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Three Kingdoms
“A material epic with an astonishing fidelity to history."—New York Times Book Review Three Kingdoms tells the story of the fateful last reign of the Han dynasty (206 B.C.–A.D. 220), when the Chinese empire was divided into three warring kingdoms. Writing some twelve hundred years later, the Ming author Luo Guanzhong drew on histories, dramas, and poems portraying the crisis to fashion a sophisticated, compelling narrative that has become the Chinese national epic. This abridged edition captures the novel's intimate and unsparing view of how power is wielded, how diplomacy is conducted, and how wars are planned and fought. As important for Chinese culture as the Homeric epics have been for the West, this Ming dynasty masterpiece continues to be widely influential in China, Korea, Japan, and Vietnam and remains a great work of world literature.
Three Kingdoms, A Historical Novel
"The Three Kingdoms gives us The Iliad of China. First of the five great works of traditional prose fiction, this master narrative transforms history into epic and has thereby educated and entertained readers of five centuries with unforgettable exemplars of martial and civic virtue, of personal fidelity and political treachery. Moss Roberts's translation, the first complete rendering in English, is one of surpassing excellence and impeccable scholarship. It should delight and captivate Western readers for many more years to come."—Anthony C. Yu, University of Chicago
The New and the Multiple
A study of Sung Chinese historical consciousness, this is the first comprehensive English work on the subject. It presents "new and multiple" as the key ideas for interpretation. Eleven essays by leading Sung scholars in the U.S., Germany, Japan and Taiwan show that there were important developments in both Sung senses of the past and Sung historiography: from conservatism to historical analogy to new worldviews (Ch'ing-li new policy and Chu His's tao-hsueh), the Sung sought to redefine the human past. The Sung also created or refined the writing of local, universal and genealogical histories, and brought about new visions of China's past.
Reading the Right Text
Reading the Right Text introduces six new plays from contemporary China, five of which are translated here into English for the first time. Chosen from a wide variety of well-received dramas of the period, each play represents the traditions and changes in a particular subgenre: regional theater, proletarian theater, women's theater, history plays, and experimental theater. Xiaomei Chen's wide-ranging and perceptive introduction locates the plays in the political and cultural history of modern China to demonstrate the interrelationship between theater, history, society, and everyday experience. She highlights the origin and development of the different sub-genres and outlines critical approaches from numerous fields, including gender studies, performance studies, subaltern studies, and comparative cultural studies. Quite apart from their importance as theater, these plays are crucial for a fully rounded understanding of the cultural dynamics involved in the transition from Maoist to post-Mao China, from socialist realist drama to the post-socialist response to a market economy and a society in flux.
Romance of the Three Kingdoms by Luo Guanzhong (Illustrated)
One of the Four Great Classical Novels of Chinese literature, the historical novel ‘Romance of the Three Kingdoms’ is attributed to Luo Guanzhong, a fourteenth century playwright. The narrative is set against the picturesque backdrop of the turbulent years at the end of the Han dynasty and the Three Kingdoms period, starting in 184 AD and culminating with the reunification of the land in 280 by Western Jin. It is among the most beloved works of literature in East Asia and its literary influence in the region has been compared to that of the works of Shakespeare on English literature. Part historical, part fictional, the novel dramatises the lives of feudal lords and their retainers, who ...
Marionette Plays from Northern China
Marionette puppet theater has a rich and ancient history in China, extending back to the Han dynasty and reaching its heyday in the Qing dynasty. While this art form is nearly extinct in northern China today, a handful of troupes in Heyang County in Shaanxi Province, which claims to be the birthplace of marionette theater, continue to perform skits and scenes from Heyang's earlier, broader marionette theater repertoire. In this book, Fan Pen Li Chen has collected and translated rare transcriptions of some of the most popular of these plays. Her insightful translations include a rich variety of genres and highlight memorable characters that range from manipulative aristocrats, poor Confucian scholars, and a woman warrior to Baldy Guo, the iconic clown of puppet theater. As the only work in English about the puppet theater of northern China, these translations provide valuable information about the history, religion, social roles, and popular culture of that region. Detailed introductions and annotations for each play, as well as an extensive bibliography, are also included.
A Biographical Dictionary of the Qin, Former Han and Xin Periods (221 BC - AD 24)
This is a unique and conclusive reference work about the 6,000 individual men and women known to us from China’s formative first empires. Over decennia Michael Loewe (Cambridge, UK) has painstakingly collected all biographical information available. Not only those are dealt with who set the literary forms and intellectual background of traditional China, such as writers, scholars, historians and philosophers, but also those officials who administered the empire, and the military leaders who fought in civil warfare or with China’s neighbours. The work draws on primary historical sources as interpreted by Chinese, Japanese and Western scholars and as supplemented by archaeological finds and inscriptions. By devoting extensive entries to each of the emperors the author provides the reader with the necessary historical context and gives insight into the dynastic disputes and their far-reaching consequences. No comparable work exists for this important period of Chinese history. Without exaggeration a real must for historians of both China and other cultures.
A Biographical Dictionary of Later Han to the Three Kingdoms (23-220 AD)
This publication is the long-awaited complement to Michael Loewe's acclaimed Biographical Dictionary of the Qin, Former Han and Xin Periods (2000). With more than 8,000 entries, based upon historical records and surviving inscriptions, the comprehensive Biographical Dictionary of Later Han to the Three Kingdoms (23-220 AD) now provides information on men and women of the Chinese world who lived at the time of Later (or Eastern) Han, from Liu Xiu, founding Emperor Guangwu (reg. 24-57), to the celebrated warlord Cao Cao (155-220) at the end of the dynasty. The entries, including surnames, personal names, styles and dates, are accompanied by maps, genealogical tables and indexes, with lists of books and special accounts of women. These features, together with the convenient surveys of the history and the administrative structure of the dynasty, will make Rafe de Crespigny's work an indispensable tool for any further serious study of a significant but comparatively neglected period of imperial China.
