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Thinking Barcelona studies the ideologies that redefined Barcelona during the 1980s and helped the city adapt to a new economy of tourism, culture, and services. Looking specifically at the lead-up to the 1992 Olympic Games and the urban renewal geared toward establishing Barcelona as a happy combination of European cosmopolitanism and Mediterranean rootedness, Edgar Illas situates Barcelona as a key example of contemporary urban rebranding after the fall of communism and the establishment of the neoliberal “end of history.” Looking at a host of materials associated with the games as well as contemporary architectural and literary works, he offers a compelling look at postmodern globalization as it manifests itself through urban regeneration.
This volume brings forward a descriptive approach to the translation and reception of African American women’s literature in Spain. Drawing from a multidisciplinary theoretical and methodological framework, it traces the translation history of literature produced by African American women, seeking to uncover changing strategies in translation policies as well as shifts in interests in the target context, and it examines the topicality of this cohort of authors as frames of reference for Spanish critics and reviewers. Likewise, the reception of the source literature in the Spanish context is described by reconstructing the values that underlie judgements in different reception sources. Finally, this book addresses the specific problem of the translation of Black English into Spanish. More precisely, it pays attention to the ideological and the ethical implications of translation choices and the effect of the latter on the reception of literary texts.
The huge international success of his latest feature, All About My Mother, has finally granted Pedro Almodovar the recognition he deserves, as the most artistically ambitious and commercially consistent film-maker in Europe.
Forth and Back broadens the scope of Hispanic trans-Atlantic studies by shifting its focus to Spain’s trans-literary exchange with the United States at the end of the twentieth century. Santana analyzes the translation “boom” of U.S. literature that marked literary production in Spain after Franco’s death, and the central position that U.S. writing came to occupy within the Spanish literary system. Santana examines the economic and literary motives that underlay the phenomenon, as well as the particular socio-cultural appeal that U.S. “dirty realist” writers—which in Spain included authors as diverse as Charles Bukowski, Raymond Carver, and Bret Easton Ellis—held for Spaniard...
Barcelona is a mosaic of landscapes and atmospheres: the port and the Rambla, the Gothic route around Ciutat Vella, the Eixample, Modernism and GaudA, the Olympic urban planning, museums and sculptures, leisure and night life. A complete visual report with maps of the city."
This book presents and analyses the career of architect Carlos Ferrater since the creation of his new studio calledÊOAB (Office of Architecture in Barcelona). With the arrival of young architects to the team, Êthe activity of OAB is not only deployed in the execution of construction projects, but how it is also complemented and enriched by going into depth in other fields such as teaching and academic research. OAB draws on the collaborative nature of Carlos FerraterÕs previous studio, incorporating new ways of understanding the contributions of each team member to generate richer, more varied, and flexible projects. Their most relevant projects are the Beach Promenade in Benidorm, the Mandarin Hotel, the Zaragoza-Delicias Station, House A and Roca Barcelona Gallery, among many others. Recent works and projects presented by means of extensive photoreportages, plans, drawings and QR codes which link the printed matter and the digital world.
An investigation of the influences and evolution of modern Spain’s underappreciated, but foundational, architecture. Spain’s remarkable twentieth-century architecture evolved against a turbulent background of revolution, civil war, dictatorship, and transition to democracy. Architecture played a key role in Spain’s struggle out of poverty and isolation, and its search for identity in the modern world. This book examines Spanish architecture from the roots of Modernism in the eighteenth and nineteenth centuries to the present, analyzing significant figures and their works in relation to their political, social, and cultural contexts, as well as their contributions to architecture as a whole. From the austere, local Modernism of the 1920s, the influence of international trends in the ’30s, the renewed, “Organicist” Modernism of the ’50s and ’60s, to the flourishing public architecture of the late twentieth century and beyond, Spain provides a penetrating account of the country’s rich and varied built environment.
This volume focuses on the relationship between different modes in the emergence, diffusion, maintenance, and/or challenge of social meanings and institutions. The contributions demonstrate the potential of multimodal approaches to advance the design of rigorous methods of analysis for the study of multimodal communicative practices.
Made in Canada, Read in Spain is an edited collection of essays on the impact, diffusion, and translation of English Canadian literature in Spain. Given the size of the world’s Spanish-speaking population (some 350 million people) and the importance of the Spanish language in global publishing, it appeals to publishers, cultural agents and translators, as well as to Canadianists and Translation Studies scholars. By analyzing more than 100 sources of online and print reviews, this volume covers a wide-range of areas and offers an ambitious scope that goes from the institutional side of the Spanish-Anglo-Canadian exchange to issues on the insertion of CanLit in the Spanish curriculum; from ‘nation branding’, translation, and circulation of Canadian authors in autonomous communities (such as Catalonia) to the official acknowledgement of some authors by the Spanish literary system -Margaret Atwood and Leonard Cohen were awarded the prestigious Prince of Asturias prize in 2008 and 2011, respectively.
First published in 2008, (as Contro l’architettura), Against Architecture has been translated into French and Greek, with editions forthcoming in Polish and Portuguese. The book is a passionate and erudite charge against the celebrities of the current architectural world, the “archistars.” According to Franco La Cecla, architecture has lost its way and its true function, as the archistars use the cityscape to build their brand, putting their stamp on the built environment with no regard for the public good. More than a diatribe against the trade for which he trained, Franco La Cecla issues a call to rethink urban space, to take our cities back from what he calls Casino Capitalism, whic...