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The Indian Rivers
The book presents geomorphological studies of the major river basins – the Indus, Ganga and Brahmaputra and their tributaries. Besides major basins, the book explores peninsular rivers and other rivers state-by-state. All types of rivers, i.e. snow-fed, rain-fed and groundwater-fed rivers are explained together in geological framework. Rivers are lifeline and understanding of the rivers, their dynamics, science and socio-economic aspect is very important. However, different sources provide different data base for rivers. But a book which explains all major rivers of a country at a single place was not yet available. This book is the first book of its kind in the world which provides expert opinion on all major rivers of a country like India. This book complements works in these areas for the last two to three decades on major rivers of India by eminent professors and scientists from different universities, IITs and Indian research institutions. The information presented in the book would appeal to a wider readership from students, teachers to researchers and planners engaged in developmental work and also to common people of the society concerned with awareness about rivers.
Writing Partition
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Tagore's Chitra and Aurobindo's Savitri
Rabindranath Tagore S Drama Chitra Is Aimed At Reminding Man That The Ultimate Truth Is To Be Found Not At The Physical Level But In The Steady Evolution Of The Self. The Illumination Of A Young Princess Mind Lies In The Recognition And Realization That It Is In Truth Alone That True Happiness Resides. Similarly Aurobindo S Epic Savitri Seeks To Narrate The Story Of A Young Princess Who Saves The Life Of Her Husband From Death To Suggest The Ultimate Liberation Of Man From Universal Death. Chitra And Savitri Are Upanishadic Works In The Sense That Their Principal Theme Is The Search For Vidya (Knowledge) That Liberates Man From Avidya (Ignorance), And That Their Main Stylistic Device Is The ...
Telling Lives in India
"This book serves as a window into the rich and revealing lives and self-representations of the particular individuals who have produced the life histories. In so doing, it makes very important broader points about the use of life histories in social science research in general and in the study of South Asian social-cultural life in particular." -- Sarah Lamb Life histories have a wide, if not universal, appeal. But what does it mean to narrate the story of a life, whether one's own or someone else's, orally or in writing? Which lives are worth telling, and who is authorized to tell them? The essays in this volume consider these questions through close examination of a wide range of biographies, autobiographies, diaries, and oral stories from India. Their subjects range from literary authors to housewives, politicians to folk heroes, and include young and old, women and men, the illiterate and the learned. Contributors are David Arnold, Stuart Blackburn, Sudipta Kaviraj, Barbara D. Metcalf, Kirin Narayan, Francesca Orsini, Jonathan P. Parry, Jean-Luc Racine, Josiane Racine, David Shulman, and Sylvia Vatuk.
Culture and Power in Banaras
This collection of ten essays on Banaras, one of the largest urban centers in India's eastern Gangetic plain, is united by a common interest in examining everyday activities in order to learn about shared values and motivations, processes of identity formation, and self-conscious constructions of community. Part One examines the performance genres that have drawn audiences from throughout the city. Part Two focuses on the areas of neighborhood, leisure, and work, examining the processes by which urban residents use a sense of identity to organize their activities and bring meaning to their lives. Part Three links these experiences within Banaras to a series of "larger worlds," ranging from l...
Indian Feminist Ecocriticism
Following Françoise d’Eaubonne’s creation of the term “ecofeminism” in 1974, scholars around the world have explored ways that the degradation of the environment and the subjugation of women are linked. In the nearly three decades since the publication of the classical work Ecofeminism by Maria Mies and Vandana Shiva in 1993, several collections have appeared that apply ecofeminism to literary criticism, also known as feminist ecocriticism. The most recent of these include anthologies that emphasize international perspectives, furthering the comparative task launched by Mies and Shiva. To date, however, there have been no books devoted to gaining a broad-based understanding of feminist ecocriticism in India, understood in its own terms. Our new volume Indian Feminist Ecocriticism offers a survey of literature as seen through an ecofeminist lens by Indian scholars, which places contemporary literary analysis through a sampling of its diverse languages and in the context of millennia-old mythic traditions of India.
Writer, Rebel, Soldier, Lover
"An outstanding literary biography" AMITAV GHOSH "Mukul writes beautifully, and brings to life a man who has often been misunderstood" BENJAMIN MOSER "This book is a remarkable contribution to the world of Indian letters: ANNIE ZAIDI Sachchidanand Hirananda Vatsyayan 'Agyeya' is unarguably one of the most remarkable figures of Indian literature. From his revolutionary youth to acquiring the mantle of a (highly controversial) patron saint of Hindi literature, Agyeya's turbulent life also tells a history of the Hindi literary world and of a new nation-spanning as it does two world wars, Independence and Partition, and the building and fraying of the Nehruvian state. Akshaya Mukul's comprehensi...
Gandhi & Art and Other Essays
In the Vishnudharmottara Purana, when Vajra asks about the art of sculpting deities, Markandeya responds that understanding sculpture first requires knowledge of painting. When Vajra seeks the rules of painting, Markandeya further explains that painting itself cannot be understood without knowledge of dance. To grasp choreography, one must first comprehend music, and true understanding of music is only possible through mastery of singing. This interdependence of art, the insight into the essence of art, is not only attractive but also worth deploring especially when over-specialization is the norm of our age. The essays in this book are a reflection of that ideal, seeking to explore and touch even a small part of this artistic interdependence.
Postmodern Traces and Recent Hindi Novels
Postmodernism is a notoriously elusive concept and still the object of critical debates among scholars across a range of different disciplines. In literature, in particular, these debates are complicated by “postmodern” styles emanating from outside the concept’s Western origins. By analyzing contemporary Hindi novels, and drawing on both Western and Hindi literary criticism, "Postmodern Traces and Recent Hindi Novels" aims to understand some of the manifestations of postmodernism in contemporary Hindi fiction, including ways the latter might challenge the traditional parameters of postmodern literature. This book is essential reading for scholars and students specializing in South Asian studies and both postcolonial and comparative literature. It will also interest the general reader curious to know more about one of the less explored areas of world literature.
