70.
The Essence of Liu Feng-wu's Gynecology
"This book is a partial translation of Liu Feng Wu Fu Ke Jing Yan (Liu Fengwu's Experiences in Gynecology) compiled by the Beijing College of Chinese Medicine and the Beijing Municipal Academy of Chinese Medicine and published by the People's Health & Hygiene Press and the Sichuan New China Publishing Company in 1982"--Editor's Preface.
Thrillville, USA
A raw and remarkable debut story collection concerning substance abuse, societal alienation, and doomed romance from a writer whose work has appeared in prestigious literary journals including The Paris Review. An amusement park employee overdoses after eating the gel of a fentanyl patch. Two homeless men discover the body of a drowned woman. A sister encounters a dangerous stranger while driving her brother to rehab. Ex-lovers seek to rekindle their relationship with the aid of an earthquake. In the nine masterful stories that comprise Thrillville, USA, debut author Taylor Koekkoek depicts Americans living on the margins of society, seeking escape from isolation and underemployment in drugs...
The New and the Multiple
A study of Sung Chinese historical consciousness, this is the first comprehensive English work on the subject. It presents "new and multiple" as the key ideas for interpretation. Eleven essays by leading Sung scholars in the U.S., Germany, Japan and Taiwan show that there were important developments in both Sung senses of the past and Sung historiography: from conservatism to historical analogy to new worldviews (Ch'ing-li new policy and Chu His's tao-hsueh), the Sung sought to redefine the human past. The Sung also created or refined the writing of local, universal and genealogical histories, and brought about new visions of China's past.
Records of Wei Regime 魏纪
Zi Zhi Tong Jian (Chinese: 资治通鉴;English: "Comprehensive Mirror in Aid of Governance") is a pioneering reference work in Chinese historiography, published in 1084 in the form of a chronicle. In 1065 AD, Emperor Yingzong of Songordered the great historian Sima Guang (1019–1086 AD) to lead with other scholars such as his chief assistants Liu Shu, Liu Ban and Fan Zuyu,[1] the compilation of a universal history of China. The task took 19 years to be completed,and, in 1084 AD, it was presented to his successor Emperor Shenzong of Song. The Zizhi Tongjian records Chinese history from 403 BC to 959 AD, covering 16 dynasties and spanning across almost 1,400 years,and contains 294 volumes (...
The Halberd at Red Cliff
"The turn of the third century CE—known as the Jian’an era or Three Kingdoms period—holds double significance for the Chinese cultural tradition. Its writings laid the foundation of classical poetry and literary criticism. Its historical personages and events have also inspired works of poetry, fiction, drama, film, and art throughout Chinese history, including Internet fantasy literature today. There is a vast body of secondary literature on these two subjects individually, but very little on their interface. The image of the Jian’an era, with its feasting, drinking, heroism, and literary panache, as well as intense male friendship, was to return time and again in the romanticized n...
Reading the Right Text
Reading the Right Text introduces six new plays from contemporary China, five of which are translated here into English for the first time. Chosen from a wide variety of well-received dramas of the period, each play represents the traditions and changes in a particular subgenre: regional theater, proletarian theater, women's theater, history plays, and experimental theater. Xiaomei Chen's wide-ranging and perceptive introduction locates the plays in the political and cultural history of modern China to demonstrate the interrelationship between theater, history, society, and everyday experience. She highlights the origin and development of the different sub-genres and outlines critical approaches from numerous fields, including gender studies, performance studies, subaltern studies, and comparative cultural studies. Quite apart from their importance as theater, these plays are crucial for a fully rounded understanding of the cultural dynamics involved in the transition from Maoist to post-Mao China, from socialist realist drama to the post-socialist response to a market economy and a society in flux.
