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Liu Ye: The Book Paintings
Chinese artist Liu Ye’s subtle, colorful canvases convey his love of literature in the artist’s first publication solely dedicated to his paintings of books. Beijing-based artist Liu Ye is known for his precise, deftly rendered representational paintings. Reminiscent of cartoons and illustrations in children’s books, they include references to abstract artists such as Piet Mondrian. In this new publication devoted exclusively to his Book Paintings, the artist examines the book as both a physical object and cultural totem. He simultaneously stresses the geometry in the composition while always imbuing his paintings with his uniquely recognizable style. The result is a body of work that ...
东西相遇
This first volume in Yang Liu's infographic series explores the range of differences between Eastern and Western experience through her signature graphic simplicity.
Reform in the Balance
Anthony DeBlasi offers a remapping of China's intellectual landscape during the late eighth and early ninth centuries. Recreating a world of intense philosophical debate, influenced by political uncertainty and social disorder, he reveals the logic behind the period's most popular philosophical positions. Reform in the Balance casts aside traditional evaluations of the predominance of the Ancient Style Movement (guwen) during this era. Building on recent scholarship and his own reading of Tang sources, the author argues that the period's dominant intellectual position advocated moderately conservative cultural reform designed to defend literary pursuits and the broader cultural tradition from more strident critics.
The Straw House
Set in China's Jiangnan area in the early 1960s, The Straw House centers around ordinary village life and follows a young boy named Sang Sang. Within the seemingly simplistic life of everyday China emerge several interwoven, deeply moving stories that bid farewell to the innocence of childhood, and embrace--albeit reluctantly--the responsibilities of adolesence. First published in 1997, The Straw House has been called a landmark work in the history of Chinese children's literature. Recommended for ages 12 and up
The Chinese Market Economy, 1000–1500
Since the economic liberalization of the 1980s, the Chinese economy has boomed and is poised to become the world's largest market economy, a position traditional China held a millennium ago. William Guanglin Liu's bold and fascinating book is the first to rely on quantitative methods to investigate the early market economy that existed in China, making use of rare market and population data produced by the Song dynasty in the eleventh century. A counterexample comes from the century around 1400 when the early Ming court deliberately turned agrarian society into a command economy system. This radical change not only shrank markets, but also caused a sharp decline in the living standards of common people. Liu's landmark study of the rise and fall of a market economy highlights important issues for contemporary China at both the empirical and theoretical levels.
My City
A young boy discovers the excitement and unexpected delight of exploring his city--and so will readers of this vibrant picture book. Max is asked to mail a letter for his mother. As he walks through his neighborhood in search of a mailbox, he encounters all sorts of interesting things like falling leaves dancing in the wind, skyscrapers towering in the distance, and junk being piled into a garbage truck. All around him adults hurry on their various errands, too busy to appreciate these wondrous details. His walk through the city leads Max to discover that the mailbox is actually right next door to his own house. Children will enjoy following Max on his adventure and seeing things from his perspective as they explore Joanne Liu's colorful celebration of everyday life in a busy city.
Neural information processing
The three volume set LNCS 4232, LNCS 4233, and LNCS 4234 constitutes the refereed proceedings of the 13th International Conference on Neural Information Processing, ICONIP 2006, held in Hong Kong, China in October 2006. The 386 revised full papers presented were carefully reviewed and selected from 1175 submissions.
China
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We Were Dreamers: An Immigrant Superhero Origin Story
The star of Marvel’s first Asian superhero film, Shang-Chi and the Legend of the Ten Rings, tells his own origin story of being a Chinese immigrant, his battles with cultural stereotypes and his own identity, becoming a TV star, and landing the role of a lifetime.
The Fox Spirit, the Stone Maiden, and Other Transgender Histories from Late Imperial China
In imperial China, people moved away from the gender they were assigned at birth in different ways and for many reasons. Eunuchs, boy actresses, and clergy left behind normative gender roles defined by family and procreation. “Stone maidens”—women deemed physically incapable of vaginal intercourse—might depart from families or marriages to become Buddhist or Daoist nuns. Anatomical males who presented as women sometimes took a conventionally female occupation such as midwife, faith healer, or even medium to a fox spirit. Yet they were often punished harshly for the crime of “masquerading in women’s attire,” suspected of sexual predation, even when they had lived peacefully in t...
