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National currencies appear to be threatened from all sides. European Union member countries are due to abandon their national currencies in favour of a supranational currency by the year 2000. Elsewhere, the use of foreign currencies within national economic spaces is on the increase, as shown by the growth of eurocurrency activity, and currency su
This fourth volume in the series Theatre in Europe charts the development of theatrical presentation at a time of great cultural and political upheaval.
This fresh and engaging book looks at each of the Roman emperors from Julius Caesar in 44BC to Romulus Augustulus in AD 476, illuminating not only the manner of their deaths but what their final days tell us about their lives. We also hear how the most powerful position in the history of the Western world held a permanent appeal, despite its perils, with eager candidates constantly coming forward to seize the throne. Very few of the Roman emperors died a natural death. The insane Caligula was murdered after leaving the theatre; Caracalla while he was relieving himself. Caesar was stabbed twenty three times and Otho was dragged into the Tiber with a flesh-hook. However great an emperor's power, danger was ever present. Emperors Don't Die in Bed provides a clear history of the imperial succession as well as a compelling depiction of the intrigue and drama of Roman imperial politics.
The series Religion and Society (RS) contributes to the exploration of religions as social systems- both in Western and non-Western societies; in particular, it examines religions in their differentiation from, and intersection with, other cultural systems, such as art, economy, law and politics. Due attention is given to paradigmatic case or comparative studies that exhibit a clear theoretical orientation with the empirical and historical data of religion and such aspects of religion as ritual, the religious imagination, constructions of tradition, iconography, or media. In addition, the formation of religious communities, their construction of identity, and their relation to society and the wider public are key issues of this series.
The Edinburgh Companion, newly available in paperback, is a gateway to the fascinating worlds of ancient Greece and Rome. Wide-ranging in its approach, it demonstrates the multifaceted nature of classical civilisation and enables readers to gain guidance in drawing together the perspectives and methods of different disciplines, from philosophy to history, from poetry to archaeology, from art history to numismatics, and many more.
The helplessness often felt by families involved with drinkers is frequently shared by professionals and by the drinkers themselves. This book uses these parallel experiences to build a resource that provides an understanding of why people may drink to excess, and combines this with illustrations of ways of dealing with problems linked to drinking.
An eye-opening history of Britain and the Islamic world--a thousand-year relationship that is closer, deeper, and more mutually beneficial than is often recognized In this broad yet sympathetic survey--ranging from the Crusades to the modern day--Martin Pugh explores the social, political, and cultural encounters between Britain and Islam. He looks, for instance, at how reactions against the Crusades led to Anglo-Muslim collaboration under the Tudors, at how Britain posed as defender of Islam in the Victorian period, and at her role in rearranging the Muslim world after 1918. Pugh argues that, contrary to current assumptions, Islamic groups have often embraced Western ideas, including modernization and liberal democracy. He shows how the difficulties and Islamophobia that Muslims have experienced in Britain since the 1970s are largely caused by an acute crisis in British national identity. In truth, Muslims have become increasingly key participants in mainstream British society--in culture, sport, politics, and the economy.
The British Army's devastating effectiveness against colonial rebellion is exposed in this military history of Britain's pacification of the Arab revolt in Palestine.
Hazel Conway introduces the student new to the subject to different areas of design history and shows some of the ways in which it can be studied and some of its delights and difficulties. No background knowledge of design history, art or architecture is assumed.