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"Originally associated with the British Pop Art movement in the early 1960s, Joe Tilson has achieved international acclaim over the last forty years for the individuality and originality of his paintings, constructions, painted reliefs, prints and multiples, whose sources are drawn from literature, philosophy, ethnography and alchemy.] [This handsome catalogue, illustrated in colour throughout and containing an incisive and thought-provoking essay by Mel Gooding, is published to accompany a major retrospective of Tilson's work at the Royal Academy of Arts.] - book jacket.
Wherever she is working outside, from the remote coastline of her native Scotland to the mountains of Andalucia and the Arizona desert, this artist responds to what she sees in her sketchbooks. Published here, these studies provide themes and motifs for her paintings and prints, but they also stand alone as sensuous evocations of the landscapes to which she is so attached.
From the eighteenth century to the twenty-first, the Royal Academy of Arts in London has occupied a prominent, occasionally controversial and always individual position in the art world. Its Annual Exhibitions, now known as the Summer Exhibitions, have seen artistic reputations rise and fall, and its enduringly popular international loan exhibitions have helped to shape the public's appreciation of the visual arts. Packed with illustrations, this brief introduction to the Academy's 250-year story considers how its homes and some of its characters have made it what it is. AUTHOR: Peter Sawbridge is Editorial Director at the Royal Academy of Arts. 62 colour images
The second half of the 20th Century witnessed an outburst of theories and manifestoes that explored the possibilities of architecture: it's language, evolution and social relevance. The many 'crises in architecture' and emerging urban and ecological problems questioned the current orthodoxy: Modernism was criticised, questioned and overthrown, only to be extended, subverted and revivified. The result was a cascade of new theories, justifications and recipes for building. This anthology, first edited in 1997, brought together a coherent collection of texts that tracked these important shifts from all the major architectural thinkers and practitioners. In this new edition of the book, over twe...
On Charles II's restoration to the throne in 1660, four of his supporters were provided with plots of land in a leafy suburb of 0London, on which to build their extravagant town palaces. The only one to survive - built for the poet and courtier Sir John 0Denham (1615-1669) and now situated in the heart of Piccadilly - became the home of the Royal Academy of Arts, its exhibitions and its Schools. This important study charts the history of the estate through its many owners, including the 3rd Earl of Burlington (1694-1753), who gave the house not only its name but also its distinctive and influential architecture. In his day, the house was host to leading scholars and celebrities, who met within Burlington's cutting-edge creation, which remains an unparalleled example of the Palladian style in England. Nicholas Savage's meticulous research examines 350 years of social and architectural history, as well as revealing the next phase in the life of the estate, as the Royal Academy opens up Burlington House as never before in an exciting redevelopment led by Sir David Chipperfield CBE RA to celebrate the institution's 250th anniversary.
Pairing one of the world’s greatest sculptors with one of today’s greatest writers on art, Shaping the World tells the story of human culture from prehistory to the present through the medium of sculpture. Practiced by every culture throughout the history of the world, sculpture is a universal art form that’s deeply rooted in the human psyche and may even predate the advent of language. In this wide-ranging book, internationally renowned sculptor Antony Gormley and distinguished art critic Martin Gayford consider sculpture as an art form related to humanity’s potential for thought and feeling, as well as to our urge to build, make pictures, practice religion, and develop philosophical thought. They take into account materials and techniques and consider overarching themes, such as space, light, and darkness. Drawing on examples from around the globe—ranging from the standing stones at Stenness, Orkney, dating from around 3100 BCE, and the Terracotta Army in China to Robert Smithson’s Spiral Jetty and Richard Serra’s steel structures—Shaping the World explores sculpture as a form of physical thought capable of altering the way people feel.
This title features essays by Lilly Dubowitz on Stefan Sebok, the art historian Karin Gimmi on Max Frisch, the architectural historian Irene Sunwoo on AATV, the oral historian Linda Sandino on the oral archive, the design historian Eric Kindel on stencils and a conversation between John Morgan and Sally Potter about her father."
In 2015 Barbara Rae travelled to Greenland on the trail of her namesake and fellow Scot, the surgeon and explorer Dr John Rae (1813-1893). Captivated by the 'wild sort of life', he travelled to the Arctic in 1846, learning local languages and survival techniques. His enlightened co-operation and collaboration with the Inuit - almost unheard of at the time - allowed him to discover the fate of Sir John Franklin's lost 1845 expedition, and to confirm the existence of the Northwest Passage, the maritime link between the Atlantic and Pacific Oceans. This book is the artistic result of Barbara Rae's extraordinary journey. Through the artist's deft handling of colour and line the frozen landscape of the Arctic jumps into life from the page. This special publication takes the reader on a journey of discovery from Scotland to the Arctic, and back again. Her vivid images are combined with insightful texts from authors including the Inuit leader and advocate Tagak Curley, the architect Ian Ritchie and the celebrated art critic Duncan Macmillan, as well as contributions from the artist herself.
The Dissertation is one of the most demanding yet potentially most stimulating components of an architectural course. Properly done, it can be a valuable contribution not only to the students own learning development but also to the field of architecture as a whole. This book provides a complete guide to what to do, how to do it, when to do it, and the major pitfalls involved. This is a comprehensive guide to all that an architecture student might need to know about undertaking the dissertation, including new material on CD-ROM and online sources, web based research techniques, digital images, alternative imaging strategies, key architecture links, referencing and new dissertation extracts. ...