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Historias y cuentos
Mis queridos lectores, seguro que a estas alturas os estaréis preguntando quién es Lola Pasos. Pues bien, Lola Pasos es una escritora novel que acaba de publicar su primer libro, este que ahora mismo tienes entre tus manos, y que responde al título de Historias y Cuentos. Un libro escrito desde la honestidad y el cariño, con una intención claramente definida, intentar ayudar a todo aquel que de verdad lo necesite, sobre todo en estos tiempos tan difíciles que actualmente estamos viviendo. Historias y Cuentos, como su mismo nombre indica, son una serie de cuentos e historias diferentes, que nacen desde el cariño, algunos de ellos basados en hechos reales, otros fruto de la imaginación de su autora, pero todos, sin excepción, escritos para ti. Espero, querido lector, que lo disfrutes tanto como lo hice yo al escribirlo.
Motherhood in Mexican Cinema, 1941-1991
How were femininity and motherhood understood in Mexican cinema from the 1940s to the early 1990s? Film analysis, interviews with filmmakers, academic articles and film reviews from newspapers are used to answer the question and trace the changes in such depictions. Images of mothers in films by so-called third-wave filmmakers (Busi Cortes, Maria Novaro, Dana Rotberg and Marisa Sistach) are contrasted with those in Mexican classical films (1935-1950) and films from the 1970s and 1980s. There are some surprising conclusions. The most important restrictions in the depiction of mothers in classical cinema came not from the strict sexual norms of the 1940s but in reactions to women shown as having autonomous identities. Also, in contrast to classical films, third-wave films show a woman's problems within a social dimension, making motherhood political--in relation not to militancy within the left but to women's issues. Third-wave films approach the problems of Latin American society as those of individuals differentiated by gender, sexuality and ethnicity; in such films mothers are citizens directly affected by laws, economic policies and cultural beliefs.
Lola
None
New Latin American Cinema
Mapping the historical and cultural contexts of film practices in Latin America, this two-volume collection of programmatic statements, esays and interviews is devoted to the study of a theorized, dynamic and unfinished cinematic movement. Forged by Latin America's post-colonial environment of underdevelopment and dependency, the New Latin American Cinema movement has sought to inscribe itself in Latin America's struggles for cultural and economic autonomy. This volume comprises essays on the development of the New Latin American Cinema as a comparative national project. Essays are grouped by nation into two regions - Middle and Central America and Caribbean and South America - for compariti...
Lola
Presents the story of Lola, the most beautiful hen in the henhouse and the rooster who only has eyes for her, but Lola is in love with another.
Lola
Presents the story of Lola, the most beautiful hen in the hen house and the rooster who only has eyes for her, but Lola is in love with another.
